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http://www.zenit.org/english/archive/0101/ZE010114.htm#1820 (internal)

Science Stunned by Virgin of Guadalupe's Eyes

  Engineer Sees a Reflection, Literally, From a Scene in 1531

   ROME, JAN. 14, 2001 (ZENIT.org) .-
   Digital technology is giving new leads in understanding a phenomenon
   that continues to puzzle science: the mysterious eyes of the image of
   Virgin of Guadalupe.
   The image, imprinted on the tilma of a 16th-century peasant, led
   millions of indigenous Indians in Mexico to convert to the Catholic
   faith. Last week in Rome, results of research into the famed image
   were discussed by engineer Jos Aste  Tonsmann of the Mexican Center
of
   Guadalupan Studies during a conference at the Pontifical Athenaeum
   Regina Apostolorum.
   For over 20 years, this graduate of environmental systems engineering
   of Cornell University has studied the image of the Virgin left on the
   rough maguey fiber fabric of Juan Diego's tilma. What intrigued
   Tonsmann the most were the eyes of the Virgin.
   Though the dimensions are microscopic, the iris and the pupils of the
   image's eyes have imprinted on them a highly detailed picture of at
   least 13 people, Tonsmann said. The same people are present in both
   when human eyes reflect the objects before them.
   Tonsmann say  he believes the reflection transmitted by the eyes of
   the Virgin of Guadalupe is the scene on Dec. 9, 1531, during which
   Juan Diego showed his tilma, with the image, to Bishop Juan de
   Zumrraga and others present in the room.
   In his research, Tonsmann used a digital process used by satellites
   and space probes in transmitting visual information.
   He insists that the image "that has not been painted by human hand."
   As early as the 18th century, scientists showed that it was
impossible
   to paint such an image in a fabric of that texture. The "ayate"
fibers
   used by the Indians, in fact, deteriorated after 20 years. Yet, the
   image and the fabric it is imprinted on have lasted almost 470 years
   ago.
   Tonsmann pointed out that Richard Kuhn, a Nobel Prize winner in
   chemistry, has found that the image did not have natural, animal or
   mineral colorings. Given that there were no synthetic colorings in
   1531, the image is inexplicable.
   In 1979, Americans Philip Callahan and Jody B. Smith studied the
image
   with infrared rays and discovered to their surprise that there was no
   trace of paint and that the fabric had not been treated with any kind
   of technique.
   "[How] it is possible to explain this image and its consistency in
   time without colors, on a fabric that has not been treated?" Tonsmann
   asked. "[How] is it possible that, despite the fact there is no
paint,
   the colors maintain their luminosity and brilliance?"
   Tonsmann, a Peruvian engineer, added, "Callahan and Smith showed how
   the image changes in color slightly according to the angle of
viewing,
   a phenomenon that is known by the word iridescence, a technique that
   cannot be reproduced with human hands."
   The scientist began his study in 1979. He magnified the iris of the
   Virgin's eyes 2,500 times and, through mathematical and optical
   procedures, was able to identify all the people imprinted in the
eyes.
   The eyes reflect the witnesses of the Guadalupan miracle, the moment
   Juan Diego unfurled his tilma before the bishop, according to
   Tonsmann. In other words, the Virgin's eyes have the reflection that
   would have been imprinted in the eyes of any person in her position.
   In the eyes, Tonsmann believes, it is possible to discern a seated
   Indian, who is looking up to the heavens; the profile of a balding,
   elderly man with a white beard, much like the portrait of Bishop
   Zumrraga, painted by Miguel  Cabrera, to depict the miracle; and a
   younger man, in all probability interpreter Juan Gonzlez.
   Also present, Tonsmann believes, is an Indian, likely Juan Diego, of
   striking features, with a beard and mustache, who unfolds his own
   tilma before the bishop; a woman of dark complexion, possibly a Negro
   slave who was in the bishop's service; and a man with Spanish
features
   who looks on pensively, stroking his beard with his hand.
   In a word, the Virgin's eyes bear a kind of instant picture of what
   occurred at the moment the image was unveiled in front of the bishop,
   Tonsmann says.
   Moreover, in the center of the pupils, on a much more reduced scale,
   another scene can be perceived, independent of the first, the
   scientist contends. It is that of an Indian family made up of a
woman,
   a man and several children. In the right eye, other people who are
   standing appear behind the woman.
   Tonsmann ventured to express why he believes the Virgin's eyes have a
   "hidden" message for modern times, when technology is able to
discover
   it. "This could be the case of the picture of the family in the
center
   of the Virgin's eye," he says, "at a time when the family is under
   serious attack in our modern world."

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