Hitch-22: a Memoir

Terry Eagleton <http://www.newstatesman.com/print/201005310006#>

http://www.newstatesman.com/books/2010/05/christopher-hitchens-iraq-self
<http://www.newstatesman.com/print/201005310006#>

Published 31 May 2010

The great Christopher Hitchens, erstwhile revolutionary, became dazzled by
his “friendships” with the rich and powerful and turned into an apologist
for war on Iraq. Terry Eagleton reads his new memoir –– and finds a man in
conflict with every one of his own instincts.

Oedipus wrecked

The Oedipal children of the establishment have always proved useful to the
left. Such ruling-class renegades have the grit, chutzpah, inside knowledge,
effortless self-assurance, stylishness, fair conscience and
bloody-mindedness of their social background, but can turn these patrician
virtues to radical ends. The only trouble is that they tend to revert to
type as they grow older, not least when political times are lean. The Paul
Foots and Perry Andersons of this world are a rare breed. Men and women who
began by bellowing "Out, out, out!" end up humiliating waiters and
overrating Evelyn Waugh. Those who, like Christopher Hitchens, detest a
cliché turn into one of the dreariest types of them all: the revolutionary
hothead who learns how to stop worrying about imperialism and love Paul
Wolfowitz.

That Hitchens represents a grievous loss to the left is beyond doubt. He is
a superb writer, superior in wit and elegance to his hero George Orwell, and
an unstanchably eloquent speaker. He has an insatiable curiosity about the
modern world and an encyclopaedic knowledge of it, as well as an unflagging
fascination with himself. Through getting to know all the right people, an
instinct as inbuilt as his pancreas, he could tell you without missing a
beat whom best to consult in Rabat about education policy in the Atlas
Mountains. The same instinct leads to chummy lunches with Bill Deedes and
Peregrine Worsthorne. In his younger days, he was not averse to dining with
repulsive fat cats while giving them a piece of his political mind.
Nowadays, one imagines, he just dines with repulsive fat cats.

The two faces of Hitchens, however, are as much synchronous as sequential.
In a sense, he has become what he always covertly was. Even at the age of 20
he felt tugged between dissidence and dining out. "Hypocritchens", as he was
known at Balliol, was suave, bright, fearless, loquacious, self-admiring and
grotesquely ambitious. (I write as one who knew him as a comrade in the
International Socialists.) He was a man who made Uriah Heep look like Little
Nell. Having worked his way through everyone worth knowing in the United
Kingdom, he spied a larger stage in the United States (a nation that was the
stuff of his fantasies even as a student), hopped on a plane and proceeded
to cultivate everyone worth knowing in Washington and New York as well. If
he has not settled in Bingley or Sudan, it is because there is nobody worth
knowing there.

Yet the synchrony cuts the other way, too, as something of the old lefty
survives into the present. His favourite colour, he tells us, is "Blue.
Sometimes red". The tentative punctuation says it all. He still detests
Henry Kissinger, despises Bill Clinton, takes a brutal swipe at Dick Cheney
(while mentioning that they share a dentist) and, having lustily cheered on
the invasion of Iraq, is now honest enough to write of the "impeachable
incompetence of the Bush administration" and the "terrifying damage" it
inflicted on Iraqi society (though he confines this to cultural looting). He
has not made his peace with the insolence of power, simply with capitalism.
Nowadays he is a political sceptic, convinced that there are "absolutely no
certainties". This is the catch-22 suggested by the book's title: the double
bind of marrying a wariness of belief with a conviction that certainties are
obnoxious.

It is, in fact, a false problem. Liberals ought to hold their convictions
just as passionately as their illiberal opponents. Hitchens absolutely
believed that it was right to unleash a murderous fury on the innocent
people of Iraq. What was wrong was not the degree of his certainty, but the
belief itself. It is absolutely certain that Osama Bin Laden is not a
liberal pluralist. The mistake is to slip from this fairly innocuous use of
the word "absolute" to a political one. But Hitchens, despite being one of
the world's most renowned public intellectuals, was never very adept at
ideas. In some ways, Hitchens is a reactionary English patrician, in other
ways a closet Thatcherite, and in yet other ways a right-leaning liberal.
The problem, in a striking historical irony, is that it is the
literary-liberal guardians of the flame of tolerance and pluralism who are
nowadays most likely to be cultural supremacists and gung-ho militarists
when it comes to the Muslim world.

His double life as establishment groupie and swingeing iconoclast (Hitchens
is to be seen smoking on the front cover of this book, the US equivalent of
tearing up cobblestones) is reflected in his literary style. Take, for
example, this nauseating piece of self-congratulation: "'I suppose you
know,' said the most careful and elegant and witty English poet of my
generation when I first took his hand and accepted a Bloody Mary financed
from his slight but always-open purse, 'that you are the second most famous
person in Oxford.'" Perhaps Hitchens obtusely imagines that the faint
put-down of "second" will conceal the odious egotism of this vignette, as
though he is wryly telling a tale against himself.

This blend of self-vaunting and perfunctory self-deprecation is a common
device in his prose, as he recounts some self-aggrandising moment from his
career as a war journalist while insisting that he was shaking with fear at
the time, or professes to be knocked back by discovering that the great
Isaiah Berlin should prefer his humble company while he is still an Oxford
student to that of "much more distinguished figures". Hitchens's tutor had
taken this Marxist on the make to meet Berlin, along with Noam Chomsky, at a
private seminar at Oxford, and "I hope that by dropping these names I can
convey something of the headiness of it". The faux candour of "dropping
these names" is meant to deflect the charge that Hitchens is a fawning
little name-dropper. As a speaker at the Oxford Union, he had the chance to
dine and drink with senior ministers, and also to be "amazed once again at
how ignorant and sometimes plain stupid were the people who claimed to run
the country". The comment is intended to cloak his arriviste excitement at
hobnobbing with the powerful, as well as to suggest his own intellectual
superiority, even as a stripling, to the pick of the political class.

When Nelson Mandela tells him with a "room-warming smile" that a letter the
youthful Hitchens had sent him had brightened his day, he is careful to tell
us that he didn't believe it, which, to a reader with the IQ of a dormouse,
might make him sound charmingly modest. When he dines with Christ Church
nobs in restaurants that "featured tasselled menus", this shrinking violet
of a down-at-heel minor public school boy naturally finds the whole
experience "very embarrassing", as he has no money. He tells us how he had
to swallow his vomit while shaking hands with one or two brutal fascist
leaders, testimony to both his self-discipline and his duplicity. Judging
from a photo of one of these occasions, he seems to be bowing rather than
puking. Another picture shows him chatting chummily with George Bush Sr,
although the caption, anxious to forestall any reproving response on the
reader's part, insists that he is warning Bush to leave Nicaragua alone and
stop trading arms for hostages. The president's genial smile would suggest
that he is deaf, or has an imperfect grasp of the English language, or that
there is a touch of historical revisionism at work here.

Hitchens is foolishly proud of having been thwacked on the bum by Margaret
Thatcher, a tale he cannot stop recounting, but then hastily notes that he
could hardly believe it was happening. He is almost as eager to report that
the "blind Yorkshire socialist and proletarian David Blunkett" (three of the
descriptive terms are accurate) observed how a brilliant lecture by Hitchens
reduced a *Tribune* meeting to absolute silence, but adds in a touchingly
self-effacing manner that he doesn't remember the silence "being quite so
absolute". He feels, he tells us, "absurdly honoured" to be grouped in the
public mind with such great scholars as Richard Dawkins and Daniel Dennett.
"Absurdly" because such parity is absurd, or "absurdly" because it is no
more than his due?

“At the cocktail party afterwards, Norman Mailer, Gore Vidal and Susan
Sontag were all vying rather comically for my attention, an undignified
scramble that lowered the lot of them in my ineradicably sceptical English
eyes." Hitchens did not in fact write this sentence, but it is surprising
that he did not. Like "that great Cornish queen, A L Rowse", whom young
Comrade H is clearly tickled pink to have sat beside at a sumptuous All
Souls dinner, he is "lost in conceit".

Speaking of Gore Vidal, there is a fulsome comment by him about Hitchens on
the dust jacket; but because Hitchens has fallen out with him over the
downing of the World Trade Center, he has, as a man of principle, scored the
comment through in proof and scribbled a "no" beside it. The dust jacket
reproduces the proof. Fortunately, however, he has crossed out Vidal's
remarks very lightly, which allows us still to read them.

It is not that Hitchens is blind to his own schizoid nature. On the
contrary, he makes considerable play of the tension between prole-loving
Chris and arse-licking Christopher, Socialist Worker and John Sparrow,
Prometheus and Oscar Wilde (both men he would have liked to be). He is not
at all coy about his life as a double agent. On one page he indulges in a
curious flight of nostalgia for the working-class movement, yet in a
footnote elsewhere he seems rather chuffed that he may have been the
recipient of Oswald Mosley's last missive. He relishes portraying his
courageous student self taking part in demos and sit-downs, being carted off
by the police and hauled before magistrates, and all in the cause of a
politics for which he can now scarcely conceal his middle-aged contempt.

What others would see as squalid social climbing, gross opportunism and a
greedy desire to have it every possible way, he himself seems to regard as
both clever and amusing. (He has it every possible way in more senses than
one, boasting of having bedded two young Oxford men who became cabinet
ministers under Thatcher. Sodomy can be yet another route to success.) He
also trumpets how he once "toyed" with a lesbian girlfriend of the youthful
Bill Clinton, no doubt the only way he can claim intimacy with a man who
can't stomach him.

It is as though he sees his own double-dealing as a rather agreeable
versatility - as testimony to his myriad-mindedness rather than as a
privileged, spoilt-brat desire (among other things) to hog it all. One is
reminded of the scatty socialite in Evelyn Waugh's *Vile Bodies* who had
heard talk of an Independent Labour Party and was furious that she had not
been invited.

If one can swallow one's vomit at some of this, there is much in the book to
enjoy. Hitchens writes with admirable seriousness and passion about the 11
September 2001 attacks, Poland, Cuba, Iraq and a good deal more. The old
bellicose champion of human liberties and decencies is still alive and well.
There is a vastly entertaining account of London literary life, and a
chapter on the Rushdie affair that magnificently displays all the finest
qualities of a long-standing critic of autocracy and injustice.

Paul Foot, Hitchens writes, was "perhaps the person with whom it was hardest
to identify the difference between the way he thought and felt and the
principled manner in which he lived and behaved". And with whom is it the
easiest?

*Hitch-22: a Memoir*
Christopher Hitchens
*Atlantic Books, 436pp, £20*


*Terry Eagleton's most recent book is "On Evil" (Yale University Press,
£18.99)*

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