[2] Second reflection, Mov.2, from Michael Weiss.
Choreolab as a Creation of Fields of Knowledge
In the course of our study we want to convey that there is a great
conjunction between motion and emotion, action and inaction,
which ultimately strives for full illumination that can
... thought was not complete-d,
when I suggested an issue came up listening moving during the choreolab, and
that was when the film cameras were used at some point, and were considered an
intrusion. Not by everyone, but probably by some, and we wondered whether we
move differently when we
dear all:
i paused to return to this posting where Amos reports on his long short
struggle to scribble words on our theme of (Sebastian reminds me of the correct
scripture) "(E)MOTION FREQUENCY deceleration" ,
and then wonders what is the right procedure. Yes, what is the right
procedure
Dear and resonant forum,
This is also my scribble.
As I join you with a bit of a delay – in my not having been part of the
choreolab and in this response – I’d like to ponder, or dwell for a short
moment on few of the very engaging contributions that have an echoed within me
so far, in the
