Hi
I'm yet another manifest.ar person. Jumping in here at the end.
On Sun, Apr 24, 2011 at 6:45 PM, Alan Sondheim sondh...@gmail.com wrote:
Is there the possibility of live AR? - or using bvh files - similar to
their Second Life application? So that AR can be real-time interactive?
this
[This may not have gone through; apologies, if it did. - Alan]
Is there the possibility of live AR? - or using bvh files - similar to their
Second Life application? So that AR can be real-time interactive? I'm naive
here, but it occurs to me that placement of virtual objects is similar to a
From: xDxD.vs.xDxD xdxd.vs.x...@gmail.com
this is a great reflection, and i think that this is the main limit in
researching on the possibilities of AR using software like Layar, Junaio et
similia.
this (the use of closed platforms like Layar, Junaio and others) is just
about my only
..on Sat, Apr 16, 2011 at 09:25:46AM -0400, Alan Sondheim wrote:
Hi - I'm not sure how to reply to this; I've been thinking about it. One
thing about locative art is its oddly inert quality - it's _there_ and
remains there, is fixed there. It's _there_ in the sense of geographic
mcdonalds is pure augmented reality. get over it.
On 20 Apr 2011, at 08:07, John Craig Freeman wrote:
From: xDxD.vs.xDxD xdxd.vs.x...@gmail.com
this is a great reflection, and i think that this is the main limit in
researching on the possibilities of AR using software like Layar, Junaio
Alan,
yes, that's something that makes me less inclined to make the effort with
today's mobile platforms for AR. You hit the nail on the head that locative
media is located, not just in space but in the technological platform -
particularly commercially located (iPhone or Android or Symbian? or
hi Alan!
On Sat, Apr 16, 2011 at 3:25 PM, Alan Sondheim sondh...@panix.com wrote:
So the 'We' in electracy you talk about is inextricably mixed with capital,
with enclaving, and with the specifics of location; only the last is
accessible to everyone. In this sense, what you call 'this
Hi - I'm not sure how to reply to this; I've been thinking about it. One
thing about locative art is its oddly inert quality - it's _there_ and
remains there, is fixed there. It's _there_ in the sense of geographic
location, and _there_ in the sense of specific technology needed to reveal
Hello all,
For the past eight years, I have worked on the corner of Tremont and Boylston
Streets overlooking the historic Boston Common, the first public park in the
United States. I park in the Common Garage which is under the park, so I walk
across the park every morning. As I do, I often
