Hello everyone,
I'm trying to make a score which has several voices on a staff. I'm using
identifiers to define each voice separately so that I can use the same input
file to print out individual parts. Each definition contains its own dynamic
and articulation markings, etc.
The
I work in a world where there are, or can be, differences between C and
4/4. I noticed that the documentation appears to show C for all
instances of 4/4. Is there a reasonable way to construct the explicit
4/4 signature?
-Jim
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Lilypond-user
Ok, it's very simple. Look at:
http://lilypond.org/doc/v2.0/input/test/out-www/collated-files.html#time.ly
It's just adding the following line:
\property Staff.TimeSignature \set #'style = #'numbered
A Sat, 04 Oct 2003 10:25:13 -0700
Jim Bartram [EMAIL PROTECTED] escribió:
I work in a
On Sat, 04 Oct 2003 10:25:13 -0700
Jim Bartram [EMAIL PROTECTED] wrote:
I work in a world where there are, or can be, differences between C and
4/4. I noticed that the documentation appears to show C for all
instances of 4/4. Is there a reasonable way to construct the explicit
4/4 signature?
On Sat, 04 Oct 2003 11:57:45 -0400
Niki Pantelias [EMAIL PROTECTED] wrote:
I'm trying to make a score which has several voices on a staff. I'm using
identifiers to define each voice separately so that I can use the same input
file to print out individual parts. Each definition contains
David Raleigh Arnold wrote:
On Saturday 04 October 2003 03:13 am, Paul Scott wrote:
currently use 'piece = ...' to get section or movement names but I
would like them centered instead of on the left. Is there a way to
get a centered section or movement titles for an
orchestral/instrumental part
Paul Scott wrote:
piece = \\center Title
With this one \\center is ignored.
piece = {\\center{Title}}
This one and variations all produce parsing errors from lilypond.
Lilypond 2.0.0
Paul
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Lilypond-user mailing list
[EMAIL PROTECTED]
On Sat, 04 Oct 2003 11:36:15 -0700
Paul Scott [EMAIL PROTECTED] wrote:
How can I either raise \mark or move bar numbers so they don't conflict
as they do when they are left alone and the rehearsal mark falls at the
beginning of the line?
\translator{ \ScoreContext RehearsalMark \override
Graham Percival wrote:
On Sat, 04 Oct 2003 11:36:15 -0700
Paul Scott [EMAIL PROTECTED] wrote:
ow can I either raise \mark or move bar numbers so they don't conflict
as they do when they are left alone and the rehearsal mark falls at the
beginning of the line?
\translator{ \ScoreContext
Hi,
How should I set the ChordNames.ChordName property to get chords used here
in Hungary. I would like to see something like this:
d:m - d instead Dm
a:m - a instead Am
fis - Fis instead F#
h- H instead B
Thanks in advance,
Regards,
Zsolt Szunyoghy
For Hungarian chords IMHO using \include deutsch.ly and using
\semiGermanChords is the _best_ choice:
\chords { \semiGermanChords d2:min g d1:min... }
I think that because F#, Ab and so is more readable than Fis and As and so
(and certainly looks more professional).
I know that this isn't an
On Saturday 04 October 2003 02:23 pm, Paul Scott wrote:
Paul Scott wrote:
piece = \\center Title
With this one \\center is ignored.
piece = {\\center{Title}}
This one and variations all produce parsing errors from lilypond.
This worked:
\version 1.7.28
tagline = \center \copyright
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