Hi Ziggy!
Did you try with
\override Beam #'positions = #'(4 . 4) (you can cange the values to see
what happends..)
You can find other samples in the snippet repository searching Beaming
or autoBeaming :)
Hope this helps!
Bainos
Ziggy Leitner ha scritto:
I have spent a bit of time
Quoting Ziggy Leitner [EMAIL PROTECTED]:
I have spent a bit of time trying to get the beams for a
DrumStaff to stay parallel to the staff line instead of
following the stem.
Try reading the sections on tablatures. It contains some notes on how to make
the beams horizontal. The same
I'm a new user of Lilypond. After some experimentation, I've encountered
a couple of situations where I suspect that I am not using the program
correctly.
1. In the second alternative to the repeat, the \repeatTie's are
concave. I tried tweaking with ^ but it does not seem to have the
Kieran Coulter kieran_coulter at canada.com writes:
Hi everyone,I am sure there is a way to do this, but maybe someone here has
already faced this challenge and can help show me how it can be done.My example
is the Bach Sinfonia from Partita #2. It has a Grave, Andante, and Allegro, but
the
2007/7/15, Daniele Russo [EMAIL PROTECTED]:
Not bad! But, I was interested in a different type of bend, much more short,
like this (see attachment)
Here is a new command : \bendStart
it needs two arguments :
\bendStart #number {ghostnote}
the ghostnote will not be printed; its only purpose
On 08/07/07, Mats Bengtsson [EMAIL PROTECTED] wrote:
Just replace the two occurrences of \new Voice with \new Staff
in your example.
Thanks, that has (almost) worked. I was using Voice because I was
adding lyrics with \lyricsto, but it seems that in this case
\addlyrics works just as well.
A minor comment on your example below: I hope you know that the
explicit \book{...} block isn't necessary here, see section
Multiple scores in a book.
/Mats
Quoting Valentin Villenave [EMAIL PROTECTED]:
2007/7/11, Paul Harouff [EMAIL PROTECTED]:
The biggest pain which made me give up was
2007/7/15, Mats Bengtsson [EMAIL PROTECTED]:
A minor comment on your example below: I hope you know that the
explicit \book{...} block isn't necessary here, see section
Multiple scores in a book.
Yes; realized that after having already sent it. Well, I guess anyway
LilyPond's genuine logic is
Hello all.
Trying to do a piece with 6 seperate voices. The first 4 measures look
fine, but I'm not able to go any further!
Using version 2.10.0, on a Windows 98 box...which has worked fine for me
this far.
I've written a total of eight measures for each voice, but the pdf only
will show the
2007/7/16, Mischa Falkenburg [EMAIL PROTECTED]:
Trying to do a piece with 6 seperate voices. The first 4 measures look
fine, but I'm not able to go any further!
Sounds interesting; can you please post some of your code?
Regards,
Valentin
___
I managed to figure this one out after adding an invisible bar in front of \break.ThanksKieran Coulter___
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2.11.27
I'm thinking Han-Wen gave a further answer to this recently but I
haven't found it yet.
Manual section 8.2.1 says
If you want to have text on the left end of a multi-measure rest, attach
the text to a zero-length skip note, i.e.,
s1*0^Allegro
R1*4
The following code should be an
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