Dear all:
thanks, Tom , for your exquisite responses to my questions about qualities,
affects and perceivabilities/perceptions of movement in the experience of
motion (sensorymotor), and movement in animation or images (and i of course
implied dance and all kinaesthetic forms not least dance f
assertion"
or "films of putative fact", neither of which get my vote, despite any
descriptive power they might be argued to have). As John Grierson once said
"Documentary is a clumsy description, but let it stand." The same could be said
of "animation" . . .
Best wis
Johannes,
Wow! What a cool set of questions! Maybe I can begin with these questions
about moving images and the movement-image...
Initially, due to certain received ways of thinking about world, we're probably
tempted to separate the production of movement (the moving image) from the
experie
hello all:
thanks for such a stimulating discussion, and i am also anxious to learn more
about Japanese manga and how Tom reads content/narrative, and their impact,
or impact of the "animation machine" on our perception of what movement is.
In fact, i had wanted to ask - after reading the e
