Hello, yes the Schmid speaks very easily, too easily, nearly
without any resistance. But how about playing piano or
pianissimo, when you need a certain resistance. But they are
beautiful horns - to look at - but also when played by the
right player.##
If you are afraid, the horn might be damaged
Matthew said some excellent things here, but there are a lot
conductors out there, who should never conduct. They may be
nice people - privately - but as soon as they take up the
stick, their character is ruined.
Transpose the relevant C part for your freshman rewrite
it. This avoids problems.
There is a little solopiece by Jules Orval called Alla.mente. Does anyone know
how to translate the title?
Sven
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Heather,
What exactly did you horn teacher tell you? Did he/she offer any advice? Was
there an offer from the horn teacher of listening to a sectional? How about the
teacher listening in on an orchestra rehearsal and offering some ideas? How
about YOU taking time in rehearsal to step in the
I've nothing to add to responses for Heather, as she has already been answered
well. But Bill's story about the Ravel reminded me of an old story about
George Szell and the Cleveland Orchestra - all the experienced players on the
list know it, but maybe not the younger folks. It goes along
Google is your friend.
http://www.clarionins.com/
Bo
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Dave, I just recently parted with my Texas 8D, which I thought was a
great horn, and am now playing my new Atkinson 501. It took me about
one whole rehearsal and a change of mp to get used to my new horn. It
too has a rose brass bell and is much more responsive than the old 8D.
I had to
RM Williams Publishing IS still in business, but the owner has had some
very unfortunate technical issues preventing her from being able to
print new parts. She is working very hard to rectify the situation as
quickly as possible.
Greg Campbell
(webmaster, RM Williams Publishing)
Melvin
Bo Gusman wrote:
Google is your friend.
http://www.clarionins.com/
While I can't say I'd particularly trust Google to make an *informed*
decision on buying insurance, I know a lot of folks who are very
satisfied with Clarion.
Greg
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post:
In a message dated 2/2/2007 4:48:09 PM Eastern Standard Time, [EMAIL PROTECTED]
writes:
What options are there out there for instrument insurance? I don't
think it would be covered under homeowners, as I live in a dormatory.
Should I get a seperate plan just for the Horn?
Will plans cover
Sorry for the double post. I am in desperate need of information. I have
proposed a recital program to my department for my senior recital, which is
about a year from now. They are starting to make a requirement that our
recitals must be memorized, and so I have to petition to not memorize
In a message dated 2/3/2007 5:34:11 P.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:
So my questions are as follows: Is this a legitimate college-level (music
education) program?
Yes. IMO, it's more than enough.
Should I be required to memorize this piece?
No
Does anyone
I just wanted to send a thank you out to Paul Navarro for all the great
information that he gave me about my new(to me) Yamaha 862. I also want
to thank Fred Baucom for giving me his email. Paul was kind enough to
call me and fill me in on some interesting details about the horn. I am
extremely
Hello Rebecca, world famous Wagner conductor late Hans
Knappertsbusch had been asked why he were using the score
when conducting while many other conductors did not use it.
He responded: I CAN READ MUSIC.
Off course, he many other famous conductors could do all
their pieces without the score,
The problem comes, because you worry too much. But as you
found that the problem disappears, if you play them on the
F-side, why dont you continue playing this or these notes on
the F-side. This will solve your problem. Did you adjust the
slides 1 2 on the Bb-side well enough ?
And it is quite
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