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around
the world at any particular moment. The spray gun spray is lost, now
its more like a steam bath of image delivery.
What a fascinating issue-- is this 'knowledge production' in some
sense ?
Christina
On Feb 12, 2009, at 11:27 AM, naxsmash wrote:
thank you, Simon-as editor/moderator
Economy. Translated by Gregory Conti, introduction by Michael
Hardt. New York: Semiotext(e), 2008
Apologies for the author name error.
c
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nothing.
Either is a way of reifying metaphors as facts. The trick is to see
what is represented, how it's represented, and what is transformed
by the fiction.
I think I might be my own school of criticism g.
John
naxsmash
naxsm...@mac.com
christina mcphee
http://christinamcphee.net
A good thought about how art practice matters, gives me a moment to
smile while on a very grey bus lumbering into Chicago.
Sent from my iPhone
On Apr 21, 2009, at 10:15 AM, davin heckman davinheck...@gmail.com
wrote:
Thanks for spending a little time on deCerteau...
And as for your call
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in the near-
‘arrival’ of Venus-like conditions, the project imagines speculative
Terran landscapes of proliferation in a topology of break points.
On May 11, 2009, at 9:56 PM, naxsmash wrote:
love, c
thanks to Ashley and Stamatia-- this is totally related to the work i
am doing now and I do thank you
Hi Stamatia and all,
I got interested in researching peaking rhythms as part of research on
carbon PPM concentrations in the atmosphere and how to visualize it.
In connection with this notion of intrinsic singularity , following
Bernard Cache, I started to wonder about
delta values,
naxsmash
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christina mcphee
http://christinamcphee.net
http://naxsmash.net
On Jul 1, 2009, at 7:16 AM, r...@cornell.edu wrote:
As we draw our June discussion to a close we would like to thank our
guest discussants to whom we are most appreciative: Hana Iverson
(US), Sarah
Robert I would be interested in any stories you might have about
particular perfomance artists and events that you 've witnessed ,
wriiten about.. Specific moments when you noticed this kind of
heightened or intense techne.
Sent from my iPhone
On Jul 2, 2009, at 6:49 PM, Robert Summers
Micha, do you have any online clips or links to Becoming Dragon
performances?
You write,
:
n In Becoming Dragon, I sought to
explore the subject in transition, in a way creating a space of
relation
between the audience and a subject who's state of being-in-
transition or
becoming is
dear -empyre=
I've just asked Marc to break up his posts and responses into smaller
chunks. Ironically, I mistakenly posted this long one again because i
was on my i phone and could nt see what I was doing !!! crazy...
anyway, back home now, and I would like to just say I am sorry for the
I do appreciate everyone's patience with this. -empyre- is for
thoughtful posts with some time delay, some reflection. That's why
it's the -empyrean- , a bit set off beyond the horizon. -empyre- is a
formal space for
writing and reading, a hypertext like interleaved pages of a book.
at the soft places
that we are unsure of, that are in between and tender. Sometimes it’s
enough to know they’re there and figure out what it means honor them.
naxsmash
naxsm...@mac.com
christina mcphee
http://christinamcphee.net
http://naxsmash.net
slipp!!
so how petroleum /silicon are these drugged environments plasticizing/
forming new projections through postnatural biospheres--
so are you saying or wishfully dreaming of priori deep type or life-
type forms linguistically tucked
inside the assemblages of ecosystems (laced with the
Political aesthetics eapecially as you refer to Butler--- crucial and
important Also your analysis and perceptive remarks about General
Idea are of keen interest...please jump back in with this. More,
please!
christina
Sent from my iPhone
On Jul 11, 2009, at 6:18 AM, virginia
I too find that Haraway has something wonderful going ('mess making'
in the mess hall). Virginia has touched
on this too, the way of thinking about 'queer' as a functional
shift, or even 'clinamen' (swerve)-- just trying to develop
an nominative (naming ) of queer as noun makes it
. The stream of cell phone
videos from
Iran seem pretty queer, and deeply relational, to me.
Judith
On 7/14/09 7:46 PM, naxsmash naxsm...@mac.com wrote:
... thinking about 'queer' as a functional
shift, or even 'clinamen' (swerve)-- just trying to develop
an nominative (naming ) of queer
On Jul 16, 2009, at 1:47 PM, virginia solomon wrote:
so in all of this talk of violence and the violence attendant to any
sort of queer operation or tactic, I very much understand Robert,
Davin, and Christina's arguments but I am nevertheless troubled,
with Judith, about the stakes of
Judith Rodenbeck writes:
How could one make that image, when her eyes literally
go blank and the blood rivers out of her nose, swerve? I'd think a
3-Songs-of-Lenin treatment rather than Nam June wallpaper. Or Kali Ma.
the swerve as the swerve is happening physically and at the level of
the
speaking of peace, I 've got to head out to yoga but back in a few
hours.
thanks for the great exchange so far and we can keep it going shortly.
-moderator
naxsmash
naxsm...@mac.com
christina mcphee
http://christinamcphee.net
http://naxsmash.net
On Jul 16, 2009, at 5:02 PM, davin
Here is a side exchange that has gone on between my partner Terry, who
teaches a design studio in architecture, and George, a former student
of Terry's who's been working on the problematics of violence in
architecture. Thought it would be worth sharing with the list.
George observes,
Cutting/blows/kisses are sublated via montage in yellow tahiti
substation piece and elsewhere ( http://www.vimeo.com/4189136) and
also the differential is the sense of place, it s not just anywhere,
its a cutting/kissing of places together
short version on version
I was searching last night around the house for a book called A
Bridge We Call Home. I could not find my copy, sadly. Does anyone
have quotes from this book that might touch on
this..http://www.amazon.com/this-bridge-call-home-transformation/product-reviews/0415936829
On Jul 21, 2009, at
Micha, I really appreciate your picking up on the threads in
Virginia's comments on transfeminism and my request for quotes from
This Bridge We Call Home.
Could you contextualize your reference here to Sandoval a bit more? I
am intrigued--
as you quote her,
...enters the kind of psychic
Thanks for the the citation for this book-- I recently had the
pleasure of meeting Dr Johnny (Sue) Golding in the UK.-- she has also
just now been involved in a conference in June for CTheory with our
guest Micha Cardenas (djlotu)
I just want to correct the citation slightly to this:
I would, also like to send you to Johnny Golding's amazing
performance=essay ,
Conversion on the Road to Damascus (2): Minority Report on The
Political (or how to have an adventure after Metaphysics)
http://gre.academia.edu/ProfessorJohnnyGolding/Papers#d98974
this incarnation 'installed'
lecturer at numerous universities institutions and is
currently represented by Sherry Frumkin Gallery in Santa Monica.
please welcome Alex..
c
naxsmash
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christina mcphee
http://christinamcphee.net
http://naxsmash.net
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For the longest time, a book called This Bridge We Call Home was in
the bookcase by my bed. Every night I 'd see
that title and it would comfort me. The image of a home on a bridge,
and calling (naming ) , this imaginary sound , resonated
with a sense of power and hope. Now for some reason
The liminal zone-- Gloria was talking about this bridge-- its always
on the edge of something we cansee, like those luminous jets, not
touch, just yet--
what does Eve Sedgwick say about touch? LIke the biblical Thomas some
need to touch the wound in order to believe.
naxsmash
naxsm
taking it.[3]
naxsmash
naxsm...@mac.com
christina mcphee
http://christinamcphee.net
http://naxsmash.net
On Jul 29, 2009, at 5:38 AM, { brad brace } wrote:
all careerist complicit-fantasy positions and especially
those of the arts-dot-edu variety are reprehensible; the
pseudo dialogue
johannes---
link: http://vimeo.com/channels/naxsmash
or : http://vimeo.com/channels/naxsmash#5766529
thanks also for sending me a link to your video, soda lake
(unbound'),
which i first couldn't watch as our network here in the Mine was too
slow,
and so it stopped, after a few
naxsmash
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christina mcphee
http://christinamcphee.net
http://naxsmash.net
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,
Julian, Christiane, Judith, Robert, Reggie, Renate, Davin, Micha,
Virginia, Brad, and Esquizo-trans
See you in Sept.
Out the blue you came to me
And blew away life's misery
Out the blue life's energy
Out the blue you came to me
=John Lennon
peace,
c
naxsmash
naxsm...@mac.com
christina
no, i think that the sound space/ sonification field is far from
narrow-- it's not obscured by the visual-- sound cuts 'below'
vision... thanks for sharing the links here for turbulence's sound
projects.
I had a strange and powerful 'turning away 'from the visual experience
in working with
Wow, great to mention Victor Papanek. I knew him back when I was a
student at the Kansas city art institute. I remember his bouyant
personality and very dry wit. We have his little book -- containing
really the seeds of everything important about design as a generative
radical
.
naxsmash
naxsm...@mac.com
christina mcphee
http://christinamcphee.net
http://naxsmash.net
On Jan 13, 2010, at 6:36 AM, Johanna Drucker wrote:
Nice turn to these exchanges. I also really appreciated Gabriela's
point and the follow-up by others.
If we think of art as the act of form giving, we
generative thing... I
mean that you can actually make images and sounds do this as a kind of
meta-systems implosion- i am rambling (appropriately enough,
as in a rumble, or a walk through the woods).
christina
naxsmash
naxsm...@mac.com
christina mcphee
http://christinamcphee.net
http
to those who come after us... .
(for more on Filliou, there's a terrific essay on him in a recent Art
Journal (CAA)-- I think , maybe in print only.
Christina
naxsmash
naxsm...@mac.com
christina mcphee
http://pharmakonlibrary.blogspot.com
http://christinamcphee.net
http://naxsmash.net
from your post below to
facebook and twitter. very succinct. thanks, and hi Sergio, as
always-often we are in sync.
c
naxsmash
naxsm...@mac.com
christina mcphee
http://christinamcphee.net
On Oct 24, 2010, at 5:49 PM, sergio basbaum wrote:
Alexander,
Thank you for you
Wow, that's really sad.
He made this amazing compendium:
http://userwww.sfsu.edu/~infoarts/links/wilson.artlinks2.html
xc
naxsmash
naxsm...@mac.com
christina mcphee
http://christinamcphee.net
http://naxsmash.net
On Jan 11, 2011, at 2:36 AM, Simon Biggs wrote:
I'm sorry to say I
This post from Simon Taylor was lost. Mailman software denied it. As
a field becomes visible so does this.
Begin forwarded message:
From: simon s...@clear.net.nz
Date: March 4, 2011 1:55:03 PM PST (CA)
To: empyre-ow...@lists.cofa.unsw.edu.au
Subject: post deemed inappropriate: reasons
a revolta para ver alguma coisa do inconsciente'. Flávio de
Carvalho, Experiência no.2, Rio de Janeiro: Nau, 2001.
cm
naxsmash
naxsm...@mac.com
christina mcphee
http://christinamcphee.netó
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http
. installation curated by
Cara Megan Lewis in a new project space in Kansas City, my old home
town.
http://www.christinamcphee.net/teorema-drawings-at-cara-and-cabezas-contemporary/
Thanks for your patience and have fun next month.
Love,
Christina
naxsmash
naxsm...@mac.com
christina
. It's a case of crisis
management
for many.
Best
Simon
On 31/03/2011 20:47, naxsmash naxsm...@mac.com wrote:
dear evanescent -empyreans,
A relatively failed attempt on my part to 'field' a very broad topic,
'how does a field become visible, when comes to a close as March
goes
out like
very enjoyable comment-- and actually ironically enough, i was just
posting so quickly to -empyre- because usually my 'naxsmash' posts go
through right away because i am a (sometime and former) moderator of
the list. But not this time-- so my remarks came on too late. Also,
I was writing
hallucinating about Tamiko Thiel objects, I can cope with
it, but when I start to hallucinate ATT commercial or ARvertising,
well...maybe at the beginning it would funny somehow.
naxsmash
naxsm...@mac.com
christina mcphee
http://christinamcphee.net
http://naxsmash.net
that's interesting, Paulo, what do you mean by 'what really scares me is the
infertility of art.' can you expand on this ?
c=
naxsmash
naxsm...@mac.com
christina mcphee
http://christinamcphee.net
http://naxsmash.net
On Jul 10, 2011, at 2:47 PM, Paolo Cirio wrote:
Hi to all,
sorry
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I must be missing something, empyreans I am trying to refer to the archives
for some projects and I cannot find the link to our archives.. Can anyone help
with the updated link?
Christina
http:///christinamcphee.net
On Oct 23, 2012, at 6:00 PM, empyre-requ...@lists.cofa.unsw.edu.au
and exhibtion support, Bauhaus-Universitat, Weimar (2003), and Banff
Center for the Arts (residency, Media and Visual Arts, 2000).
Christina McPhee’s time based work on Vimeo including clips from Shed Cubed,
Carbon Song Cycle, Tesserae of Venus and Naxsmash projects is accessed at
https
--empyre- soft-skinned space--
Ken,
Could you offer some online links to some of the images from these works, Box
of Men and Hell ?
-Christina
On Oct 25, 2013, at 4:58 PM, Ken Feingold wrote:
--empyre- soft-skinned space--
Dear
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