Dear Arachnes,

I've remained silent, because I am committed to projects and reading, and 
want to finish before Prague.  Also, if one makes a recommendation that is 
adopted, they could get tapped to carry through, and I am not able to do so.  
However, it occurs to me that Arachne is a new 20th-21st century concept that could 
be reflected in a finished product, and if that product could be put to future 
use, it could have greater value to us all.

My thoughts went to the possibility of a banner or flag (depending on final 
design).  Banners are something embroidery groups often create, and they can be 
hung at meetings.  I stitched on the Embroiderers' Guild's Manhattan banner - 
and there is no mistaking it is about embroidery.  Yet, all it says is 
Manhattan Chapter   Founded in 1968.  (Well...there are gold embroidered stork 
scissors and a gold embroidered EGA logo, but you'd have to know what they 
represent.)  There is no mistaking is is about Manhattan and it is about embroidery.  
Pictures have been published twice on EGA's national magazine cover.  The 
second time was right after 9/11 - the December 2001 issue.   The banner shows 
many of the landmarks one thinks of i/c/w Manhattan.  The real antique silver and 
gold needlelace letters spelling Manhattan Chapter are shaped to convey the 
idea of a bridge span.  Manhattan is an island, and that is appropriate.  
Sections are devoted to the World Trade Center Towers, the Empire State Building, 
the Statue of Liberty, the United Nations, Lincoln Center.  They are stitched 
in a variety of embroidery techniques.  Silks and wools were chosen carefully, 
to bring the whole into harmony.  All is mounted on a lovely blue wool fabric 
shaped like a banner, with tabs across the top that feed into a wooden pole.  
The whole can be hung by a strong golden upholstery cord.  This became such a 
valuable embroidery (materials costs and time) that noone in Manhattan dared 
to keep it in their homes.  It is now in the permanent collection of EGA at 
their headquarters, and it is displayed at annual seminars.

Would Arachne consider a design idea like the embroidered silk map samplers 
that became so popular in the late 1700's?  They seem to have been particularly 
popular in tracing the voyage of Captain Cook (1728-1779).  At one time I 
found 6 different ones in my embroidery history books.  Don't have time to comb 
through them now, but will reference the one pictured on page 86 in the 1999 
"Samplers from The Victoria and Albert Museum" book by Clare Browne & Jennifer 
Wearden (same author as the new lace book from the V&A).

What I'm thinking of is lace of the continents, set in globe shapes, 
surrounded by (perhaps) a variety of lace flowers indigenous to the countries around 
the world where our lacemakers live.  (The sizes would have to be determined by 
ONE designer.)  Making the letters for "Arachne" (to be appliqued in place 
after competition).  And, a circular overlay of each hemisphere in gold thread 
(not wire - too fragile for shipping) of a spider web, with a strategically 
placed small gold spider over each of the 7 continents.  The spiders could be 
made of needlelace, instructions for which can be found in Jane Nicholas' books - 
she is from Australia and a stumpwork expert.  I've seen her insects, 
including spiders.  They are small, and stunning.  Like jewels.

The hemispheres are usually connected at the Equator - sort of like round 
eyeglasses without a bridge, or as separate embroideries, framed in two frames.  
For a banner, they would probably have to be stacked one above the other, 
instead of side-to-side.  For a flag shape they could be side-by-side.  Or, one 
hemisphere on each side (many more flowers to make).  I was schooled that 
Antarctica is a continent, which would make the 7th one.

The beauty of a banner or flag is that if it is constructed properly it can 
be gently rolled and carried to any international lace event where Arachnes 
will congregate in the future.  So, Arachne would have a contest entry, and have 
a use for it in the years to come.

If this sounds too far-fetched, sorry to waste your reading time.  The 
womens' lace history aspect came to mind, and the fact that the Arachne concept is 
significant and would be of historical interest in the future - when e-mail 
becomes obsolete and lacemakers move on to a new technology for communication.

It almost seems too late for the group to consider now, but could be an idea 
for someone who might like to take the idea and run with it!

Jeri Ames in Maine USA
Lace and Embroidery Resource Center  

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