On a piece I am working on I have a repeat bar which is in the middle of
the staff. It also serves as a DS Al Coda. How do I make the rest of
the staff stay empty so I can start the Coda on the next full staff?
thanks
Chip
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Lilypond-user mailing
Hi all,
A favor from some kind soul.
I am notating a trio for oboe, viola and timpiani.
I have the oboe and viola parts completed, and am editing the timp.
now.
I tried to make a score but no matter how hard I try I can't seem to get
it right.
I think where I am confused is where to put the
Aaron wrote:
Hi all,
A favor from some kind soul.
I am notating a trio for oboe, viola and timpiani.
I have the oboe and viola parts completed, and am editing the timp.
now.
I tried to make a score but no matter how hard I try I can't seem to
get it right.
I think where I am confused is where to
Aaron [EMAIL PROTECTED] writes:
I noticed there is no lilypond.words.vim file to be found
anywhere. I also looked in the tar source for one but it
was not to be found.
It's a generated file in elisp/out, which was left out of
most binary packages. I include it in my latest Woody deb,
but
Hello,
I can't help you with this. But in the future, I would
suggest not posting html to this list (or any other, btw)
but pure text, if you want to elicit more answers.
--
Feri.
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Paul Scott [EMAIL PROTECTED] writes:
You need to have the notes in one (or more) file(s)
which don't cause paper output and then have a file such
as the following for each of the printed parts including
the score. In this case I have jinglenotes.ly which has
all the notes defined in fluteI,
I should I guess be more specific in what file do I put the midiscore
info, the clef for each part , and the header information.
If I put the header information in the score only printed parts won't
have the correct header.
I choose these instrument precisely because each one uses a different
Banned CD! Government don't want me to sell it. See Now *
aunt survivor entendre judge survivor area scott embody consular laminar throne tonnage foliate hayfield scandalous cataract kill blackburn anteroom o'brien crate conjure oakley saucepan afterimage wiry currant
vitamin eratosthenes
Hello, Ferenc:
I can't stand not pointing out that you could instead use a
jingle *directory* and simpler file names in it. :)
On the other hand, I am often wary of using non-unique filenames, since
there is nothing to distinguish them in a flattened directory
structure (e.g., a search panel).
Atte André Jensen [EMAIL PROTECTED] writes:
How are all articulations forced close to the notes? And
why are the staccato and tenuto drawn close to the note as
I want them while the others are not? They're both Script
grobs, right?
Right. But they are of different type, see script.scm
Try
Just say
c4:16
/Mats
Aaron wrote:
HI all,
I am try to enter a measure with tremolo beams but I can't figure out
how, as follows
a quarter note with a 16th tremelo on the beam:
\repeat tremolo 4 c16 (from the documents)
gives me this:
--snip--
Hi All,
Does anyone know where I can download the latest cygwin version of
lilypond? Is there a particular mirror which gets the updates first?
I'm currently using:
,
| bash-2.05b$ lilypond --version
| lilypond (GNU LilyPond) 2.0.1
`
--
Thanks,
Jeff
In the latest source packages not all of the patches are included, which are
needed for building a correct and full Cygwin package, however I'll try to
make a correct one this evening.
I'm not planning to send testing versions in the official cygwin
distribution, but if there is a great demand,
Aaron wrote:
I should I guess be more specific in what file do I put the midiscore
info, the clef for each part , and the header information.
If I put the header information in the score only printed parts won't
have the correct header.
I choose these instrument precisely because each one
Someone asked for contructive criticism of lilypond.
First, a little deconstruction...
Lilypond's note syntax is great. The problems start when you want to
\override some default behavior. I think this paragraph typifies the
problems with lilypond:
This object is created whenever a Staff
Hello!
There is a 'script' for that look in the documents for templates copy
the one that fits your needs adjust the key etc and off you go.
There are many examples, however I miss some ready to use
templates, such as orchestra settings, string quartet, fours-hands piano,
etc. I tried to
Mats Bengtsson wrote:
Just say
c4:16
Hi,
could you point to where it says that in the docs??
Thanks
Aaron
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Hi all!
For already a half year a get some mails I shall make
NoteEdit LilyPond-2.x compatible. I always answered
I have not the time.
Now at:
http://rnvs.informatik.tu-chemnitz.de/~jan/note_pre/note_pre.html
there is a noteedit-2.3.5 preview. I believe it is LilyPond-2.x
compatible. But to
On Mon, 5 Jan 2004, Fernando Rauber wrote:
There is a 'script' for that look in the documents for templates copy
the one that fits your needs adjust the key etc and off you go.
There are many examples, however I miss some ready to use
templates, such as orchestra settings, string
Aaron wrote:
Mats Bengtsson wrote:
Just say
c4:16
Hi,
could you point to where it says that in the docs??
Notation Manual/Repeats/Tremolo subdivisions
Paul Scott
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On Mon, 05 Jan 2004 19:39:39 +0200
Aaron [EMAIL PROTECTED] wrote:
Mats Bengtsson wrote:
Just say
c4:16
Hi,
could you point to where it says that in the docs??
User Manual - tremolo repeats or tremolo subdivisions
Cheers,
- Graham
___
Kieren Richard MacMillan wrote:
Hello, Ferenc:
I can't stand not pointing out that you could instead use a
jingle *directory* and simpler file names in it. :)
I already have a directory for each ensemble that I print music for. :)
On the other hand, I am often wary of using non-unique
Hello,
I am unable to find the right duration fraction for autoBeamSettings so
that it would work in triplets. (end * * * *) works fine, but that is
not what I want as it affects everything. Pasted example shows what I
mean; I want all the c's beamed with two beams, not four.
Thanks for help.
I want to have a tie from the main section of a piece to the first note
of both alternative endings. Here's a simple example of the lilypond
code:
\include paper16.ly
\paper {
raggedright = ##t
indent = 0.0\mm
}
mm = \notes
{
c4 d e f ~ % want this to tie to both
On Mon, 05 Jan 2004 20:38:43 +0200
Aaron [EMAIL PROTECTED] wrote:
I posed a retorical question, where is the tremelo documentation,
because this is what I found in the docs:
\score {
\context Voice \notes\relative c' {
\repeat tremolo 8 { c16 d16 }
\repeat tremolo
Here is my problem:
I'd like to use lilypond version 2.0 (or higher) on my system using
SuSE-Linux9.0. For there is no compiled package for this target on your
server: do I really have to compile the program myself?
Dr. G. Buehrle
--
+++ GMX - die erste Adresse für Mail, Message,
In message [EMAIL PROTECTED]
Nick Busigin [EMAIL PROTECTED] wrote:
On Mon, 5 Jan 2004, Fernando Rauber wrote:
There are many examples, however I miss some ready to use
templates, such as orchestra settings, string quartet, fours-hands piano,
etc. I tried to download a few
Hi all,
Thanks for the help with the trio template.
Now the golden question.
how do I debug my score?
Must I use sly?
Is there a measure check utitlity?
I would like a way to check that all parts have the same amount of
measures and that the time sig. changes occur at the same places.
I being
I think it's in the page directly preceding or following that page. What
comes after this page in your version of the manual?
tremelo subdivisions and it has it but I was looking at the see also
which doesn't link to tremolo subdivisions.
And if this is the correct page than the last entry
On Mon, 5 Jan 2004, Chris Sawer wrote:
I've just added an option to the Mutopia 'Advanced Search' page that allows
you to search for music by LilyPond version, which may be helpful for people
searching for music to help them learn LilyPond.
You can either specify just the major version, eg.
(noteedit-2.3.5 preview)
I've just compiled it, in my sid, and i've found several errors of
sound-coordination when playing some of the examples that comes with
it, -the ones which have several staves-. Apart from that, the
lilypond code that it produces doesn't compile with 2.1.6 -at first
Aaron wrote:
Hi all,
Thanks for the help with the trio template.
Now the golden question.
how do I debug my score?
Must I use sly?
Is there a measure check utitlity?
I would like a way to check that all parts have the same amount of
measures and that the time sig. changes occur at the same
On Fri, 2 Jan 2004, Nick Busigin wrote:
I am interested in changing the naming of jazz chords for some lead
sheets we are working on.For example, I'd like to use the following
construct to print out chord names above a melody:
\context ChordNames \chords { a2:min7 fis:min7.5- g:9+
Hi you LilyPond folks..
I'm trying to write lyrics for some Christmas songs.. but I'm sure there is a
smarter way to do it than the way I did.
I have four music blocks (\soprano, \alto, \tenor and \basse) and I have four
lyric blocks (\texteUn, \texteDeux, \texteTrois and \texteQuatre) ..
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