Hi Johannes,
Thanks for the provocative questions--forgive me if it takes more ink to answer
than to ask them!
On Oct 7, 2010, at 5:52 PM, Johannes Birringer wrote:
am I correct I reading you as making a direct analogy between embodied
cultural practices/techniques and digital media
Hello all,
I found a few of Jon's points very interesting and wanted to comment on
a couple. I am a emerging electronic media artist who manifests his work
in computational systems. I'm also a copyleftist and my academic and
artist productions have been entirely FLOSS oriented since 2003.
Thanks, Ben, for this informed and important excursion into the dangers that
copyright holds for preserving culture. I also much appreciated your larger
conclusion that software is a form of culture.
One of the chapters of the book Rick Rinehart and I are writing is called
Death By Law--it
Hi Mona,
On Oct 6, 2010, at 9:59 AM, Mona Jimenez wrote:
While I am really interested in all the theory and problematizing and
questioning -- and especially of course the archives themselves, I'm glad
there are those out there who devote themselves to accessibility.
Thanks for this update
hi all
thanks Jon for this text excerpt from your writing, and it seems you are
grappling in a very interesting way with Diana Taylor's potentially confusing
so-called juxtaposition -- between the archive of supposedly enduring
materials (i.e., texts, documents, buildings, bones) and the
-] Culturally specific archives
To: soft_skinned_space emp...@gamera.cofa.unsw.edu.au
Hi Jon, Vanina, et al,,
It's been great following the discussion and thank you for mentioning
my work with culturally specific archives. A relevant project is the
Mukurtu Archive (http://www.mukurtuarchive.org
