If you search the mailing list archives, you will find that this is
a fairly common questions, see for example
http://lists.gnu.org/archive/html/lilypond-user/2004-11/msg00816.html
There is also a solution in the LSR (see www.lilypond.org - Documentation
for more information and a link), but I
Congratulations on 2.10. It is a great improvement. However there are some
things that I would like to see better described. I will mention one here.
In the News Changes section on the LilyPond website, the third bullet
tells about a new feature, FretBoards. I can find no mention of it in the
I've searched through the package contents of the OS X version, and
the input/test directory which is refered to in the manual doesn't
seem to be there.
Ok, I'm a big boy, I can download a source tarball like the best of
them, but shouldn't this stuff be somewhere in the distribution? Or
Am 23. November 2006, 10:26 Uhr (-0800) schrieb Graham Percival:
Sure!
http://lsr.dsi.unimi.it/
o.k. I put it up there. It's called Broken Crescendo Hairpin and
should be accessible by tomorrow (if I understood the system
correctly).
If you find the title misleading, just go ahead and
On 23 nov 2006, at 3:10, Graham Percival wrote:
I think this is referring to people with 6-fingers. Typing e8_1
means first finger; typing e8_1 prints 1 as a TextScript.
But what are martians and why are they playing my music? Shouldn't
this message simply state that a 6 is a strange
On 23 nov 2006, at 8:09, Martial wrote:
The fact that they chose to switch to computer-engraving doesn't
contradict that hand-engraving is far better; see:
http://lilypond.org/web/about/automated-engraving/introduction.html
And the Lilypond product is great !
The interesting thing from
Hey Graham.
Thanks a lot for the reaction on this one and the 'hairpinToBarline'. If it
helps in debugging: After a bit more investigation on the 'slurs', it seems
that it is not (only?) the length of the notes but the barline in between the
notes. The slur-algorithm seems to try to avoid any
On Wednesday 22 November 2006 19:31, Joseph Wakeling wrote:
Doug Wellington wrote:
Why can't you communicate with others using VB and/or AppleScript? I
would submit that it's easier to create a graphical application with
VB than just about any other programming language. If you want to
Thank you very much! I already tried, but it doesn't work somehow. Are there
any known bugs? Probably I just do something stupid. In the layout block I
inserted this code:
\context{
\Staff
\override NoteCollision #'merge-differently-headed = ##t
}
It's rather strange, because it
Thomas Tensi escreveu:
Hello,
I'm trying to make MPEG-4 notation files from lilypond
output. Each key frame is a score sheet (a PNG picture)
shown for a specific time, but it has to be synchronous with
the music played (also generated from lilypond).
To achieve that I need a list of
Arvid Grøtting escreveu:
The problem is twofold: This print shop doesn't stock any cream-colored A3
paper
which would be nice, and the finished sheet music is almost *too* sharp.
this is mainly due to the whiteness of the paper. Using yellow paper
decreases the contrast a bit, and will
Hi,
In section D.4.1 of the manual for 2.8.7, there's nice example of a
SATB score.
In the example, the keyword \global is used in a way I cannot deduce
from the docs. In short (please see the doc section for the full
example):
sopMusic = \relative c'' { ... }
altoMusic = \relative c'' {
In section D.4.1 of the manual for 2.8.7, there's nice example of a
SATB score.
I think that's my contribution :)
\global is not a keyword; it's defined at the top of the example, like this:
global = {
\key c \major
\time 4/4
}
In this case, omitting it makes no difference
When I look at it more closely, I don't think that example is
something I contributed. But my explanation still holds.
Geoff
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Arjan Bos escreveu:
So please remove it, or if it is felt that it is a just message, please
state that it something like:
Warning: fingering notation for finger number n.
I vote for the latter. Patches/pushes appreciated.
--
Han-Wen Nienhuys - [EMAIL PROTECTED] -
i'm writing a lead sheet (single staff melody with chord symbols
above) mostly with success so far. however, i've noticed that when
using alternate-ending repeats, lilypond puts the chord symbols above
the repeat ending brackets, making the chords unappealingly high for
that entire line. could
bernie arai wrote:
i'm writing a lead sheet (single staff melody with chord symbols
above) mostly with success so far. however, i've noticed that when
using alternate-ending repeats, lilypond puts the chord symbols above
the repeat ending brackets, making the chords unappealingly high for
that
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