Han-Wen Nienhuys wrote:
For the moment, you could use markup texts. For example:
Thanks for the suggestion - however it is much more important to me that
the scores I am writing are structurally sound (i.e. the figured basses
are really figured basses, with their own durations etc - I'm
[EMAIL PROTECTED] writes:
I sent a sample output from 1.8.0 to a composer (who had only seen
finale, sibelius etc before) he commented
Thanks for sending it to me. The quality is very impressive, and
aesthetically pleasing.
Good to hear!
One thing he pointed out (amongst other things I
hi,
The example given in the manual for a figured bass seems to be missing a
\notes directive - if I put it inside a \score {} thus
\score {
\context FiguredBass
\figures {
_! 3+ 5- 4
[4 6] 8
}
\context Voice { c4 g8 }
\paper {
}
}
then I get an error
warning: Junking request:
Han-Wen Nienhuys wrote:
[EMAIL PROTECTED] writes:
(a first attempt to post seemed to go into a black hole ... try again
...)
The figured bass support in lilypond (wonderful!) is a little tricky
to use
for three reasons:
1) The figures have to be entered in the reverse order (that is a
six
On Wed, 18 Dec 2002, Han-Wen Nienhuys wrote:
...
1) The figures have to be entered in the reverse order (that is a six-four
chord is entered 4 6). Of course, this assumes that you do call it
that and
not a four-six chord, but I *think* is universally so.
In dutch, c' f' a' (absolute
Hello,
Since Han-Wen implemented necessary resolution, it's probably
unnecessary to discuss this further. However, if any of you are
interested, I uploaded a collection of Grove articles on the subject
at http://www.lumbroso.fr/figuredbass.zip
And if my One-Hour ticket isn't used up, you may
[EMAIL PROTECTED] writes:
(a first attempt to post seemed to go into a black hole ... try again ...)
The figured bass support in lilypond (wonderful!) is a little tricky to use
for three reasons:
1) The figures have to be entered in the reverse order (that is a six-four
chord is entered 4 6
