Mathew James wrote:
Hey all,
I was wondering if anyone had any advice on how to convince people. that
FF is a sometimes dynamic
I think your question really is how can you convince a student (or
someone who mostly plays as an amateur) to learn the wide quality
dynamic range
David Sullivan wrote:
does anyone know where I could possibly find a copy of Pizka's Das
Horn bei Mozart for purchase?
I don't think it has been in print for several years. You might find
someone online selling a used copy. I haven't seen one for sale any time
recently though.
I remember
Jeremy Cucco wrote:
And the fact that you assume that individuals' experiences aren't or can't
be used by others on the list suggests that everyone on the list thinks only
the way you do.
I do not believe Hans' intention was to suggest that individuals'
experiences cannot be applied to
Richard V. West wrote:
For example, the second horn part (in D) of the Piano Concerto No. 1.
The first bar is notated as a low C in treble clef, but six bars
later the same low C turns up notated in old notation bass clef. Was
Brahms or the engraver trying to signal the horn player that the bass
lewho...@yahoo.com wrote:
Now that's a video game that I'd gladly waste time playing!
Kendall, will the Good Professor market it on late night TV and sell
it for $19.95 plus shipping and handling? If one orders quickly, will
they get the Mellophone Marching Band version as an added bonus? I
can
phir...@nypl.org wrote:
Anyone on the list know what make and model Dale's current orchestral
instrument is? All of his section appear to be playing the standard Steve
Lewis horn, but his has some interesting looking straight slides and extra
tubing on it.
Maybe he was playing a descant? I
Larry Jellison wrote:
About oiling rotor surfaces, that is. The horn community needs to
standardize on his recommendation. Then we will be saved from
thousands of horn threads on rotor oiling that could occur in just
the next ten years.
I have a feeling that it really doesn't make as big a
Kenneth Pope wrote:
Greg,,, haven't you noticed? It's not Kool Aid... :)
http://www.poperepair.com/store/index.php?main_page=product_infocPath=23_54products_id=1126
I figured it was Kool-aid a few hours before you bottled it
___
post:
Steve Freides wrote:
I don't see his point - what's so special about multiples of 6?
In this age of digital metronomes, many people don't remember the
traditional graduations on the metronome. These graduations were set
up so that each click of the metronome represented about a 4-5%
Eric Egle wrote:
Mr. Osmun,
After I provided the serial number of my horn I was told by it's
maker, Dan Rauch, that the ring was made by Riedl of Germany. That's
all know! I'm awaiting a response from Mr. Rauch on possible contact
information for Riedl, but in the meantime I thought I'd try
Robert Osmun wrote:
Is it possible that you have Stuart confused with Keith Berg?
Bob Osmun
According to Stuart's own web site, he studied horn making with Dan
Rauch and Rick Seraphinoff.
http://www.deharohorns.com/about_me.htm
Keith Berg studied with Rauch too.
c...@fenwickparva.com wrote:
Blue Diamond is evidently the name of an organization with which I don't
want my music associated.
Almonds?
http://www.bluediamond.com/
___
post: horn@music.memphis.edu
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