----- Original Message ----- 
From: "rjoly" <[EMAIL PROTECTED]>
To: "oNoVoX" <[EMAIL PROTECTED]>
Sent: Friday, April 07, 2006 10:56 PM
Subject: [~ oNoVoX ~] Making salad is art when the dressing is 'Fluxus'


> http://www.lasvegassun.com/sunbin/stories/do/2006/apr/06/566616233.html
>
> : A busy life after 'Raymond' 5 Apr. 07:21:23
> Printable text version | Mail this to a friend
>
> April 06, 2006
> Making salad is art when the dressing is 'Fluxus'
> By Kristen Peterson <[EMAIL PROTECTED]>
> Las Vegas Sun
> On Friday night artist Alison Knowles will make a salad. She will remove
> one piece of clothing. Very slowly. And she will play an instrument using
> an orange.
> Each "event" - there are 12 in all - has its own instructions that Knowles
> is to interpret and perform before a small audience while her daughter
> delivers a lecture titled "The Multiple Intelligences of Fluxus."
> Why?
> The organizers behind Fluxus Vegas say it's a time to celebrate the
> ordinary, stop the clock and relish in the simplicity of everyday life.
The
> two-day festival will be at UNLV.
> Fluxus is a movement that started in the '60s, bringing artists together
to
> focus on the process of art, rather than the final product as a commodity.
> Founded by George Maciunas, other artists associated with Fluxus include
> Yoko Ono, John Cage, Knowles and her late husband, Dick Higgins.
> In a 1979 article, Higgins writes that "coffee cups can be more beautiful
> than sculptures" and "the sloshing of my foot in my wet boot sounds more
> beautiful than fancy organ music."
> John Paul Ricco, assistant professor of art history and art theory at
UNLV,
> said Fluxus has to do with a sense that "midcentury American,
> consumer-driven, ever-involved-with-a-spectacle culture required an
> intervention."
> Ricco organized Fluxus Vegas with UNLV sculpture professor Robert Wysocki.
> He will also participate in a public conversation on Fluxus with Knowles
> and her daughter, Hannah Higgins.
> Recently Ricco took a few minutes to talk with the Las Vegas Sun.
>
> One of the great things about Fluxus is that it really goes so far to blur
> that boundary. The radical impulse of Fluxus is that anything is art and
> anybody can be an artist.
> It really all began with (abstract painter Marcel) Duchamp when he took a
> bathroom urinal, put it on its side and pushed the limits. Where does art
> end? Where does everyday begin?
>
> How does Fluxus differ from performance art?
> The difference between Fluxus and performance art would be the engagement
> with the notion of the event. Performance art would involve a prewritten
> script where you'd set the perimeters.
>
> And there really is no perimeter in Fluxus?
> They're so minimal in instruction that they can be taken any number of
ways.
>
> So "Make a Salad" performances could be construed as variations on a
theme?
> Yes. In one "Make a Salad," Alison cuts up various ingredients to make a
> salad. She'll make one salad, make another salad (and then) make a number
> of salads to give to the audience.
> She's done it on a huge scale where you have dozens of people making a
> salad and piles of carrots.
>
> Objects also have an important role?
> Fluxus teaches us that we can have a relationship to objects and things
> that are based upon a simple active engagement with the object. A simple,
> plain, unadorned kind of experience.
> It's very much about ourselves and our relation with things in this world
> and achieves a sense that there is an aesthetic to an existence. It puts
> forth the notion that one might live one's life as a work of art or as a
> series of artful activities.
>
> Audience reaction?
> Some of the pieces are very playful, so you can get a humorous response.
> Some are very meditative. In "Nivea Cream" ... she scoops out a big blob
> and massages her hands in front of a microphone.
> The experience is so minimal that you become entranced.
>
> Has it seen its zenith?
> It was much bigger in the '60s, when you had many of the artists engaged
in
> the activities. It's very hard to make a living doing Fluxus.
> Fluxus Vegas events are free. Friday's lecture and performance will be
from
> 6 to 8 p.m. in Room A-108 of the Classroom Building Complex at UNLV.
> Saturday's public conversation will be at 3 p.m. in the same room.
> Kristen Peterson can be reached at 259-2317 or at [EMAIL PROTECTED]
> -- 
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