Articulations in same spot where slur ends

Hi, Often, not always, when a slur ends on a note with the \prall\turn combination (custom in baroque music), the prall and the turn are printed colliding/overlapping in one spot rather than the turn above and the prall below as they should. Please see the attachments. Best regards, Ole --

Re: Articulations in same spot where slur ends

A possible workaround is something like d'8( c\prall-\tweak extra-offset #'(0 . 1.3)\turn) /Ole Sent with [Proton Mail](https://proton.me/) secure email. --- Original Message --- On Saturday, October 29th, 2022 at 07:01, Ole V. Villumsen wrote: > Hi, > Often, not always, when a slur

Re: Full bar rest printed incorrectly after time signature change

Is this not you want: \version "2.22.2" {   \time 3/4   \partial 4*2  % defines bar as holding two crotchets   f'4 f' |   \time 2/4   R2 |   R2 |  } Paul From: Ole V. Villumsen via bug-lilypond To: "bug-lilypond@gnu.org" Sent: 28/10/2022 10:52 Subject: Full bar rest

Re: Full bar rest printed incorrectly after time signature change

Hi Paul, that’s an interesting suggestion. The following can be considered working: \time 3/4 \partial 4*2 % defines an upbeat holding two crotchets f'4 f' | \time 2/4 \set Score.currentBarNumber = #2 R2 | R2 | The incomplete 3/4 measure still has not got bar number 1. For most purposes we can

Re: Full bar rest printed incorrectly after time signature change

Thanks, Paul, for your reply. You are correct, of course: I tried to say from the outset that I knew I was changing the time signature in the middle of the measure (after 2 out of 3 crotchets). From https://lilypond.org/doc/v2.22/Documentation/notation/displaying-rhythms#upbeats: > The

Re: Full bar rest printed incorrectly after time signature change

Sorry, a new full 2/4 measure. Hope it wasn’t too confusing. Sent with [Proton Mail](https://proton.me/) secure email. --- Original Message --- On Friday, October 28th, 2022 at 12:44, Ole V. Villumsen wrote: > Thanks, Paul, for your reply. > You are correct, of course: I tried to say

Full bar rest printed incorrectly after time signature change

I have found no really acceptable workaround for this bug. Please see the attachments. Thx Ole -- Ole V. Villumsen Jelshøjvænget 13 DK - 8270 Højbjerg Denmark +45 - 86 27 29 26 Text +45 - 30 22 29 26 Sent with [Proton Mail](https://proton.me/) secure email.% In the output from this file, the

Re: Full bar rest printed incorrectly after time signature change

There are only two crotchets between your 3/4 signature and your 2/4 signature - what do you expect to happen? Paul From: Ole V. Villumsen via bug-lilypond To: "bug-lilypond@gnu.org" Sent: 28/10/2022 10:52 Subject: Full bar rest printed incorrectly after time signature

Re: Full bar rest printed incorrectly after time signature change

On Fri, Oct 28, 2022 at 01:04:38PM +, Ole V. Villumsen via bug-lilypond wrote: > The incomplete 3/4 measure still has not got bar number 1. For most > purposes we can probably live with that. Setting the current bar > number explicitly to 1 did not help (apparently upbeats don’t have bar >

Re: Full bar rest printed incorrectly after time signature change

Hi Kevin, Thank you for your input. > If you use \partial at the beginning of a score it treats the resulting > duration as the length of music preceding the first bar. This is how bar > numbering generally works for upbeats/anacrusis. Obviously confirmed. > Partial expects to be given a

Re: Full bar rest printed incorrectly after time signature change

On Fri, Oct 28, 2022 at 03:15:48PM +, Ole V. Villumsen wrote: > > If you use \partial at the beginning of a score it treats the resulting > > duration as the length of music preceding the first bar. This is how bar > > numbering generally works for upbeats/anacrusis. > > Obviously confirmed.

Re: Full bar rest printed incorrectly after time signature change

Hi Ole, ... > I didn’t see any examples of a zero partial in the docs either. I have > trouble making good sense of your last statement, though, sorry. What are > you suggesting to do when the composer did not intend nor supply an upbeat? > (My example is from C.Ph.E. Bach (1714 - 88): Fantasia C

Re: Full bar rest printed incorrectly after time signature change

PS. See also: https://lilypond.org/doc/v2.22/Documentation/notation/special-rhythmic-concerns#time-administration ___ bug-lilypond mailing list bug-lilypond@gnu.org https://lists.gnu.org/mailman/listinfo/bug-lilypond

Re: Full bar rest printed incorrectly after time signature change

At 15:15 on 28 Oct 2022, Ole V. Villumsen via bug-lilypond wrote: > I didn’t see any examples of a zero partial in the docs either. I have > trouble making good sense of your last statement, though, sorry. What > are you suggesting to do when the composer did not intend nor supply > an upbeat?

Re: Full bar rest printed incorrectly after time signature change

Hi Pierre, Thank you, merci beaucoup! For my situation that is extremely helpful. The documentation link too. I much prefer your solution over the ones by Paul, Mark and Kevin pretending that the incomplete 3/4 measure is an upbeat, which it isn’t. The way I read the documentation, in theory

Re: Full bar rest printed incorrectly after time signature change

You're welcome Ole ! PS. Don't forget to unset the Timing in order to avoid any surprises, eg.: \new PianoStaff << \new Staff \relative { \time 3/4 s4*6 << { g'8([ fis] e' d c b) } \\ { s8 \once\hideNotes fis8~ 2 } >> \set Timing.measureLength = #(ly:make-moment 2/4) << {