Thomas Morley wrote
On 2013/02/14 09:21:07, dak wrote:
So the message is we can do, but we still need to figure out _what_
we can do. Proposals?
Well, currently I don't have a good idea.
Though, some time ago Arnold posted his approach on -user:
ArnoldTheresius arnold.we...@siemens.com writes:
Thomas Morley wrote
On 2013/02/14 09:21:07, dak wrote:
So the message is we can do, but we still need to figure out _what_
we can do. Proposals?
Well, currently I don't have a good idea.
Though, some time ago Arnold posted his approach
Reviewers: Trevor Daniels, thomasmorley65,
Message:
On 2013/02/13 23:27:55, thomasmorley65 wrote:
On 2013/02/13 22:56:30, Trevor Daniels wrote:
I definitely prefer the alternative you suggest in para 3.
You would not then need the warning, which is only necessary due to
the
complicated
Here is the deal: I can rename the current \pitched to \withPitch
which is quite in line with \withMusicProperty.
\withPitch/\accidental is a basic mechanism for passing
transposition information from music to markups.
The questions are
a) is this mechanism sufficient for pitched
On 2013/02/14 09:21:07, dak wrote:
So the message is we can do, but we still need to figure out _what_
we can do. Proposals?
Well, currently I don't have a good idea.
Though, some time ago Arnold posted his approach on -user:
On 2013/02/13 22:56:30, Trevor Daniels wrote:
I definitely prefer the alternative you suggest in para 3.
You would not then need the warning, which is only necessary due to
the
complicated 2-stage interface.
I'd second.
Regarding:
melody =
\relative c' {
%\override Script
