Re: FLUXLIST: FluxMaestro
(Cazzo! Devo usare il 'lei' adesso?) Egregio Maestro, Congratulazioni! Distinti starnuti Alan Last Friday I have taken the degree in guitar at the Conservatory. Now I'm a real italian Maestro: A FluxMaestro.
Re: FLUXLIST: AustinMaestro
What Walter doesn't know however, is that a Maestro is also: Britains Most Underestimated Motor http://www.ciao.co.uk/Austin_Maestro_2_0__Review_5058194 I wonder if he'll give me a lift to see Einstuerzende Neubauten in Reggio Emilia.
FLUXLIST: damn the fffo tractor
find a hitchhiker's references at http://xoomer.virgilio.it/n.waugh/ 2 new mp3s (new to the web anyway) Boingfish You Maniacs (boing2.mp3) is from the CD Ambindustrental (or something like that - the titel changes periodically) and Work in Progress (workinprog.mp3) doesn't. (I don't think anyway) download, play, listen, persevere and ultimately regret! Eryk are any of these things getting used anywhere?? Is ANYBODY downloading this stuff?
Re: FLUXLIST: damn the fffo tractor
---yes. i liostened to your fine renderings Alan and was mighty impressenated by your tinkering with the notes and semi quavels mixed dexterarioanly and digified in amanner becoming. becoming what though I'm not sure? nice to hear once but once was enough. Michael who is looking forward to episode three of tertiary phase tonight. Alan Bowman [EMAIL PROTECTED] wrote: find a hitchhiker's references at http://xoomer.virgilio.it/n.waugh/ 2 new mp3s (new to the web anyway) Boingfish You Maniacs (boing2.mp3) is from the CD Ambindustrental (or something like that - the titel changes periodically) and Work in Progress (workinprog.mp3) doesn't. (I don't think anyway) download, play, listen, persevere and ultimately regret! Eryk are any of these things getting used anywhere?? Is ANYBODY downloading this stuff? = It's another blog! http://flobberlob.blogspot.com/ ___ALL-NEW Yahoo! Messenger - all new features - even more fun! http://uk.messenger.yahoo.com
FLUXLIST: hold
hold hold no one clave tomb dope (slammed) dung heap boom torque flam our gum (wand) pill creep fold twist nave slide grope howitzer navel this pee his fly by shower flour grill mill pole solace maven (and) why dour deep frill schist knoll glide brave shower grape dick on shill sold comb rave (damned) slope peep tongue pissed doom derides have salve soap mope gun spun tune rune (ham) cram sheets feets will mon foam mold (panned) shave sheep cope mist fungus decides moom by (gland) seep hour fist krill fried vole cower slave quick shape see wrist sly list our why drill flour mole quill craven malice from sour dill (canned) told beep crave gist lope deride faustus glower so gold shave bun cope spoon lung (crammed) dune meat scam pork Jim Leftwich John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
FLUXLIST: BUT
BUT clack retsulc ,god pac ,make roofing evolc ,hcnul nail ,butter ,pull rovalf murd ,mate use ,crud nikpan nozzle ,log enut ,bounce rammer ,ssenisub ,chunk ,psag blow ,elkcirt ,nub hsub ,brought mard ,taom rinsed ,pork tellaw rehtal ,foul hcneb ,mees folder wire redlof seem, bench luof, lather wallet krop, desnir moat, dram thguorb, bush bun, trickle, wolb gasp, knuhc, business, remmar ecnuob, tune gol, elzzon napkin durc, esu etam, drum flavor llip, rettub, lian lunch, clove gnifoor ekam, cap dog, cluster kcalc TUB John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
FLUXLIST: BUT hold
hold drum flavor llip, rettub, lian lunch, clove gnifoor ekam, (and) why dour deep frill schist knoll glide brave shower grape dick nail ,butter ,pull rovalf murd ,mate use ,crud nikpan have salve soap mope gun spun tune rune (ham) cram sheets feets tellaw rehtal ,foul hcneb ,mees folder wire redlof seem, from sour dill (canned) told beep crave gist lope deride faustus glower thguorb, bush bun, trickle, wolb gasp, knuhc, business Jim Leftwich John M. BennettTUB hold no one clave tomb dope (slammed) dung heap boom torque flam blow ,elkcirt ,nub hsub ,brought mard ,taom rinsed ,pork this pee his fly by shower flour grill mill pole solace maven BUT
Re: FLUXLIST: BUT hold
Sweet! (as my teenaged son would say) I like how you hold that but, Allan John At 09:27 AM 10/5/2004 -0400, you wrote: hold drum flavor llip, rettub, lian lunch, clove gnifoor ekam, (and) why dour deep frill schist knoll glide brave shower grape dick nail ,butter ,pull rovalf murd ,mate use ,crud nikpan have salve soap mope gun spun tune rune (ham) cram sheets feets tellaw rehtal ,foul hcneb ,mees folder wire redlof seem, from sour dill (canned) told beep crave gist lope deride faustus glower thguorb, bush bun, trickle, wolb gasp, knuhc, business Jim Leftwich John M. Bennett TUB hold no one clave tomb dope (slammed) dung heap boom torque flam blow ,elkcirt ,nub hsub ,brought mard ,taom rinsed ,pork this pee his fly by shower flour grill mill pole solace maven BUT __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net ___
FLUXLIST: Malcolm Goldstein...
Hi all, There is a new release of Malcolm Goldstein available in october on the french label in situ. The name of the album is Hardscrabble Songs... There are 5 pieces : My feet is tired but my soul is rested; Soundings; Hardscrabble Songs; Where are we going when we're standing still, looking backwards ?! and ''A New Song of many faces for In These Times ... Malcolm Goldstein, composer and violinist, has been active in the presentation of new music and dance since the early 1960's in New York City, as co-founder and co-director of the Tone Roads Ensemble (with Philip Corner and James Tenney), and as participant in the Judson Dance Theater, the New York Festival of the Avant-Garde and the Experimental Intermedia Foundation. Since then he has toured extensively throughout North America and Europe, presenting solo violin concerts and performing with numerous new music and dance ensembles. His music has been presented at various festivals such as : New Music America, Inventionen (Berlin), Prix Ars Acustica (Westdeutscher Rundfunk), Wittener Tage für Neue Kammermusik, Pro Musica Nova (Bremen), TonArt (Bern) and Sound Culture (Tokyo) ; in collaboration with the Hessischer Rundfunk Ensemble fûr Neue Musik, L'art pour l'art, Essential Music, the New Performance Group (Cornish Institute) and others. He has worked with John Cage on several occasions, with the Merce Cunningham Dance Company, as director of the HR Festival für Neue Musik, and he participated in the ''John Cage Anarchic Harmony Festival'' (Frankfurt, 1992). Actually, Malcolm Goldstein is on tour in France, he played for Le CRIME the october 20 at La Malterie (42 rue Kuhlman 59800 Lille); played at the festival ''Densités'' (pôle culturel de Fresnes en Woëvre) the october 22. http://www.vudunoeuf.asso.fr/ ; played in Paris the october 24 at Studio Campus (12 bis, rue Froment, 75011 Paris) and he created a piece Sounding the fragility of live for the exhibition intitled Listening'' at the Center Pompidou during december in Paris. all the best, Théo Jarrier.
FLUXLIST: everything oceanable
everything oceanable and from here I vent my story you invent what we foundation in our spare flurry of enmity as a reasonable ramped up injustice locksteps forehand shelving socks away while delving into fortices and chaindrawn wheeled wood overtime the cross-stitched admiration spilling onto you the overdosed connectity turned jasmine pearls the white way forward sorted out as in demand curve volatile the slipped sombrero falsehood free-poured with diacritical endorsement thereby singsong uptick seasonal to render how you think and where you work and why all in your spare clouds are unfurnished twice as many sticksketch stemmed overdoses of canary feet spoon out onto lawn vertigo I tell myself the spray hypothesized is never salt enough for me and my hydrangeas thereby coats of pack mule suffering begin to bray themselves to sweet cuffed dimpled sleep beside the one the angular and singular the space-considered sextet with a signature alert to reasons one should curve into adept facetious silence in one's spotted record forehand serve aimed at the populace right when the going has been rumored to be tipped out straight into a person's lone garage filled with old pillow phlox and white mown fluff of sheep who walk and walk and walk and come to quiet in the manner that they fail to move and are observed not moving sheila e. murphy __ Do you Yahoo!? New and Improved Yahoo! Mail - Send 10MB messages! http://promotions.yahoo.com/new_mail
Re: FLUXLIST: BUT hold
- Original Message - From: John M. Bennett To: [EMAIL PROTECTED] Sent: Tuesday, October 05, 2004 9:39 AM Subject: Re: FLUXLIST: BUT hold Sweet! (as my teenaged son would say) I like how you hold that but, AllanJohn Why, thank you John. Now if only my but would still hold my pants up! At 09:27 AM 10/5/2004 -0400, you wrote: holddrum flavor llip, rettub, lian lunch, clove gnifoor ekam,(and) why dour deep frill schist knoll glide brave shower grape dicknail ,butter ,pull rovalf murd ,mate use ,crud nikpan have salve soap mope gun spun tune rune (ham) cram sheets feetstellaw rehtal ,foul hcneb ,mees folder wire redlof seem,from sour dill (canned) told beep crave gist lope deride faustus glowerthguorb, bush bun, trickle, wolb gasp, knuhc, businessJim Leftwich John M. BennettTUBhold no one clave tomb dope (slammed) dung heap boom torque flamblow ,elkcirt ,nub hsub ,brought mard ,taom rinsed ,porkthis pee his fly by shower flour grill mill pole solace maven BUT__Dr. John M. BennettCurator, Avant Writing CollectionRare Books Manuscripts LibraryThe Ohio State University Libraries1858 Neil Av MallColumbus, OH 43210 USA(614) 292-3029[EMAIL PROTECTED]www.johnmbennett.net___
RE: FLUXLIST: b_ r_ e_ a_ d d_ a_ i_ l_ y (d)e(a)d(l)y (l)i(n)e(s)
i ably dread daily needs (daily bread dead lines) From: Björn Eriksson [EMAIL PROTECTED] Reply-To: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: FLUXLIST: b_ r_ e_ a_ d d_ a_ i_ l_ y(d)e(a)d(l)y (l)i(n)e(s) Date: Mon, 4 Oct 2004 22:57:42 +0200 /7/7/7/7/7/7/7/7/7/7/7/7/7/7/7 b r e a dd a i l y deadly lines \_/\_/ \_/\_/ \_/\_/ \_/\_/ \_/\_/ Find the music you love on MSN Music. Start downloading now!
FLUXLIST: Blog Mining #6
Mining Story Number Six I love being straight. I can get pregnant by accident I wish I knew what I was talking about!: I can say "oops, look what our love did!" I'll burn ya eyes out,with fire and aerosol. Ican get married and divorced whenever I please.I thank God every day for making me straight. I was either stoned or in college when I wrote this, either way, I smudged the lunaticfor lethargic hypocrisy and have a baby. Then pull out ya brain...through your arsehole. turning a paler shade I can say "oops, look what our love did!" and have a baby.of deviant solicitude
FLUXLIST: Where those guys are
Dear Madawg, We're here. But we're laying low. The roundabout on Fluxlist that led to some of us toying with names and identities ended with a decision to return to our former nameless state. The problem was that creating names meant creating identities, then asking who each name should be, working up a persona, etc. That took us away from what we really want to do: think about work we like and perform it. We started to feel that we may not belong on a list where we must become what we are not to keep people from finding us offensive. We have started a new way of working and we will put out a note sooner or later. For now, we intend to remain Secret Fluxus Date: Fri, 1 Oct 2004 19:19:17 EDT From: [EMAIL PROTECTED] Subject: Re: FLUXLIST:Secret Fluxus - --part1_147.353ccceb.2e8f3ff5_boundary Content-Type: text/plain; charset=US-ASCII Content-Transfer-Encoding: 7bit hey where are those guys?? I'm in a mood to howl at someone. Madawg _ It's fast, it's easy and it's free. Get MSN Messenger today! http://www.msn.co.uk/messenger
Re: FLUXLIST: George Brecht Exhibition
In a message dated 10/4/04 6:01:38 AM, [EMAIL PROTECTED] writes: gagosian gallery in London just makes you want to gag doesn't it?
Re: FLUXLIST: GUT, FOG
In a message dated 10/4/04 9:02:34 AM, [EMAIL PROTECTED] writes: TUG hereis a word for you John: whelp
Re: FLUXLIST: b_ r_ e_ a_ d d_ a_ i_ l_ y (d)e(a)d(l)y (l)i(n)e(s)
In a message dated 10/4/04 12:59:09 PM, [EMAIL PROTECTED] writes: \_/\_/ \_/\_/ \_/\_/ \_/\_/ \_/\_/ looks like an egg carton
Re: FLUXLIST: Where those guys are
In a message dated 10/5/04 11:09:19 AM, [EMAIL PROTECTED] writes: For now, we intend to remain Secret Fluxus that's cool- nice to hear from you..Madawg
Re: FLUXLIST: Freaked out organization people
I tried emailing the teaboy at the freefreakout org. (I have a fascination with teaboys) but it got returned. Did you know that AOL has a postmaster? by Madawg
RE: FLUXLIST: FluxMaestro
Contro I prometeici maghi dellautopoiesi innovative, or how the Goethe Institute in Rome got lighted. By Bibiana Padilla Maltos Music in Oil* A musical instrument in oil -Walter Cianciusi So he walked thru the gallerys door asking me : Bibiana? I finally met Walter Cianciusi. The inaudito musician. The one who I was supposed to meet two years ago. We stared at each other and even this is going to sound ridiculous, it was like we were not believing what we were looking at. We walked around. Which is the one you like the less? Which is the one you like the best? You got it. Of course I was going to attend to his concert, what else is there to do in Rome? Okay, no need to answer that. I went to the concert because I wanted to hear the most recent work of his; because I wanted to participate in the same euforia that he participated; I wanted to listen and most important feel the audience reaction about his piece. Pickled Music* A musical instrument in vinegar. -Walter Cianciusi So with my 40% of poor italian and my 100% of not perfect mexican spanish I got Devon and myself from Trastevere to the other side of the city. The Goethe Institut garden was filled with lights and speakers. At the end of the stairs was Daniela, who invited us to sit down and listen. So we did. Between shadows you could see the eyes of the audience following colorful lights guided by the notes the speakers were emitting. What would the people next building were thinking in their appartments while cooking dinner or helping their kids do their homework? Would the sound infiltrates their habitats making ecco? Does the music went into their places and keep on going into the sould of the buildings by the ventilation? How far did the music go? How pure was the music getting that far and how impure was at the garden where we were sitting? Do I wanted to be there? It is not that I wanted to be there only. I was there and the piece was involving and flirting with us all of us, giving an invitation to stay. Music in Tabasco* (an event for Bibiana Padilla Maltos) A musical intrument in Tabasco. -Walter Cianciusi Contro I prometeici maghi dellautopoiesi innovativa, was written in this current year by Maestro Walter Cianciusi. An immersion on the deep and frenetic music experimentation that takes us little by little from Xenaquis to John Cage my personal favorites, in a true search of chaotic interpretations of small parts of life. Reminds also Toc, Tom Zès piece, brazilian concrete poet and musician, and I quote from David Byrnes Brazil Classics 4 compilation so you can have an idea of what Im talking about: an instrumet he constructed [Tom Zè]. Its a cabinet with benders, vacuum cleaners, floror polishers, and other appliances on each shelf. He plays the appliances by pressing buttons on a key-board made out of doorbells which turns the blenders, etc. on and off. One cold evening this instrument became fuel for a bonfire made by a farmer. Tom Zè claims he can build it again, given the materials, a carpenter, and 48 hours. I wonder what will oil, vinegar or tabasco would affect Cianciusis pieces. I am excited and anxiously waiting for his new pieces. *Walter Cianciusis events wrote after the presentation, 09/20/04. *** BIBIANA PADILLA MALTOS AVTEXTFEST general coordinator Paseo de Vista Hermosa #625 Mexicali, B.C., 21240 MEXICO 233 Paulin Ave. PMB. 7263 Calexico, Ca., 92231-2646 U.S.A. + 52 686 564 5999
