Hello, I'm very new to lilypond, and find it to be very impressive.
I am confused about an interaction (or lack thereof) between \relative
blocks and \chords. I'm noticing that the octave for \chords{...}
seems to ignore the \relative octave.
Example (Lilypond version 2.0.0)
\score { \notes {
Hi all,
after searching all my backup cd's and the lilypond users archives, I am
hoping one of the wonderful users can help me find a thread to the list.
I had help from the list getting hebrew lyrics to work.
I didn't have hebrew titles working until recently because of an answer
from someone
Aaron wrote:
after searching all my backup cd's and the lilypond users archives, I am
hoping one of the wonderful users can help me find a thread to the list.
I had help from the list getting hebrew lyrics to work.
I didn't have hebrew titles working until recently because of an answer
from
Guy Shaviv wrote:
That's correct, I'm interested in how you can set up a command that takes a
parameter. I actually even need two parameters as a partial barre has two
parameters, on what fret and on how many strings. While for the full barre I
can setup 12 commands (e.g. \barreI \barreII ...),
maybe Mats answered I think or Frenec
But I remember posting a thank you.
When I searched google I only found old stuff.
I remember it was something simple...
Thanks
Aaron
On Sun, 2003-11-30 at 19:54, Paul Scott wrote:
Aaron wrote:
after searching all my backup cd's and the lilypond users
Aaron wrote:
maybe Mats answered I think or Frenec
But I remember posting a thank you.
When I searched google I only found old stuff.
Me too.
I remember it was something simple...
Do you have anything in your sent folder which could maybe be reanswered?
Can you make a better guess about the
Sun, 30 Nov 2003 11:24:53 -0700, Paul a dit :
Guy Shaviv wrote:
That's correct, I'm interested in how you can set up a command that takes a
parameter. I actually even need two parameters as a partial barre has two
parameters, on what fret and on how many strings. While for the full
Mon, 24 Nov 2003 22:10:39 -0800, Guy a dit :
I'm trying to typeset music for classical guitar for which I need
to be able to produce the barre
symbol. I've managed to acheive the desired output with text
spanners via the code:
\property Voice.TextSpanner \set #'edge-text = #'(C II
Nicolas Sceaux wrote:
Sun, 30 Nov 2003 11:24:53 -0700, Paul a dit :
I am trying to solve the same problem. I have gotten this far:
#(define textPad( lambda( pad ) \property Score.TextScript \override
#'padding = pad ))
with several guessed variations of
(textPad 3)
Thank you very
On Mon, 01 Dec 2003 00:03:41 +0200
Aaron [EMAIL PROTECTED] wrote:
I am inputting a score in lilypond which has a section that the the
quarter note gets the beat but the bar lines are used sparingly.
In the score no time signiture is given.
I am unsure how to notate the time signiture.
Thanks it worked like a charm.
Aaron
On Mon, 2003-12-01 at 00:35, Graham Percival wrote:
On Mon, 01 Dec 2003 00:03:41 +0200
Aaron [EMAIL PROTECTED] wrote:
I am inputting a score in lilypond which has a section that the the
quarter note gets the beat but the bar lines are used sparingly.
Hi All
I am learning the piano in ``fake book'' style: treble clef only,
Chordnames, lyrics and now: fingering promptings. (Yes I know I'm a
philistine :-)
1) Is there a way to increase the space between the staff and the lyrics to
avoid the fingerings being overwritten?
2) Is there a way to
12 matches
Mail list logo
