on 02.7.13 3:06 PM, Mark D. Lew at [EMAIL PROTECTED] wrote:
At 9:28 AM 07/13/02, Richard Walker wrote:
1. Linkage between scores and extracted parts. If I update one, the other
should be updated automatically.
Holy smokes! My mind boggles at the mere idea. Make a change in one file
on 02.7.13 7:41 PM, Jari Williamsson at [EMAIL PROTECTED]
wrote:
But IMO, going for the Igor solution (one file for everything) is not the
right
path to follow, though.
To be honest, Jari, I don't care how it's done--just so long as it isn't
done by me!
Richard Walker
Yokohama, Japan
there are more.
Richard Walker
Yokohama, Japan
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on your preferred patches. (Philip, did you read this far? There's a
playback trick I don't think you can get Finale to do!)
Maybe this is all possible in Finale, but I've never figured out how, and
being able to do it in Sibelius has removed a major source of frustration
for me.
Richard Walker
is a bit different from copy protection, though. I can accept
being told not to copy something, but being told I can't view something
merely because of my geographic location?
Tee-hee And US DVD's from Amazon cost half what the local versions do!
Richard Walker
Yokohama, Japan
on 02.7.10 10:36 PM
thing when it doesn't matter which particular
term is used because no one is going to see it. (I have been known to use it
when switching between staccato and ordinary brass samples, for example),
and it's an interesting anomaly.
Why the rush to pounce?
Richard Walker
Yokohama, Japan
music and listen to a decent approximation of
it, using the samples I like.
Finale has its good points, but flexible MIDI implementation is not among
them.
Trying desperately to remember what those good points were,
Richard Walker
Yokohama, Japan
on 02.7.9 5:05 PM, Colin Broom at [EMAIL
and the cellos just by what staff it's
on. You don't need to have different expressions defined for each. Try that
in Finale!
Richard Walker
Yokohama, Japan
on 02.7.10 5:36 AM, David W. Fenton at [EMAIL PROTECTED] wrote:
On 9 Jul 2002, at 13:08, Philip Aker wrote:
On Tuesday, July 9, 2002
on 02.7.9 10:15 PM, Jari Williamsson at [EMAIL PROTECTED]
wrote:
Richard Walker writes:
I just load my orchestra into GigaStudio, open a new document,
choose my weapons, and away I go
Which is exactly what I can do in Finale as well
Although you can't. Yet...
Well, I'm sure you'll
and 3 swear words? g
Richard Walker
Yokohama, Japan
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Could you punt and use two layers, hiding the unwanted rests and moving the
stems so that it prints correctly?
But why a 16th note triplet? The math doesn't add up (16th triplet = 8th
note), and that may be my the bracket refuses to extend.
Richard Walker
Yokohama
on 02.5.19 11:01 AM, Crystal
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