Eluze writes:
James wrote
I haven't tried it but could you could use \tuning as a 'rehearsal mark'
at
that bar line instead?
that's it - thanks, James!
by using a rehearsal mark above and below the staff (2 voices) and making
them transparent it works! I attach the new file:
Federico Bruni writes:
Il 06/01/2013 04:49, francesco ha scritto:
Hi
My mac can't open the page to download lilypond. Can you help?
Thanks
F
I guess you mean that you can open the download page on lilypond.org but
the download is not working.
This is because the binaries are hosted on
Colin Hall-3 wrote
Eluze writes:
James wrote
I haven't tried it but could you could use \tuning as a 'rehearsal mark'
at
that bar line instead?
that's it - thanks, James!
by using a rehearsal mark above and below the staff (2 voices) and making
them transparent it works! I attach the
Jay Anderson writes:
On Tue, Jan 15, 2013 at 2:14 AM, David Kastrup d...@gnu.org wrote:
It is somewhat embarrassing, but in my local stable branch I had
already collected a few of the file/parser/EOF-related fixes in 2.17
when I told Philip to go ahead with releasing 2.16.2. I suppose I
Jim Long writes:
Please forgive my earlier example, which I had not tested
thoroughly.
Consider the example below instead, and the attached output.
It shows some variations that could be useful when storing
musical phrases in a variable, while retaining some flexibility
with ties leading
Eluze writes:
the listed code produces the attached file where in the 3rd line the spacing
between clef, key and the note is *not* reduced
\paper { ragged-right = ##t }
\layout {
\context {
\Staff
\remove Time_signature_engraver
\remove Separating_line_group_engraver
}
Eluze writes:
Colin Hall-3 wrote
Eluze writes:
James wrote
I haven't tried it but could you could use \tuning as a 'rehearsal mark'
at
that bar line instead?
that's it - thanks, James!
by using a rehearsal mark above and below the staff (2 voices) and making
them transparent it
Michael Rivers writes:
I'm not sure if this the right place to ask this
Enhancement requests should be sent to bug-lilypond.
I've included bug-lilypond on this reply to your post, so it is taken
care of now.
@bugsquad
See Michael's original post on lilypond-user.
Cheers,
Colin.
--
Colin
Colin Hall-3 wrote
What version of Lilypond did you use, and could you send a link to the
documentation you referred to in your post?
in NR spacing issues
http://www.lilypond.org/doc/v2.17/Documentation/notation/proportional-notation
I found
The amount of this prefatory space is the same
Johannes Rohrer writes:
* 2013-01-19 18:20 +0100 Ian Hulin:
On 19/01/13 15:34, Johannes Rohrer wrote:
currently the scm/ subdirectory of LilyPond is flat, and all guile
modules defined there are immediate submodules of scm. Related
modules are not grouped into guile submodules, but
Colin Hall writes:
Jim Long writes:
Please forgive my earlier example, which I had not tested
thoroughly.
Consider the example below instead, and the attached output.
It shows some variations that could be useful when storing
musical phrases in a variable, while retaining some
Eluze writes:
Colin Hall-3 wrote
What version of Lilypond did you use, and could you send a link to the
documentation you referred to in your post?
in NR spacing issues
http://www.lilypond.org/doc/v2.17/Documentation/notation/proportional-notation
I found
The amount of this prefatory
Colin Hall writes:
Michael Rivers writes:
I'm not sure if this the right place to ask this
Enhancement requests should be sent to bug-lilypond.
I've included bug-lilypond on this reply to your post, so it is taken
care of now.
@bugsquad
See Michael's original post on lilypond-user.
Colin Hall writes:
Michael Rivers writes:
I'm not sure if this the right place to ask this
Enhancement requests should be sent to bug-lilypond.
I've included bug-lilypond on this reply to your post, so it is taken
care of now.
@bugsquad
See Michael's original post on lilypond-user.
Hi Mike, Colin, LilyPond fellows,
I'm sorry for this one-year-later intervention about this issue.
http://code.google.com/p/lilypond/issues/detail?id=1798
A recent reply I did to Federico made me think about the fact that,
in 4/4 time signature, full measure rests take very little horizontal
Eluze writes:
Colin Hall-3 wrote
Eluze writes:
James wrote
I haven't tried it but could you could use \tuning as a 'rehearsal mark'
at
that bar line instead?
that's it - thanks, James!
by using a rehearsal mark above and below the staff (2 voices) and making
them transparent it
On 22 janv. 2013, at 01:44, Xavier Scheuer x.sche...@gmail.com wrote:
Could you make full measure rests take as much horizontal space as
the equivalent note for every measure/FMR duration?
Probably...I'd need to look it over in the train today...will let you know!
Cheers,
MS
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