On Sun, 24 Feb 2002, Aimee Farr wrote:
I question how well we correlate strike, protest, subversive
activity/agitation/propaganda, and sabotage/IW inferences these days --
especially at home, due to domestic constraints. I would think that would
keep a war room quite busy with inference
Greg Newby [EMAIL PROTECTED] writes:
Some electronic journals, some conferences and some print journals now let
authors retain copyright or, if they keep copyright, allow authors to do what
they please with their work.
Usenix is really good with this. You agree not to re-publish anything for a
On Sat, 23 Feb 2002, Eugene Leitl wrote:
Let's recapitulate. We have a downunder nutcase who's using this public
resource for private dumping ground, while posting *a lot* (including
profanity and casual death threats, iirc) and constantly changing his
email address, thus avoiding
Peter wrote:
(Hmm, I wonder if it can be argued that making stuff intended
for public distribution inaccessible violates the creator's
moral rights? I know that doesn't apply in the US, but in
other countries it might work. Moral rights can't be
assigned, so no publisher can take
http://news.bbc.co.uk/hi/english/sci/tech/newsid_2033000/2033324.stm
A new book reveals the 22-year effort by FBI director J Edgar Hoover to get Albert
Einstein arrested as a political subversive or even a Soviet spy.
Uncovered FBI files are revealed in a book by Fred Jerome who says it was a
As an operator of one of the nodes, versus somebody who is just a
subscriber, I'll be happy to state that while clearly a waste of anybody
with a clues time the submissions are not distruptive to the list. Nor or
they spam. They are within the charter of cryptography (and related
technologies),
On Fri, 22 Feb 2002, Aimee Farr wrote:
Great bloodshedding that never happened -- due to diplomacy and deception.
War is the means, not the ends.
No, it's diplomacy by other means. War is only one means, not 'the' means
as this would indicate.
Americans seem to confuse the two -- a Code
On Sat, 23 Feb 2002, Declan McCullagh wrote:
This is the last mattd post I'll see for a while, I expect, since I've
updated my kill.rc file. But the prospect of a cypherpunks subscriber
threatening to send 2 MB attachments to the list is not a pleasant one.
Why? They make 80G drives now for
On Thu, 13 Jun 2002, Tom wrote:
actually, as with most laws, the basic idea behind the moral rights
isn't that bad, it just got perverted.
if used differently, the morale rights part could well be used to put
a limit on the corporate abuse of copyright. for example, I could
envision an
From: Mike Rosing[SMTP:[EMAIL PROTECTED]]
On Thu, 13 Jun 2002, Lucky Green wrote:
The other half of the shears cutting away at the public's right to
entertain themselves with the artwork they purchased in any way they
please is represented by parts of the art culture of
Lucky Green wrote:
Peter wrote:
(Hmm, I wonder if it can be argued that making stuff intended
for public distribution inaccessible violates the creator's
moral rights? I know that doesn't apply in the US, but in
other countries it might work. Moral rights can't be
assigned, so
On Thu, Jun 13, 2002 at 06:27:04AM -0700, Mike Rosing wrote:
simply dispose of the work, or use it as kindling in his fireplace, once
he no longer desires to own it. No, you can't just burn that painting
you bought from some street corner painter five years ago. Though you
are permitted
On Thu, 13 Jun 2002, Lucky Green wrote:
The other half of the shears cutting away at the public's right to
entertain themselves with the artwork they purchased in any way they
please is represented by parts of the art culture of significant
political clout, in particular in Europe.
These laws don't really get into cyberpunks territory, because they are
about rights that are reserved to the original artist, and cannot be
transferred to publishers or distributors or record companies, and can
only be possessed by natural persons, not corporations. So (in France,
not the USA) a
Ken Brown[SMTP:[EMAIL PROTECTED]] wrote:
Trei, Peter wrote:
As an example, consider the Richard Serra's 'Tilted Arc', a 12 foot
high, 120 foot long, 70 ton slab of rusty (and usually grafitti covered)
steel which blocked the entrance to the main Federal building in
lower Manhatten for
--- begin forwarded text
Status: U
Sender: [EMAIL PROTECTED]
Date: Thu, 13 Jun 2002 16:16:16 -0400
From: Ian Grigg [EMAIL PROTECTED]
To: Digital Bearer Settlement List [EMAIL PROTECTED]
Subject: what a scream - answers.google.com - anon ps
One of the things that was interesting about writing
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