Hello arachnians,
to the question why *black embroidery on shifts in Elizabethan times*: I
read in several English, German and Spanish books that
the black silk embroidery was introduced in England by the first wife of
Henry VIII who happened to be a Spaniard (Katherine of Aragon).
One of the
At that time I was a member of embroidery guilds and needle lace was
considered needle-work or embroidery.
Cynthia
On Apr 3, 2018, at 12:53 PM, DevonThein wrote:
> published in 1974 by my side. (I am now
> reading these books as historical documents of the 1970s lace
On Mon, Apr 2, 2018 at 7:29 PM, wrote:
> Linen shifts and shirts were the next to the skin layer, and were meant
> to be washed, so white would have to be the color of choice. Remember that
> in Germany clothes have been boiled in recent memory. How this explains
>
Every so often, I write a book review for an old book that is still relevant
and useful. Â November 2016, I sent a review of Virginia Churchill Bath's 1974
LACE book to Arachne. Â You can very easily locate it on the New England Lace
Group's web site by selecting Book Reviews from the menu on the
Thanks to Doris for her observation about the cover of Virginia Churchill
Bathâs book. I have this book, published in 1974 by my side. (I am now
reading these books as historical documents of the 1970s lace revival, whereas
I first read them as contemporary âhow toâ books.)
Does anyone know
The original jacket cover on Lace by Virginia Churchill Bath (published 1974)
is of a fragment of colored lace flowers, identified in the book as from
Italy, 19th century. The author once remarked to a group of us that she
wondered why we were so awestruck when we saw the actual tiny piece
Dear Friends
Dyes have not been known for fastness until recently
I vividly recall that back in 1979 at an auction in Melbourne my friend bought
a beautiful bright scarlet velvet dress from the 1860s. We placed it gently in
the back of her car and by the time we got home to Belgrave (about 90
would not be put in lace that was to
be washed regularly. Color and metal for things that would not be washed would
be fine. I really don't think sumptuary laws had much to do with the color of
lace, but I think that practical considerations were very important. I suspect
that even caps were
reflected color from whatever they are closest
to. I would get 2 skeins of each color that lace might be (put the spare in
an approved archival container). Color-for-color the dyed results of real
thread are not the same between DMC and Anchor. They use the closest color
match on comparison
with is
deciding how to describe the color of the lace. White is of course obvious,
but there are so many other shades. I know the threads we use are often
named bleached or half-bleached or unbleached, but I don't think those
terms would be appropriate for these finished pieces. Should I distinguish
On 30/06/2015 14:59, Regina Haring wrote:
[snip]
I'd like to know if there is a standard
way that these colors are described in museum terminology.
My Buckinghamshire County Library Service has copies of the Methuen
Handbook of Colour both on reference and loan. You can see it here:-
Or you might look into Pantone colors. Adobe Illustrator accesses them.
Cynthia
On Jun 30, 2015, at 12:45 PM, Linda Walton linda.wal...@cherryfield.me.uk
wrote:
On 30/06/2015 14:59, Regina Haring wrote:
[snip]
I'd like to know if there is a standard
way that these colors are described
On 30/06/2015 19:02, Cynce Williams wrote:
Or you might look into Pantone colors. Adobe Illustrator accesses them.
Be sure that your computer is showing colour accurately: often they
vary according to the settings of both supplier and receiver. To see
this, choose any famous painting and
Regina
I think your choice of words is appropriate. I would use
white = bleached,
cream = half bleached,
ecru = 1/4 bleached,
natural (or gray) = unbleached. For linen the term gray is often used to
mean unbleached, although the color is like a dark ecru.
Lorelei
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