At 11:26 AM 04/21/02, Thomas Schaller wrote:
And last week, after all the server software changes I gave up on Eudora too
and went over to Outlook - I just couldn't get Eudora NOT to display the
minimal Internet header info - it seems one can disable the long Internet
header info, but the
At 07:43 AM 04/23/02, KEVIN AUSTIN wrote:
Hmmm ... me too, but I've been trying to unsub for over a week and have
remained remarkablt unsuccessful. (I can't get my _required_
**password**,
I'm not sure why some people seem to be having problems with this. The
following steps should work:
Go
At 09:41 AM 05/03/02, Don Hart wrote:
I'm trying to get smart slurs feature in Finmac 2k2b to avoid an
articulation in a figure that occurs often in a piece. Space around
objects in Smart Slur Options is set to 18 EVPUs and doesn't have any
effect. Attach to notes is selected.
I think
At 10:12 AM 05/03/02, [EMAIL PROTECTED] wrote:
a score I'm working on requires the mfz symbol. I know that I can
do it as a graphic, but I'd prefer to have it as part of a font.
Does anyone know of a font with that symbol?
You can do this yourself in Finale. Create a new text expression,
At 10:26 AM 05/03/02, Jari Williamsson wrote:
Maestro: Put the characters 189 and 90 together as an expression. In
Windows, it becomes ½Z, don't know what it is on the Mac.
That's the symmetric solution to the one I gave. g The first of these
chars is 'm', and the second is 'fz'.
Aaron.
At 06:41 PM 05/31/02, Jim Williams wrote:
Hey, I haven't got the ad yet!
Maybe I'm on the crap list for my criticisms.
Anyone want to forward it??
Just go to http://www.codamusic.com/finale/index.asp
Aaron
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At 06:20 PM 06/01/02, Jari Williamsson wrote:
Finale 2003 review with some tips at:
http://www.finaletips.nu/
Thanks, Jari. Once again, my decision about upgrading is based on your
information, not on Coda's.
I am particularly intrigued by some shortcomings you mention in some of the
new
At 02:36 AM 06/03/02, Mark D. Lew wrote:
I wish they'd add to speedy entry a key that toggles between normal mode
and a mode where entering a note (ie typing a number) doesn't advance the
cursor. That would cut out all those left-arrows with the right thumb,
which slow me down.
That's an
At 09:20 PM 06/03/02, Robert Patterson wrote:
Okay you beamers, the beta version of Beam Over Barline is at my
website. It currently has no settings, so what you see is what you get.
Looks absolutely brilliant, after an admittedly quick test. (One instance
of 8ths, one instance of 16ths, one
At 09:24 AM 06/06/02, Giz Bowe wrote:
Has anyone received Fin2k3 yet? I ordered on-line Saturday and am watching
for the mailman with my cat Mickey (whose daily high-point is watching mail
come in the mail-slot!).
Also ordered Saturday, also still waiting. It seems that the last couple of
At 02:06 PM 06/06/02, David H. Bailey wrote:
I ordered on Saturday, too, and am still waiting.
Nothing in Thursday's mail -- I *really* hope they're not holding things up
for the t-shirts.
Aaron.
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At 11:20 AM 06/07/02, Giz Bowe wrote:
FedEx rang my bell at 10:30 and got my cat Mickey all excited. The t-shirt
is nice, a pale blue this time, with a larger Finale 2003 logo.x
Oh, I'm very jealous. Still not here (in Baltimore), although FedEx
sometimes comes late to my neighborhood.
Mine finally did come this afternoon, and I've spent a couple of hours
playing with it; herewith a few observations. I preface all of this by
saying that the Group Optimization feature is worth the price of the
upgrade for me, regardless of other features or irritations.
I actually kind of
At 02:18 AM 06/08/02, Jari Williamsson wrote:
Aaron Sherber writes:
The new Document Options window is better than the old setup, on the
whole,
but there are still some problems. First of all, they seemed to have
chosen
the window size based on the largest of the old options windows
At 03:03 AM 06/08/02, Mark D. Lew wrote:
Somebody ought to tell Tom how to spell a cappella, [...]
Every dictionary I have lists both spellings as legitimate.
My Norton/Grove says that 'cappella' is the Italian spelling of the word
for 'chapel', and 'capella' is the Latin one. Since 'a
At 05:41 PM 06/13/02, D. Keneth Fowler wrote:
Who said recently that the MassMover locomotive icon could be added to
Fin2003 (just for old times sake)?
You can add UseTruckCursor=1 to the [Settings] section, but this will just
give you back the truck cursor that displays when you are
In the past, when I've had to indicate rolled chords on the piano, I've
used the arpeggio articulation, which has been a real pain -- it never
appears in the correct place, and I have to remember which handle stretches
it and which handle moves it, and if I want to adjust it, I have to
At 08:13 PM 06/13/02, Mark D. Lew wrote:
Regarding the arpeggio articulation, I agree that they're clumsy, but there
are ways to lessen the pain. The main thing is to define the articulation
as centered horizontally and then give it a big negative value for the
horizontal handle position.
At 03:52 PM 06/21/02, Michael Edwards wrote:
Yes, this is something else I had intended to ask about. I believe
there
are three or four members of this list who produce plug-ins which might be
useful. I'm not sure, but I think three of these people are Tobias Giesen,
Robert Patterson,
At 05:51 PM 06/21/02, Dan Rupert wrote:
Maybe I'm misunderstanding something here but I do this from _within_
Finale (rather than from TGT).
Heh...I guess I never knew you could do that from within Finale. Learn
something new every day. g
Perhaps you mean that you program
_additional_
At 10:03 AM 06/22/02, Johannes Gebauer wrote:
With the custom line tool (Smart Shapes) is there a way to limit movement
vertically?
Hold down the shift key as you double-click and drag -- this will constrain
movement to horizontal or vertical.
Aaron.
At 10:14 AM 06/22/02, Michael Edwards wrote:
So if I'm using Windows, what are the options for a macro program? Jari
mentioned TGTools and Forza! Quick Navigator. Would those be the main
ones you
had in mind for Windows? Or is a macro program something quite different
from
those
At 11:25 AM 06/22/02, Johannes Gebauer wrote:
On 22.06.2002 16:29 Uhr, Aaron Sherber wrote
At 10:03 AM 06/22/02, Johannes Gebauer wrote:
With the custom line tool (Smart Shapes) is there a way to limit movement
vertically?
Hold down the shift key as you double-click and drag
At 12:47 PM 06/27/02, David W. Fenton wrote:
What I need is advice on
how to help her export the musical examples to EPS files that will embed
in MS Word 2000 documents that can be sent to the printer and be portable.
I'm sure you will get lots of different answers to this. Personally, for
At 05:00 PM 06/27/02, helgesen wrote:
BTW what IS the correct procedure when even Control, Alt, Delete won't work?
Unplug?
Power off? Five pound sledge hammer? Wild Turkey/Jack Daniels/Fosters/urine
in Hard drive?
Upgrade to Win2000. g
No, seriously, your best option at that point is
In addition to the various things about butter (I personally learned eat
your goddamned spinach), you can also approach this rhythm the other way:
Aunt Mary bakes a cake.
Aaron.
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At 09:50 PM 06/30/02, Dennis Bathory-Kitsz wrote:
At 09:37 PM 6/30/02 -0400, Darcy James Argue wrote:
That's a... erhm... nicer version of what I believe to be the original
mnemonic, pass the goddamn butter.
I'm not getting any of this. What is that supposed to help with? Maybe you
have to
At 12:10 PM 07/04/02, David W. Fenton wrote:
The platform is PC for Finale and Word, where the documents to go to the
PROFESSIONAL GRAPHIC DESIGNER are produced.
Professional Graphic Designers work just as happily with TIFF as with EPS.
I asked about the pitfalls of producing the EPS files
At 11:34 AM 07/13/02, Johannes Gebauer wrote:
Yes, Yes, Yes! More intelligent accis handling in Speedy is something I
forgot in my list. I would also like this to extend to non-Midi input (which
I do quite frequently when I am abroad) and have accis last for a whole
measure during entry
At 11:16 AM 07/16/02, Christopher Zello wrote:
I'm having a lot of trouble getting a clef change to appear in a bass
clarinet part.
Premise: I'm trying to write a bass clt. part which moves between treble
and bass clef. I need the ability to change clefs at the beginning of a bar
and, at
At 04:56 PM 07/16/02, Andrew Stiller wrote:
This is not good advice. First of all, the bass clarinet does indeed
use the bass clef in the traditional notation practices of many
Central and Eastern European countries, most prominently including
Germany and Austria. In that notation, the
At 09:46 AM 09/20/02, Andrew Stiller wrote:
Opeions/Document Settings/Music Spacing Options: Avoid Collision of:
Articulations. Turning on this setting will automatically give you
proper spacing for the arpeggio signs, and there will be no need to
tweak anything.
Very interesting. Extracting
At 03:27 PM 09/20/02, Christopher BJ Smith wrote:
You have to adjust this in the extracted parts, unfortunately.
Right, that's where I started out. g I was hoping that I was missing an
easier way.
Thanks,
Aaron.
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At 01:12 PM 09/26/02, David W. Fenton wrote:
Sorry, but I looked high and low on the menus and in the OLD, but
cannot find any setting to clear manual spacing. Where is it?
Obviously, I'm just not looking in the right place.
Document Options | Music Spacing. Manual Positioning = Ignore |
At 02:24 PM 09/27/02, Éric Dussault wrote:
It makes me wonder why would someone use scroll view nowadays unless for
very specific reasons (slur that crosses page or cresc. etc.). I understand
that someone who has a very old computer would do it and also know that it
has been design years ago
At 08:05 AM 10/02/02, Christopher BJ Smith wrote:
things with a pencil, connecting here, blending there. Even if I
don't lay them out, I can simultaneously hold open pages 3 and 25,
comparing them, which I can't do in Finale.
Sure you can -- just open a second window on the document. I do
At 02:22 PM 10/08/02, Joel Sears wrote:
I had similar problems. I hope someone comes up with a better solution.
What I did is similar to Aaron. I deleted the measure and then inserted a
new measure. It worked fine in both cases, but if your working on a score,
it's a terrible pain.
For me,
At 06:58 AM 10/13/02, Mark D. Lew wrote:
At 11:47 PM 10/12/02, Colin Broom wrote:
Ok, I'll come clean. For reasons that are too uninteresting to explain,
I've been putting the Introduction of Part 1 of of Stravinsky's 'The Rite of
Spring' into Finale. Suffice to say it's related to the
At 01:38 AM 10/23/02, Jari Williamsson wrote:
Layout Manager in Forza! will do that, although it will give you a bit more
options regarding measure distribution and page breaks than this. I'll see
if I can put a draft of this specific feature in the next couple of betas.
That sounds fantastic,
At 08:55 AM 10/23/02, Rick Neal wrote:
Have you tried TGTools: Layout - Fit Measures - specify the number of systems
you want to distribute the highlighted measures into?
This is close, but it doesn't quite do what I'm looking for.
For example, I've got a page of music with 5 systems, and one
At 08:54 AM 10/23/02, Barbara Touburg wrote:
TGTools Fit Music does this.
Just select the music that you want to be on the page, count the systems, and
let TGTools redistribute the music. Works fine for me.
I had some problems (detailed in another post) in getting this to work as I
would like.
At 11:01 AM 10/23/02, Rick Neal wrote:
I just now had to do this with a page with 8 staff systems and one measure on
the next page. When I used TGTools it redistributed the entire page NOT just
cramming the extra measure into the last system. No system looks any more
crowded than another. After my
Okay, I've done some other spot tests, and it seems that in most cases
TGTools Fit Measures does do what I'm looking for. In a few cases, though,
it does just cram the extra measure into the previous system without
reflowing anything. I guess that its internal algorithm might decide that
this
At 03:25 PM 10/23/02, David H. Bailey wrote:
No, I think she means BEFORE running TGTools.
Okay -- well then, yes, I did.
Unless I'm misunderstanding the question. If the suggestion was that I
select those measures and apply a different spacing algorithm to them to
get them to fit, then I
Hi all,
Could someone please remind me of the workaround for fixing spacing when
you've got a clef change at the end of a multi-measure rest?
Thanks,
Aaron.
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At 03:27 PM 10/22/02, Lee Actor wrote:
What I do is select the Measure Tool, click on the multimeasure rest in
question, select Measure-Multimeasure Rest-Edit from the menu, and set the
End Point to -50.
Ahh, thanks. I couldn't remember where that setting was. Of course, it's in
a fairly
When I extract parts from a score and then go to tweak each part, I seem to
spend much of my time in scenarios like this:
Right-hand page has no rests on it, but there's a nice long rest 3 bars
into the next page. So I use Mass Mover to nudge those three bars into the
previous line, which
At 05:09 PM 10/24/02, [EMAIL PROTECTED] wrote:
The music I am trying to input his mostly six quarter notes or rests per
every 4 beats, it's in 4/4/ time. If I input them as quarter notes, I run
into the excess notes problem before I use the Tuplet tool.
You don't mention which entry method
At 09:51 AM 10/26/02, Crystal Premo wrote:
The man who owns the studio where I do the Finale work has been told that
Finale 2003 scans music perfectly,
This is flat out not true. I think it certainly works better than it has in
the past, but it is in no way perfect. Some here have suggested that
At 10:41 AM 10/26/02, Crystal Premo wrote:
This is what I have requested. The person who alleges that this will be a
snap claims, however, that it will be necessary to upgrade to 2003 to
achieve this, so the owner will have to shell out for that first.
Not true. Although the scanned and OCR'ed
At 01:07 AM 10/28/02, Eric Ruyle wrote:
When I try to create a pdf of a piece of music, I am having troubles with
the font (Maestro) not being embedded in the file. I tried reading the
help-info and it states that it will embed if using 35% or less of the font.
Is there a way around this?
This is
At 02:57 PM 10/29/02, Robert Patterson wrote:
On Tue, 29 Oct 2002, Patsy Moore wrote:
1. Having to click on the note to bring up an articulation handle?
Still necessary in Finale 2003.
Although if you have the Selection Tool selected, you can click the
articulation directly to reposition
At 03:21 AM 10/30/02, Patsy Moore wrote:
That sounds as if it may be something of an improvement, though it
sounds as if it's still only possible to deal with one artic. at a time.
What is it that you want to do with multiple articulations? With the
articulation tool, you can select several
Hello all,
I have an extended passage in 3/2 which I would like to change to 3/4 by
halving all note values. So I do Mass Mover | Change | Note Durations to
50%, and then I change the time signature.
The only problem is measure-attached smart shapes, like hairpins. I'm
guessing that these
At 06:14 PM 10/30/02, Tobias Giesen wrote:
sorry I spoke too soon, you were talking about smart shapes ... if you
want I can implement that too.
Yes, please!
Thanks,
Aaron.
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At 04:13 PM 11/02/02, Andrew Stiller wrote:
On a slightly different subject: it would be valuable (to me at
least) if there were some way to change an existing slur to a dashed
slur, and vice-versa. Plugin, anyone?
TGTools has this, in Modify | Special Modifications | Alter Smart Shapes.
Aaron.
Hi all,
Again, I'm sure I'm missing something obvious.
I've got a percussion staff set up with a percussion map. The problem is
that when I want a whole note on that staff, Finale insists on using the
half note head (without stem), since that's what is selected as the open
note head in the
At 01:53 PM 11/06/02, Aaron Sherber wrote:
Again, I'm sure I'm missing something obvious.
Yah, nevermind -- I found it.
Aaron.
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At 04:52 PM 11/06/02, Barbara Touburg wrote:
But what was the solution?
Well, I found two solutions, although neither one turned out to be as good
as I thought.
The first was the Change Noteheads plugin. I had hoped that by selecting a
whole region and choosing change to 'Standard music
At 06:15 AM 11/07/02, David H. Bailey wrote:
What I have found in working with percussion parts is to NOT change the
default shapes which appear in the dialog where we create the percussion
map. The only time I change anything is when I want something
specifically different such as an X notehead.
At 08:30 AM 11/07/02, Darcy James Argue wrote:
I seem to recall you mentioning that this was a timpani staff? If so,
why are you using a percussion map for pitched percussion? IMO, the
only time you should be using percussion maps is for unpitched
percussion.
It's not actually a timpani staff
At 09:53 AM 11/07/02, Tobias Giesen wrote:
this is a known issue and it will be fixed in the maintenance release.
Thanks, Tobias -- good to know it's not just me. g
Aaron.
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At 09:54 AM 11/07/02, Darcy James Argue wrote:
Well, obviously those are notated with standard noteheads, not
X-noteheads.
Yes -- although most of the entries in Finale's default percussion maps use
standard noteheads rather than X noteheads.
Since you are evidently using standard noteheads, I
At 02:07 PM 11/07/02, David H. Bailey wrote:
That's odd, because when I don't change things, normal whole notes show
up when I enter them. I just checked, and sure enough the behavior you
are reporting is happening -- I think this must be a bug introduced in 2003!
I have a score in front of me
At 04:29 PM 11/07/02, David W. Fenton wrote:
The problem is that I can't have a note-attached expressions *unless*
I first create a metatool for it.
Sure you can -- select the Expression tool, point at a note (single
crosshair cursor, with quarter note), and double-click. You should see
'Note
At 04:50 PM 11/07/02, David W. Fenton wrote:
On 7 Nov 2002 at 16:24, David H. Bailey wrote:
When you click on the note the dialogue to select the expression opens
up -- at the bottom of this box are two radio buttons to select measure
expression or note expression. Simply click Note
At 04:54 PM 11/07/02, David W. Fenton wrote:
Is it sticky? It seems that it stays with the previously chosen
setting each time I open the dialog again.
For me, the key is the cursor. If you are pointing at 'empty' space, you
will see a cursor that looks like a double-arrow. If you double-click,
At 06:48 PM 11/09/02, Giz Bowe wrote:
Is it possible to change every existing tuplet without manually adjusting
each one?
Mass Mover | Change | Tuplets.
Aaron.
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At 12:45 PM 11/10/02, Stig Christensen wrote:
I have been away from Finale and this list fore about a year, but now I have
to work again with Finale and I'm looking forward to that.
Could you please be so kind to inform me, if it's a good idea to upgrade
from my present version (win 2002) to 2003,
At 11:02 PM 11/11/02, hymnist wrote:
NOW---for an easier way to type in notes with the keyboard.
You mean something easier than Speedy Entry? This turns the three rows of a
QWERTY keyboard into three octaves of notes, with durations entered either
with the number keys up top or the numeric
At 10:12 AM 11/12/02, Crystal Premo wrote:
I have two measures of four quarter notes in 4/4 time, followed by two
measures of four quarter notes in 2/2 time. If there are no tempo markings
to the contrary, don't the quarter notes in the second two measures go twice
as fast as the quarter notes in
At 11:58 AM 11/12/02, Tobias Giesen wrote:
Oh yes there is. Unless specified otherwise, the duration of any
particular note value remains constant. Time signature changes have no
effect whatsoever on the duration of notes. Time signatures only group
the notes together, but a different grouping
At 01:49 PM 11/12/02, Crystal Premo wrote:
I was taught that unless it is marked otherwise, changing the time signature
from 4/4 to 2/2 cuts time in half, making the quarter notes go twice as
fast. Finale does not play it back this way, though, so my guess is that
the real convention is that if
At 01:52 PM 11/12/02, Crystal Premo wrote:
It seems more logical that you would put h=q, to indicate that in the new
time signature, the half note now has the duration of a quarter note.
Oh boy -- now you've done it!
This is an entirely different argument. I think that what you suggest is
more
At 10:10 PM 11/21/02, Richard Yates wrote:
This one has me stumped. What beat stays constant in this example:
Just looking at these two measures, my first guess would be that the dotted
quarter in the 6/8 equals the quarter in the 2/4. Except there's that
q=54 marking, which would imply that
At 06:20 PM 12/10/02, Patsy Moore wrote:
Finale Serial number: WFNA 108355 registered to K. C. Moore.
Version WinFin 2000c.
Might be a good idea not to publish your serial number to the whole Finale
list... g
Aaron.
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At 04:05 PM 12/11/02, Andrew Stiller wrote:
Measure Tool
* In the Measure Attributes dialog box, double-clicking on a barline
selection no longer
dismisses the dialog box.
Hey! I *loved* that feature! Why in the world are they dropping it??
Yeah, I wondered the same thing myself. I didn't know
At 04:21 PM 12/11/02, Stokes, Randy wrote:
// 9/24/2002 RES (#927132): Two clicks on a button in multimeasure
// mode makes that button ambiguous. But BN_DOUBLECLICKED
// will be preceeded by BN_CLICKED, so therefore BN_DOUBLECLICKED
// makes the button ambiguous!
I'll grant you all of that. But
At 04:34 PM 12/12/02, Matthew Hindson wrote:
Perhaps it's time that Finale started to implement triple-clicks in places?
Pagemaker is one app that does this, albeit on a much more limited scale (to
select an entire paragraph). Maybe triple-clicking on a barline, or on an
expression, or an
At 10:49 PM 12/15/02, [EMAIL PROTECTED] wrote:
Articulation Tool: Is there a keyboard shortcut for selecting the handle of
an articulation after you've already clicked on the note to which it is
attached? I dislike having to click on a note, then click on the handle of
the articulation when I want
At 06:56 PM 12/17/2002, [EMAIL PROTECTED] wrote:
BTW, the latter only seems to work for note-attached expressions.
Well, you did ask about note-attached expressions. Also, measure-attached
expressions are, by definition, attached to measures, not notes. If you
look at the Expression Assignment
At 10:58 PM 12/17/2002, Richard Yates wrote:
Can someone confirm the buggy behavior in a small FinWin2003a file?
Confirmed. Very weird.
Aaron.
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At 07:54 PM 12/18/2002, helgesen wrote:
Situation 1:
Horns, 4 measures rest either side of a rehearsal mark. Extract parts
produces an 8 measure multi rest, with no reh'l mark. OK it's easily
fixable- (Break multi rest- create 2x4 multi rests either side of reh'l
mark). But surely theres a way of
At 11:25 AM 12/29/02, David Froom wrote:
Does anyone know how to get the setup wizard to conform to settings in the
default file? I have my own particular preferences for measure numbers,
fonts for articulations, tuplets, etc, that are not part of the saved
preferences. I have set up a default
Hi all,
I'm doing an arrangement where the trumpet has a solo the first time
through a section, and the flute has a solo the second time. Both lines
appear in the score, with 1x only and 2x only as appropriate. So
everything looks fine in score and parts.
My question is whether there is a way
At 04:39 PM 12/29/02, Scott Jones wrote:
I just discovered you can assign a function attached to the 1st or
2nd time marking via the EXPRESSION TOOL and have the velocity set to
ZERO and tell it which pass to play at that setting.
Yes, that's close to what I need -- I can make that work.
Thanks
Hi all,
I have a note at the end of a first ending that ties back to the note at
the beginning of the repeat. Of course, if I enter this as a tie, Finale
ties the note to the next note -- that is, to the first note of the
second ending, which is wrong.
I'm guessing that the preferred
At 04:44 PM 12/30/02, d. collins wrote:
Does anyone have any news about Jari and his Forza plugins? The last
version expired at Xmas...
I think he must be on vacation -- I emailed him about the expired versions
and have not heard back. I'm sure he'll update them as soon as he can.
Aaron.
At 05:38 PM 01/01/03, Stig Christensen wrote:
Could you please be a little more specific about this point?
Is it possible to open the same doc twice to have a scroll view on monitor 1
and a page view on monitor 2?
Sure -- you can do this even with one monitor. Just choose Window | New
Window,
At 03:33 PM 01/03/03, Stig Christensen wrote:
I want to place a fermata in an empty measure in a score. First I have to
create at rest in the measure, then I insert a fermata with the Articulation
tool in every single measure, because I can t use the drag + shortcut method!
After inserting
Hi all,
I've got a score that starts out with just piano, and the full orchestra
enters some 30 bars later. So the first page of my (optimized) score just
has piano showing, and the second page has the other instruments entering.
(Yes, I know it's customary to leave the first system
I would appreciate help in confirming this bug in FinWin2003a:
1. Open a score originally created in FinWin2003 (*not* a).
2. Add a rehearsal letter to the score in some place where at least one
part has a measure or more of rest on either side. Assign this rehearsal
letter to a staff list
At 09:18 AM 1/18/2003, Colin Broom wrote:
1. In the measure tool, if in Finale 2002 I wanted to change the style of
barline, I could while in the measure attributes dialog box double-click on
the type of bar I wanted and it would select that bar and immiediately exit
the dialog box. Now in
At 02:53 PM 1/24/2003, dumusic wrote:
My understanding is that all parts written in the bass clef are written at
concert pitch, contra bassoons and string contrabasses excepted, which both
transpose down an octave. Some where (maybe in Walter Piston's
Orchestration) is a discussion about horn
At 10:02 AM 01/30/03, George Ports wrote:
I have Autocad 14 and Quark 4 and am using win98se. Is there a way to
save an Autocad file to a .PDF file?
You can print from almost any application to PDF if you have the correct
software. Most PDF creation software takes the form of (or at least
At 10:43 AM 02/09/03, Robert Patterson wrote:
When this topic came around previously, someone explained the difference
between offset paper lb ratings (which tend to go 20-40-60-80) and linen
paper lb ratings (which tend to go 24-28). If anyone still has it, I'd
like to see it again.
Generally,
At 12:36 PM 02/10/03, Pierre Bailleul wrote:
What's the way to export just a graphic selection in Finale to pdf ?
You don't actually *export* as PDF -- you print to a PDF with Acrobat
Distiller or some other print driver, just as you would from any application.
Aaron.
At 04:58 PM 02/12/03, Mr. Liudas Motekaitis wrote:
But all of the harp sheet music that I have (I have three pieces) have
indications either like:
BCD | EFGA
or
EFGA
BCD
(this last one has the bracket on the left.
Indeed, even the Finale manual has harp indications this second way.
In the
At 07:28 PM 2/25/2003, Bob Florence wrote:
I am working on a piano part. I want to optimize the whole part. This
has never been a problem but now it won't work.
What isn't working?
Aaron.
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At 02:00 PM 3/13/2003, Douglas Dickson wrote:
I own many of the CD-ROMs from CD Sheet Music/ Theodore Presser. The
art songs are published only in the original keys. Is there some way of
scanning and importing directly from the PDF files of the CD-ROM?
You could theoretically open up the PDF,
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