Fabio Gets His Walking Papers
Can Harlequin rekindle romance in a post-feminist world? 
By Katherine Marsh
THE WASHINGTON MONTHLY
In a Tuesday morning in late August, staffers from the New York office of Harlequin Enterprises meet in a conference room lined with romance-book jackets to discuss newly acquired or promising manuscripts. The roundtable of editors, who range in age from early thirties to mid-fifties, glance at a Xeroxed list of romances that will eventually hit bookstores, supermarkets, and pharmacies, including Midnight Choices, The Weekend Wife, and A Showgirl for Santa. 
 
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