It seems I've found my answer to the textwidth problem. If the
textwidth is set to the same value as linewidth in the \paper block it
does what I expect.
-David Bobroff
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Quoting Will Oram [EMAIL PROTECTED]:
After some experimentation, I found that the flute MIDI voice is there,
it's just insanely soft. Even at forte, it's near inaudible with my
speakers turned up to max.
Any way to turn up the general volume of this voice without using
\f?
hi all,
with mats' help i've now got my output looking how i want it. now i have three
feature requests (if they are not totally insane and vaguely implementable).
in jazz notation you often see a slur up to a note from nowhere and also you may
find a slur from a note downwards ending in
Hi all,
I have a large amount of notation in lilypond format.
Many of the songs have no name and no text. I also have audio examples
and written introductions to each song.
I thought that giving each song the first few measures of ly text would
be a great way of absolutly tagging each song and
The problem lilypond won't parse them.
Now is the problem the length or the use of periods??
example:
b16b8.b4bb16b8.a4ga4.g8aba2e4.ly won't parse but renamed to test.ly it
does parse.
And so does b16b8b4bb16b8a4ga4g8aba2e4.ly
so is there a way to use periods in a name??
Thanks
Aaron
Aaron [EMAIL PROTECTED] writes:
Now is the problem the length or the use of periods??
example:
b16b8.b4bb16b8.a4ga4.g8aba2e4.ly won't parse but renamed to test.ly it
does parse.
It works for me.
What is the parse error that you get?
What version of lilypond do you use?
Jan.
--
Jan
After some experimentation, I found that the flute MIDI voice is
there,
it's just insanely soft. Even at forte, it's near inaudible with my
speakers turned up to max.
Any way to turn up the general volume of this voice without using
\f?
look in the manual under Notation
First of all, why didn't you use the predefined macro
\newpage ?
I'm not sure if I can help, but you could send the file
if you wish.
/Mats
David Bobroff wrote:
I'm having a problem with pagebreaks. I'm trying to use this procedure
to force a newpage:
\score {
\notes \relative c' { c1
Your most welcome, been there done that...
Aaron
On Thu, 2003-12-04 at 19:51, José Luis Cruz wrote:
did you specify the midi instrument in the lilypond file???
If none is specified it defaults to acoustic piano.
Ouch! I thought that including drumpitch-init.ly was enough :$
:), but
I see two problems with extender lines which I believe are bugs:
1. They start too soon, overlapping text (particularly noticable
with punctuation).
2. When they end at a rest or the end of the piece, a warning is
generated warning: unbound spanner `LyricExtender' The output
is correct
David Bobroff wrote:
First of all, why didn't you use the predefined macro
\newpage ?
I was not aware of it. I am now. I tried it. I got EXACTLY the same
result as before. That is, it works with my short extract but not as
expected in my full file.
\newpage has never worked for me. I
On Wed, 03 Dec 2003 10:14:27 -0600
jeff williams [EMAIL PROTECTED] wrote:
It may not be pretty, but it works. Now, question, where should I send the
final source for the flashcards so that other viola teachers / players may
use said work? Is there a repository for such goodies?
If you're
On Tue, 02 Dec 2003 11:44:21 -0700 (MST)
John Williams [EMAIL PROTECTED] wrote:
For example, if I download a .ly file from somewhere,
has any effort been made to prevent that file from
doing something bad to my system? For example,
executing arbitrary scheme code which will erase my
On Thu, 04 Dec 2003 18:13:37 +0200
Aaron [EMAIL PROTECTED] wrote:
The problem lilypond won't parse them.
Now is the problem the length or the use of periods??
What operating system are you using?
- Graham
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Sorry for no follow up.
For some reason there were no apparent parse errors. Just couldn't find
dvi etc.
I assumed that the files were ok, but when I lifted the notation and
dumped it into a template I knew parsed, voila the errors appeared.
So for now I retract my question. If this becomes a
In a song I'm notating, one verse has a few more syllables in one line,
so notes are added for them in what would otherwise be a rest area. Is
there a way to notate this so that both the normal and the altered
melodies appear within the same staff without too much confusion?
Hello all,
I don't know if anyone has mentioned this yet but there is some sheet
music being proofread in Lilypond format over at Distributed
Proofreaders (http://www.pgdp.net/).
If you want to help then log in (or sign up for an account) then scroll
down the list of available projects until
[ Mac OS X 10.2.8; Lilypond 2.0.1 ]
Hello, all:
Could someone tell me the best way to get the following:
3stop.pdf
Description: Adobe PDF document
I want to avoid using three voices, if possible.
Thanks!
Kieren.___
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In |coriolan-margin.ly| cid:[EMAIL PROTECTED] in
Tips and Tricks Version 2.1.0 'raisedFlat' refers to accidentals--1
which is now accidentals--2 because of the quarter-tone additions.
This same change probably affects macros derived from the manual that
many of us have set up to put
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