At 12:19 PM -0600 2/23/04, Robert Patterson wrote:
The best I can tell, the *only* reason the horn parts are ever
routinely scored 1/3, 2/4 is due to misinformation in the Walter
Piston orchestration book that was followed as gospel by a generation
of composers and their students.
Not me.
Hola, Johannes.
PayPal has been great for me since I am using it (three years I think).
Very fast, easy to setup and accepted by the major plug-ins programmers of
this list ;)
I also have used Kagi without problems.
Here in Spain the banks are offering now special credit cards for internet
In the Instrument List, if you click on the down triangle next to the
instrument's name there are options to turn on/off each layer, Chords
and Expressions.
I think that was what David was referring to -- just click black box
next to Expressions under the P column (for Play) and it should turn
PayPal is not available in many countries, Hungary for example.
Daniel Wolf
Budapest
Javier Ruiz wrote:
Hola, Johannes.
PayPal has been great for me since I am using it (three years I think).
Very fast, easy to setup and accepted by the major plug-ins programmers of
this list ;)
I also have
Of all the replies I got on this I have not heard a single one which
actually sells through paypal, ie uses their buy now and shopping basket
services. Has anyone got experiences in this field, or knows an alternative
that works in Europe?
Johannes
--
http://www.musikmanufaktur.com
Erm. I don't mean to be insulting or facetious, but have you actually *looked* at the
horn staves of any 19th century scores? Everything I've stated on this subject is
based neither on books nor assumptions. It is based on studying (esp.) 19th cent.
scores.
If you go back to when natural horns
John Bell:
I do the 1/3, 2/4 thing because...
I hope I made it clear that I agree there are many contexts where this makes sense.
Personally I happen to think for homophonic chordal passages, it makes more sense to
interlock the parts (i.e. 1/2, 3/4 staves), if for no other reason than to
You can get finale to do this.
Options--Enharmonic spelling--Use Default Spelling.
I just did a scale and I had sharps on the way up and flats on the way
down.
HTH,
Allen
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of MDM
Sent: Tuesday, February 24,
I guess I miss what you're after. If I enter a whole note in layer 1,
and fill layer 2 in the same measure with hidden 16ths, the hidden 16th
notes. With Affects Music Spacing checked for layer 2, the 16th notes
have an effect on the spacing (no matter what kind of spacing I use). If
I uncheck
At 04:13 PM 2/25/04 +0100, Johannes Gebauer wrote:
Of all the replies I got on this I have not heard a single one which
actually sells through paypal, ie uses their buy now and shopping basket
services.
I didn't reply to the Europe question, but I sell using both of these.
Don't sell much,
First of all, in this discussion I'm speaking only of how the parts are presented on
the page. The topic of who plays higher than whom is huge and complicated and an
entirely separate issue. The short of it is, no rigid standard should be applied to
the horns or any other section of the
I must have missed the thrust of this thread. I use the shopping basket function of
Paypal. It works exactly like the Buy Now button, from the perspective of the seller.
I've never had an international transaction using the shopping cart, but I've had many
using Buy Now. No problems.
Paypal
Mea culpa! I agree. I think I was looking through the wrong end of
the telescope! I meant to say what you said. And yes, I've looked
at--and played from--lots of 19th century horn scores, especially in
the Farkas orchestral excerpts book.
John
At 3:31 PM + 2/25/04, Robert Patterson
At 3:48 PM + 2/25/04, Robert Patterson wrote:
The second is, under no circumstances supply parts that double up
with 1/3 on a part and 2/4 on a part. Doing so gains you instant
disrespect from the horn section. And you risk losing your 2nd and
3rd parts entirely, depending on the amount of
From: Fisher, Allen
I guess I miss what you're after. If I enter a whole note in layer 1,
and fill layer 2 in the same measure with hidden 16ths, the hidden 16th
notes. With Affects Music Spacing checked for layer 2, the 16th notes
have an effect on the spacing (no matter what kind of spacing I
Tim Cates:
what I was taught in an orchestration class was that the interlocked
parts had more to do with the physics of having the close harmony in
the player sitting next to you
There's something to that. In fact, Berlioz recommended (speaking of
valveless horns, of course) that the players
Message: 1
Date: Tue, 24 Feb 2004 14:04:49 -0500
From: "David W. Fenton" [EMAIL PROTECTED]
Subject: Re: [Finale] How do I make Finale's interpretations go away?
To: [EMAIL PROTECTED]
Message-ID: [EMAIL PROTECTED]
Content-Type: text/plain; charset=US-ASCII
On 24 Feb 2004 at 1:21, Michael
I'm trying to open an old file. it is a full score. I keep getting this message.
While attempting to open a file file manager reported an error
Finale-error occurred ID=-8
This file was done in June of 1997 on a Mac G3. I have all of the parts,
but this score won't open.
Any ideas?
Thanks:
Bob
Tim Cates:
what I was taught in an orchestration class was that the interlocked
parts had more to do with the physics of having the close harmony in
the player sitting next to you
There's something to that. In fact, Berlioz recommended (speaking of
valveless horns, of course) that
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