Hi, again --
I've also attached a pared-down version of the file which should work
in either release, as is. It distills the problem a little more -- at
the expense of centering the number directly on the beam . . .
My last email included an image produced with 2.12.3. Attached is the
Hi, Colin --
On 7/5/11, Colin Campbell c...@shaw.ca wrote:
This will probably require an issue, David, but could you send the code
you used to produce the 2.12.3 version, please? I can't reproduce the
previous stable example, in order to confirm the regression, because
your Scheme-ing gives
Hi,
2012/3/28 Colin Hall colingh...@gmail.com
On Wed, Mar 28, 2012 at 05:02:49PM +0100, James wrote:
hello,
2012/3/28 Clément Ryder themu...@gmail.com:
...etc.
So it seems that this is really the enhancement request stated before
Hi,
2012/3/28 Colin Hall colingh...@gmail.com
On Wed, Mar 28, 2012 at 05:02:49PM +0100, James wrote:
hello,
2012/3/28 Clément Ryder themu...@gmail.com:
...etc.
So it seems that this is really the enhancement request stated before
Hi Colin,
Thanks very much for that, David. I've updated the issue tracker with
your post and your engraver.
http://code.google.com/p/lilypond/issues/detail?id=2445
Thank you!
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Hi,
Part of the beam and the leftmost stem is cut off in the lower staff of
each of the examples here:
http://www.lilypond.org/doc/v2.15/Documentation/notation/displaying-pitches#automatic-accidentals
(I notice the same problem in the 2.14.2 documentation --
Keith,
On Mon, Apr 16, 2012 at 12:10 AM, Keith OHara k-ohara5...@oco.net wrote:
David Nalesnik david.nalesnik at gmail.com writes:
Part of the beam and the leftmost stem is cut off in the lower staff of
each of the examples here:
http://www.lilypond.org/doc/v2.15/Documentation/notation
Hi Urs,
It would be a really valuable feature if one could let LilyPond display
the control-points of a bezier curve.
I would imagine something like a cross or a point at the middle two
control-points.
I think this would be very helpful, so that you can visualize exactly what
these
On Thu, May 3, 2012 at 7:08 PM, David Nalesnik david.nales...@gmail.comwrote:
Hi Urs,
It would be a really valuable feature if one could let LilyPond display
the control-points of a bezier curve.
I would imagine something like a cross or a point at the middle two
control-points.
I
Hi Urs,
But this really _is_ helping to find suitable values for the
control-points.
I'm very glad to hear this!
* Although I know bezier curves from vector graphics software, I
also was convinced that the 'control-points' were four points on
the curve that define its shape.
Hi Harm,
how about:
\version 2.14.2
#(define (make-cross-stencil coords)
(ly:stencil-add
(make-line-stencil 0.1 (- (car coords) 0.2) (- (cdr coords) 0.2)
(+ (car coords) 0.2) (+ (cdr coords) 0.2))
(make-line-stencil 0.1 (- (car coords) 0.2) (+ (cdr coords) 0.2)
(+ (car coords)
Hi Urs,
On Wed, May 16, 2012 at 4:02 AM, Urs Liska lilyli...@googlemail.com wrote:
Am 16.05.2012 10:50, schrieb Colin Hall:
Urs Liskalilyliskaat googlemail.com writes:
The following example shows that staccato points are aligned differently
from other articulations when on the stem
Hi Janek,
\layout {
\context {
\Staff
\consists #stacc-corrector
}
}
i wanted to include your engraver in Fried Songs project, but there's an
error.
Unfortunately i don't have time to debug this problem at the moment,
but maybe the error message will give you an idea
Hi Janek,
On Tue, May 22, 2012 at 1:01 PM, Janek Warchoł janek.lilyp...@gmail.comwrote:
Hi David,
On Tue, May 22, 2012 at 7:51 PM, David Nalesnik
david.nales...@gmail.com wrote:
In procedure string= in expression (string= (ly:prob-property # #)
staccato):
Wrong type argument
David,
script-interface:
This grob interface is used in the following graphical object(s): *note
AccidentalSuggestion::, *note DynamicText:: and *note Script::.
Quite a lot of stuff created without an articulation-type, so you should
be using eqv? rather than string= ...
Ah, I get
The image shows what happens when \balloonGrobText is used with a slur.
Uncommenting the \override demonstrates a possible workaround. I tried
this code in 2.14.2 with the same result.
\version 2.15.39
\new Voice \with { \consists Balloon_engraver }
\relative c'' {
% uncommenting the
Hi,
In the example in the documentation of 2.17.4 relating to
'outside-staff-padding, the last line of text ought to be close to the
previous text.
Compare:
2.16 -
http://www.lilypond.org/doc/v2.16/Documentation/notation/vertical-collision-avoidance
2.17.4 -
On Thu, Feb 21, 2013 at 3:02 AM, Colin Hall colingh...@gmail.com wrote:
m...@mikesolomon.org writes:
If \alterBroken tries to set a property consulted before line breaking,
it results in the property having an incorrect value:
For example...
\relative c'' {
\alterBroken
Mike,
On Thu, Feb 21, 2013 at 7:38 AM, David Nalesnik david.nales...@gmail.comwrote:
m...@mikesolomon.org writes:
If \alterBroken tries to set a property consulted before line breaking,
it results in the property having an incorrect value:
For example...
\relative c
On Mon, Apr 29, 2013 at 11:10 AM, Urs Liska lilyli...@googlemail.comwrote:
Am 29.04.2013 17:46, schrieb Trevor Daniels:
Urs Liska wrote Monday, April 29, 2013 3:50 PM
Am 29.04.2013 16:46, schrieb Trevor Daniels:
Urs Liska wrote Monday, April 29, 2013 3:02 PM
The NR (1.2.3
Urs,
On Mon, Apr 29, 2013 at 10:32 AM, Urs Liska u...@openlilylib.org wrote:
Hi David,
Am 29.04.2013 16:15, schrieb David Nalesnik:
Hi Urs,
On Mon, Apr 29, 2013 at 9:02 AM, Urs Liska u...@openlilylib.org wrote:
b) How can I achieve that the time signature is only printed
Hopefully, we're good!
On Mon, Oct 28, 2013 at 11:49 AM, Trevor Daniels t.dani...@treda.co.ukwrote:
Neither am I :)
This output looks correct to me. In the first example you're asking for a
g16 to be displayed but for its duration to be 7/16 long followed by a
fis16
with duration 5/16,
On Sat, Nov 2, 2013 at 11:36 AM, sniv...@catesby.org wrote:
% here is a case where autochange weirdly sends the top note to the
bass clef, using lots of ledger lines
version 2.16.0
score
{
new
PianoStaff
new Staff = up {
new Voice {
voiceOne
autochange
relative c'' {
On Wed, Nov 6, 2013 at 1:32 PM, Gilberto Agostinho
gilbertohasn...@gmail.com wrote:
When using \autochange, the slope of the beams look ugly against the staff
lines:
It's not specifically a problem with \autochange. You get the same
behavior with manual staff changes:
up = \change Staff =
In the following snippet, there is a collision between the broken analysis
bracket and the clef (see image):
\version 2.17.97
{
c''1\startGroup
\break
c''1\stopGroup
}
\layout {
ragged-right = ##t
\context {
\Voice
\consists Horizontal_bracket_engraver
}
}
Hi Urs,
On Mon, Feb 3, 2014 at 3:16 AM, Urs Liska u...@openlilylib.org wrote:
Hi,
searching the docs and the lilypond-user archive I couldn't find any
relevant information.
I am looking for a custom \accidentalStyle. Actually I think this is quite
commonly used, so it would also seem
Hi Pierre,
On Wed, Feb 12, 2014 at 12:04 PM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi All, Hi Harm,
I'm stucked whith your snippet : http://lsr.dsi.unimi.it/LSR/Item?id=775
again (equal? (ly:music-property m 'name) 'EventChord)...
I'm not sure what problem you
Hi,
On Mon, Feb 10, 2014 at 1:26 PM, James pkx1...@gmail.com wrote:
Hello,
Browsing through the user threads I came across the recent thread
http://lilypond.1069038.n5.nabble.com/fill-line-while-respecting-natural-widths-td158967.html
and created
Hi Pierre,
On Thu, Feb 20, 2014 at 6:51 AM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi Bug Squad,
Enhancement for the following snippet :
http://lsr.di.unimi.it/LSR/Item?id=721
has been disscussed here:
Hi Pierre,
On Mon, Feb 24, 2014 at 6:59 AM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Dear Bug Squad,
See the following snippet :
http://lsr.di.unimi.it/LSR/Item?id=743
Since defining compoundMeter is not needed anymore shall I erease the
definition lines ? In
Simon,
On Sun, Mar 9, 2014 at 7:45 PM, Simon Albrecht simon.albre...@mail.dewrote:
Hello,
lenghty \marks which are at the beginning of a line tend to run into the
margin or even out of the page. It would be nice to make the
center-alignment more flexible and move the mark so that it stays
Oliver,
On Tue, Apr 1, 2014 at 7:36 AM, Oliver Sanftleben
oliver.sanftle...@berlin.de wrote:
Hello,
In LM 2.1.7 (german section: Andere rhythmische Aufteilungen), the example
is not working.
I think\tuplet 3/2 should be replaced by\times 2/3
What version are you running? It looks like
Hi Harm,
On Sun, Mar 16, 2014 at 7:06 AM, Thomas Morley thomasmorle...@gmail.comwrote:
2014-03-12 1:27 GMT+01:00 Thomas Morley thomasmorle...@gmail.com:
Hi,
for some function I need to know the extent/length of the
AccidentalPlacement.
With 2.16.2 I used to do something like:
Hi Harm,
On Sat, Apr 12, 2014 at 4:53 PM, Thomas Morley thomasmorle...@gmail.comwrote:
One question remains: why was it changed?
Instead of more or less simply calling the vallue via ly:grob-extent
we now have to calculate it, looking at each Accidental separately.
(via map and reduce)
On Mon, Apr 14, 2014 at 8:53 AM, David Nalesnik david.nales...@gmail.comwrote:
I can't figure out where that 1.1 comes from, though.
This happens in accidental-placement.cc. It's the value of width
calculated in position_apes. Looks like it doesn't factor in the offsets
to the accidentals
Harm,
On Mon, Apr 14, 2014 at 12:07 PM, David Nalesnik
david.nales...@gmail.comwrote:
On Mon, Apr 14, 2014 at 8:53 AM, David Nalesnik
david.nales...@gmail.comwrote:
I can't figure out where that 1.1 comes from, though.
This happens in accidental-placement.cc. It's the value of width
Hi Harm,
On Fri, Apr 18, 2014 at 8:49 AM, Thomas Morley thomasmorle...@gmail.comwrote:
thanks for all your work you've put on this.
I'm ashamed I didn't try it out so far.
I hope I can find the time to do it the next days.
No problem. If you don't get a chance to look at it, no worries!
On Wed, Jun 25, 2014 at 3:02 PM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi,
This thread :
http://lilypond.1069038.n5.nabble.com/Positioning-spanner-at-different-height-after-line-break-td163618.html
made me think that maybe it would be good to find another example
James,
On Thu, Jun 26, 2014 at 2:23 AM, James pkx1...@gmail.com wrote:
On 26/06/14 00:33, David Nalesnik wrote:
On Wed, Jun 25, 2014 at 3:02 PM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi,
This thread :
http://lilypond.1069038.n5.nabble.com/Positioning
On Thu, Jun 26, 2014 at 7:49 AM, David Nalesnik
Not sure why. Attached is my result, where the tie is there (Win7,
64-bit).
In any case, the altered code is equivalent to
\alterBroken extra-offset #'((0 . 0) (-2 . 5)) Tie
so I can't understand why it wouldn't work as expected.
--David
Hi James,
On Thu, Jun 26, 2014 at 4:14 PM, James pkx1...@gmail.com wrote:
[...]
What I have found is that if you use lilypond-book (which is what the
documentation uses) I don't get the expected output but with lilypond in a
*.ly file I do.
If you are unfamiliar with how doc works in
On Sat, Jul 5, 2014 at 12:24 PM, James pkx1...@gmail.com wrote:
Thanks
http://code.google.com/p/lilypond/issues/detail?id=3992
James
I've figured out the problem, but I'd like to revise the
dodecaphonic-no-repeat code a little while I'm at it. I've added some
comments and an image to the
Certain accidental styles suppress accidentals on immediately repeated
notes. (These styles are neo-modern, neo-modern-cautionary,
neo-modern-voice, neo-modern-voice-cautionary, and dodecaphonic-no-repeat.)
When a pitch repetition occurs across a rest, however, the accidental is
repeated: as an
Hi,
In the following example, the half-note F# counts as an immediate
repetition and should not get an accidental in neo-modern and
neo-modern-cautionary styles, This issue is seen in the documentation at
On Mon, Jul 14, 2014 at 7:39 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi,
In the following example, the half-note F# counts as an immediate
repetition and should not get an accidental in neo-modern and
neo-modern-cautionary styles, This issue is seen in the documentation at
http
-- Forwarded message --
From: guoguocuozuoduo brian777...@hotmail.com
Date: Tue, Jul 15, 2014 at 12:13 AM
Subject: RE: Accidentals on repeated notes separated by rests in certain
styles
To: David Nalesnik david.nales...@gmail.com
There should be for neo-modern, neo-modern
On Tue, Jul 15, 2014 at 6:52 AM, David Kastrup d...@gnu.org wrote:
So what about
{ { fis'8 r8 r4 r4 r8 fis'8 } \\ { r8 cis'8 f' r2 } } ?
I think you mean
{ fis'8 r8 r4 r4 r8 fis'8 } \\ { r8 cis'8 f' r2 }
Should neo-modern-voice really consider the second fis'8 a repetition of
the
On Tue, Jul 15, 2014 at 7:04 AM, David Nalesnik david.nales...@gmail.com
wrote:
On Tue, Jul 15, 2014 at 6:52 AM, David Kastrup d...@gnu.org wrote:
So what about
{ { fis'8 r8 r4 r4 r8 fis'8 } \\ { r8 cis'8 f' r2 } } ?
I think you mean
{ fis'8 r8 r4 r4 r8 fis'8 } \\ { r8 cis'8 f
Hi,
Attempting to put dynamics above cross-staff notes using the code below
leads to some awful collisions. I've recast my example in three ways, to
no avail.
In the first example, besides the collisions, the final stem is reversed
and I get a number of programming errors: Grob direction
In the following example, the ordinary overrides of self-alignment-X appear
to have no effect on the position pf the dynamics (or an effect I can't
see). Large numbers are needed for an obvious shift.
Is this a bug, or something I'm doing wrong?
\version 2.19.10
{
\override
On Mon, Jul 28, 2014 at 9:25 AM, Noeck noeck.marb...@gmx.de wrote:
Your snippet produces a different output here with 2.19.8
(i.e. more like what I would expect)
Yup--and you get the same with 2.19.9.
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On Mon, Jul 28, 2014 at 3:17 PM, Janek Warchoł janek.lilyp...@gmail.com
wrote:
Hi,
2014-07-28 16:13 GMT+02:00 David Nalesnik david.nales...@gmail.com:
In the following example, the ordinary overrides of self-alignment-X
appear
to have no effect on the position pf the dynamics
Hi Janek,
On Mon, Jul 28, 2014 at 4:12 PM, Janek Warchoł janek.lilyp...@gmail.com
wrote:
Hi,
2014-07-28 22:51 GMT+02:00 David Nalesnik david.nales...@gmail.com:
What is potentially confusing (and you see how badly I've been confused)
is
that the default setting of X-offset has changed
On Sat, Aug 23, 2014 at 11:57 AM, David Kastrup d...@gnu.org wrote:
David Winfrey d...@patriot.net writes:
Keith OHara k-ohara5a5a at oco.net writes:
Phil Holmes mail at philholmes.net writes:
But if you enter b4 in F major, you'll get a natural typeset, so there
can
be no
On Tue, Aug 26, 2014 at 2:11 AM, Keith OHara k-ohara5...@oco.net wrote:
David Nalesnik david.nalesnik at gmail.com writes:
In the US, I hear people calling c-sharp c often enough. This usage
is
certainly not good practice in music theory classes (where I correct it
whenever I can). I
On Tue, Aug 26, 2014 at 8:41 PM, Dan Eble d...@faithful.be wrote:
Knute Snortum ksnortum at gmail.com writes:
Just my two cent's worth:
Adding an n modifier isn't saying that C Sharp is C Natural, it's an
assertion. Yes, I really mean natural. No, I didn't just forget the
sharp.
In the following snippet, horizontal spacing is not stretched to fit the
broken spanner with long text on its second line.
It may be that proper accommodation requires at least one bound of
TextSpanner to be set to NoteColumn. In the snippet, one of the bounds of
the sibling on either the first
, NonMusicalPaperColumn for broken. The middle line has
NonMusicalPaperColumn as both bounds.
On Mon, Oct 20, 2014 at 11:43 AM, David Nalesnik david.nales...@gmail.com
wrote:
In the following snippet, horizontal spacing is not stretched to fit the
broken spanner with long text on its second line
Hi Eugene,
You could substitute \markup \null for \markup { }
Alternatively, you could use \markup \vspace #1 (or whatever value).
I'm not sure that it is a bug--the notation says to me make no markup,
whatever LilyPond did in the past.
Anyway, for the purposes of the bug list, you should
Eugene,
On Tue, Oct 21, 2014 at 12:12 PM, Eugene Cormier eugenecorm...@gmail.com
wrote:
David Kastrup dak at gnu.org writes:
Without anything suitable for reproducing the problem, this is sort of
anecdotal knowledge which severely reduces the chances of somebody
actually working on it.
On Sat, Nov 1, 2014 at 4:34 PM, Trevor Daniels t.dani...@treda.co.uk
wrote:
Should \offset work with the font-size of fingering? It doesn't seem to.
The default value is -5, so offsetting by -2 should give -7, with a size as
shown by the \override and \tweak, but both forms of \offset give 0.
On Sat, Nov 1, 2014 at 4:56 PM, Trevor Daniels t.dani...@treda.co.uk
wrote:
David Nalesnik wrote Saturday, November 01, 2014 9:46 PM
On Sat, Nov 1, 2014 at 4:34 PM, Trevor Daniels t.dani...@treda.co.uk
wrote:
Should \offset work with the font-size of fingering? It doesn't seem
On Sat, Nov 1, 2014 at 5:29 PM, Trevor Daniels t.dani...@treda.co.uk
wrote:
David Nalesnik wrote Saturday, November 01, 2014 9:46 PM
On Sat, Nov 1, 2014 at 4:34 PM, Trevor Daniels t.dani...@treda.co.uk
wrote:
Should \offset work with the font-size of fingering? It doesn't seem
On Sat, Nov 1, 2014 at 6:21 PM, Trevor Daniels t.dani...@treda.co.uk
wrote:
David Nalesnik wrote Saturday, November 01, 2014 10:53 PM
To work, \offset needs access to a default value--a number,
number-pair, or list of number-pairs--or a default procedure to calculate
these values
On Sat, Nov 1, 2014 at 6:53 PM, David Nalesnik david.nales...@gmail.com
wrote:
Actually, it might not be hard to enhance \offset to deal with Script.
The defaults aren't stored in define-grobs, rather they're in script.scm.
I'll look into that.
The defaults are available, yes, but then we
Hi,
On Sun, Nov 2, 2014 at 6:23 AM, Trevor Daniels t.dani...@treda.co.uk
wrote:
Noeck wrote Sunday, November 02, 2014 12:46 AM
That would be nice, but your example puts the f on the left of the upper
note and not centralized between the staves (I am using 2.19.15).
You're right, Joram,
On Sun, Nov 2, 2014 at 6:55 AM, Trevor Daniels t.dani...@treda.co.uk
wrote:
David, you wrote Sunday, November 02, 2014 12:44 PM
No, it's not a problem with \offset.
Substitute this for the call to \offset, and you'll see that it's
actually an issue with X-offset here:
\once
Hi again,
On Sun, Nov 2, 2014 at 7:08 AM, David Nalesnik david.nales...@gmail.com
wrote:
Offsetting arpeggio.positions is nice, I think. (Though not precise;
there is quantization which unavoidably kicks in, I think. It's still nice
for arpeggios across tiny intervals, where you don't want
Hi Jean-Charles,
On Tue, Nov 11, 2014 at 9:00 AM, Jean-Charles Malahieude lily...@orange.fr
wrote:
Hi all,
Trying to align a syllable to acciaccaturas, I came across an extender
problem:
The extender should stop *before* the rest, not when encountering the next
acciaccatura.
The problem
On Tue, Nov 11, 2014 at 9:53 AM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Jean-Charles,
The problem I see here is that the X-parent of the LyricText is being set
to the NoteColumn of main note rather than to the grace note. (Perhaps
that's desirable?)
This doesn't work:
\new
On Tue, Nov 11, 2014 at 10:22 AM, David Kastrup d...@gnu.org wrote:
Not much of a surprise here.
\new Staff
\new Voice = music { \grace c'8 }
\new Lyrics \with { includeGraceNotes = ##t } \lyricsto music { hi }
Ah, OK. That's the solution to Jean-Charles's problem.
--David
On Tue, Nov 11, 2014 at 10:28 AM, David Nalesnik david.nales...@gmail.com
wrote:
Ah, OK. That's the solution to Jean-Charles's problem.
Nevertheless, it seems that what he describes is a bug.
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Hi Pierre,
On Wed, Nov 12, 2014 at 7:57 AM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi Squad,
In this snippet : http://lsr.di.unimi.it/LSR/Item?id=308
the slur is to low.
So I'd like to slightly change it to :
[...]
Any objection ?
Looks a lot better to me.
Urs,
On Fri, Jan 23, 2015 at 11:17 AM, Urs Liska u...@openlilylib.org wrote:
Hi David,
thanks, that works great.
It did *not* write to a file, but that's not the issue here.
The main point is that it listens to implicit break events.
The only time it doesn't write to a file for me is
at which positions (in terms of barnumber and
measure-position) the final line breaks, page breaks and page turns have
been placed in LilyPond?
I'm sure this information has to be present at one point, but someone (I
think it may have been David Nalesnik) expressed the opinion that engravers
could
Hi,
In the following snippet, the music runs right off the page. Clearly, the
setting of line-width is not respected. Probably, it should be
minimum-width that is ignored or adjusted along with an error being thrown.
%%%
\paper {
line-width = 50\mm
}
{
\override Tie.minimum-length =
Hi Urs,
On Fri, Jan 16, 2015 at 6:01 AM, Urs Liska u...@openlilylib.org wrote:
Hi,
I encountered a strange crash that is related to enharmonic ties.
I'm using an engraver that is passed a grob.
One particular snippet of input code lets now crash LilyPond.
I can't easily produce a
Hi,
It is a common request to be able to change the defaults of specific
scripts globally. An example would be changing the padding and font-size
of tenuto throughout a file. Currently, the user needs to tweak each
instance of the right Script, a process that is tedious and error-prone.
There
Hi Michael,
Am 16.03.2015 um 15:02 schrieb Michael Schuerig:
I've only been using LilyPond for a rather short time, so far mostly for
engraving short snippets transposed into several keys for practicing. Of
course, the transpose command works nicely for this.
However, it made me think
On Tue, Mar 3, 2015 at 4:35 PM, Simon Albrecht simon.albre...@mail.de
wrote:
Well, there’s reason enough to redirect this to bug-lilypond, isn’t it?
Somehow, Mozilla Thunderbird messes up the code examples, so I can’t do so
well. Perhaps the OP’s and Harm’s first mails in the thread,
Hi Karim,
On Wed, Aug 19, 2015 at 11:01 AM, Karim Haddad karim.had...@ircam.fr
wrote:
Hello list,
I hope this issue is not reported. If it is sorry to post it again :
https://code.google.com/p/lilypond/issues/detail?id=3357
in this example :
\version 2.19.25
{
\override
David,
On Sat, Aug 22, 2015 at 2:24 AM, David Kastrup d...@gnu.org wrote:
David Nalesnik david.nales...@gmail.com writes:
[Patch]
Maybe put it up on Rietveld and post a pointer on bug-lilypond? Even
when it does not make all that much sense to create a new Google issue
for it, my
On Sat, Aug 22, 2015 at 6:00 PM, David Nalesnik david.nales...@gmail.com
wrote:
David,
On Sat, Aug 22, 2015 at 2:24 AM, David Kastrup d...@gnu.org wrote:
David Nalesnik david.nales...@gmail.com writes:
[Patch]
Maybe put it up on Rietveld and post a pointer on bug-lilypond? Even
when
Hi Andrew,
On Mon, Oct 26, 2015 at 3:41 AM, Andrew Bernard
wrote:
> Using a grace note set that spans two staves, reduced from a vastly more
> complex real score to a more minimal example, if I use a hairpin between
> the sfz and the p indications, I get a programming
On Mon, Oct 26, 2015 at 10:23 AM, David Nalesnik <david.nales...@gmail.com>
wrote:
>
>
> A more minimal example triggers the warning with TimeSignature:
>
Two with TimeSignature, one with Clef.
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Hi Mike,
On Tue, Sep 8, 2015 at 11:57 PM, Mike Solomon wrote:
> \version "2.19"
>
> % broken horizontal bracket intersects with bottom of treble clef
>
This has already been reported as Issue 3759:
https://sourceforge.net/p/testlilyissues/issues/3759/
What about moving
Hi,
On Wed, Dec 30, 2015 at 9:54 PM, Fan Hongtao wrote:
> When I write note of Bach's Minuet, I find that LilyPond do not write
> crescendo & decrescendo mark the way I want.
>
> With beams 21~ 24, I write something like :
>
> a8([\< b] cis[ d] e fis |
> g4)\! fis-.
Hi,
On Wed, Apr 6, 2016 at 2:47 PM, Simon Albrecht
wrote:
> Hi Trevor,
>
> that’s a known deficiency:
>
> <
> https://sourceforge.net/p/testlilyissues/issues/search/?q=flared+%26%26+niente
> >
>
> Best,
> Simon
>
>
Note that a workaround is attached to the issue.
David
Hi Simon,
On Thu, Oct 6, 2016 at 4:58 PM, Simon Albrecht wrote:
> On 06.10.2016 23:46, Simon Albrecht wrote:
>>
>> Hello,
>>
>> in the following snippet
>>
>> %%%
>> \version "2.19.47"
>> {
>> 1-\alterBroken color #'(black red) ~ \break
>> 1
>> }
You can't
Harm,
On Sun, Apr 9, 2017 at 1:53 PM, Thomas Morley wrote:
> The following gives strange output, see attached.
>
> \version "2.19.58"
>
> {
> \override TupletBracket.shorten-pair = #'(10 . 0)
> \tuplet 1/1 {
> c'1 c'1
> }
> }
>
> I would have
On Mon, Apr 10, 2017 at 8:39 AM, Thomas Morley <thomasmorle...@gmail.com> wrote:
> 2017-04-10 15:28 GMT+02:00 David Nalesnik <david.nales...@gmail.com>:
>> Harm,
>>
>> On Sun, Apr 9, 2017 at 5:30 PM, Thomas Morley <thomasmorle...@gmail.com>
>>
On Mon, Apr 10, 2017 at 8:39 AM, Thomas Morley <thomasmorle...@gmail.com> wrote:
> 2017-04-10 15:28 GMT+02:00 David Nalesnik <david.nales...@gmail.com>:
>> Harm,
>>
>> On Sun, Apr 9, 2017 at 5:30 PM, Thomas Morley <thomasmorle...@gmail.com>
>>
On Wed, Jun 7, 2017 at 9:00 AM, Federico Bruni <f...@inventati.org> wrote:
> Il giorno mer 7 giu 2017 alle 15:57, David Nalesnik
> <david.nales...@gmail.com> ha scritto:
>>
>> Ah, OK -- that too!! (Maybe I ought to make this clearer in the
>> explanation: the
Hi Stefano,
On Thu, Feb 8, 2018 at 4:43 PM, Stefano Troncaro
wrote:
> Hello again!
>
> I managed to modify David's translation of ly:hairpin::print to have it use
> two properties, Hairpin.rotate and Hairpin.straight-end, to achieve almost
> all the results I wanted.
Hi Stefano,
On Sun, Feb 11, 2018 at 3:44 PM, Stefano Troncaro
wrote:
> I managed to fix it. The problem was not with the calculation of the angle,
> it was with the translation of the angle to the offset that the function
> applies to the vertical placement of the
Hi Stefano,
On Sat, Feb 10, 2018 at 11:14 AM, Stefano Troncaro
wrote:
> Hi David, thank you for your suggestions, this is almost done!
>
> I decided to pass an alist to the function instead of changing the amount of
> arguments based on the procedure name, mainly
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