Hi All
I am having difficulty in following the syntax required in pedalling
information.
I have followed the manual's recommendations, but am probably messing up
big time :-(
(I am not familiar with Scheme, just C++, Java, LaTeX, pic etc.)
Can anyone help me to get the bracketing correct in
Hi
Is it possible to adjust (make higher...) the height of the arpeggio
sign (\arpeggio), and if so, how?
--
peace, love harmony
Atte
http://www.atte.dk
___
Lilypond-user mailing list
[EMAIL PROTECTED]
Hello,
is it possible to make a TabStaff output midi? It tried
\score {
\simultaneous {
\context Staff = voice \addlyrics \solo \context Lyrics \lyr
\context TabStaff = guitar \guitar
}
\paper {
\translator {
The arpeggio is drawn exactly between the upper and lower note
heads of the corresponding chord. There seems to be no property
setting to change that. The only solution I could come up with
was to add an invisible note (which cannot be in the same
... chord since the new syntax does not allow for
See http://mail.gnu.org/archive/html/lilypond-user/2003-11/msg00074.html
Regarding the Rest_engraver, I leave to experts in tab notation to
judge if a tab can have rests.
/Mats
Ferenc Wagner wrote:
Hello,
is it possible to make a TabStaff output midi? It tried
\score {
What version of LilyPond are you using? It seems that you use the
syntax from Lilypond version 1.6 or older. Are you sure that you
read the manual corresponding to the version you use?
If you have such an old version of the program, the best thing I
can do is to point you to the example files in
Mats Bengtsson [EMAIL PROTECTED] writes:
Ferenc Wagner wrote:
is it possible to make a TabStaff output midi?
See http://mail.gnu.org/archive/html/lilypond-user/2003-11/msg00074.html
Yeah, I read that message, but still I find it somewhat
silly that deleting three characters (T, a, b) from
I'm looking at:
http://lilypond.org/doc/v2.1/input/test/out-www/lily-1706119646.ly
Looks nice, but it seams that added articulations get's printed twice.
How can this be avoided? I tried to hide them from one version of the
music, byy putting \property Voice.Script \set #'transparent = ##t in
The spacing calcluations in LilyPond are quite complex, which hopefully
results in a nicer looking default layout than most other programs.
Some parameters that can be modified are described in
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond/Horizontal-spacing.html
However, you
Lilypond 2.0.1
I've reached my limits.
In the following fragment, a clef change occurs after the first note
(I'm transcribing an old piece and trying to keep the original stiyle).
I've tried everything I know of to lengthen the stems so that the beam
clears the treble clef sign. I'd imagine
First of all, your example code doesn't work as you expect, since
the \transpose command only transposes the property setting, nothing
else (a pair of curly brackets {\property ... \lowerone } solves that
or you could interchange the order of the transpose and property lines).
Anyway, by default
If you look at the section on Stems in the reference manual, you
will find a link to
http://lilypond.org/doc/v2.0/Documentation/user/out-www/lilypond-internals/Stem.html
which lists all properties that can be set on a stem.
Among them, there's a property called beamed-lengths that can be used.
The
Stan Sanderson writes:
I've reached my limits.
Have a look at the tips and tricks in the documentation:
http://lilypond.org/doc/v2.0/input/test/out-www/collated-files.html
I've tried everything I know of to lengthen the stems so that
the beam clears the treble clef sign.
There are
On Fri, 12 Dec 2003 13:55:31 +0100, =?ISO-8859-1?Q?Atte_Andr=E9_Jensen?= wrote:
Jonathan Kraut wrote:
snip the bracket sides for a pedal change are drawn as:
\__/___
instead of
/\_
I have the exact same problem here (both with your example and some of
my own music) using
[EMAIL PROTECTED] writes:
/\_
I have the exact same problem here (both with your example and some of
my own music) using 2.1.0. Is this a known bug? Is there a workaround?
If it is a bug should we post to the bugs list? Thanks.
Yes, please. However, due to problems with
Han-Wen Nienhuys [EMAIL PROTECTED] writes:
Nothing, really. For some reason (\addlyrics is quite broken, I prefer
not to know), a short lived LyricsVoice context is created that spans
the rest. The ending of the LyricsVoice is before the first note, does
not have any spacing parameters to
The score I'm writing only generates one .pdf/.ps output, the
orchestral score. What do I need to add to churn out parts for each
instrument?
I just heard about sly now (still don't quite get it), so it might be
too late for that since everything's already written out.
The basic format of my
Will Oram wrote:
The score I'm writing only generates one .pdf/.ps output, the
orchestral score. What do I need to add to churn out parts for each
instrument?
I just heard about sly now (still don't quite get it), so it might be
too late for that since everything's already written out.
The
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