Dear All,
I'm trying to create a piece of music where accompaniment consists of
one measure fragments and they are then combined into a sequence. That
seems doable. However, I would have to add lyrics to these fragments
and I'm sort of stuck. \addlyrics and \lyricsto seem to produce
undesired
in the following snippet I use \partcombine and no Triplets are
displayed. When I % the \partcombine and the second part then
everything is fine.
Do I miss something?
Strange...
With parallel voices, you have the Triplets displayed too !?
Gilles
Kieren MacMillan wrote:
Hi Trevor (et al.):
by setting self-alignment-X. Left-aligned is -1,
right-aligned +1. Any value inbetween may be specified.
For the record, I believe *any* value (i.e., not necessarily in the
range [-1,1]) may be specified.
True! Also, don't forget the
Unfortunately, the lilypond-book program is naïve enough to only look
for the
sequence of characters lilypondfile when searching through the file,
i.e. it
does not understand your \newcommand trick. If you have a reasonably good
text editor, you can probably use that to replace all occurences
For the record, I believe *any* value (i.e., not necessarily in the
range [-1,1]) may be specified.
True! Also, don't forget the convenient definitions that let you say
#LEFT instead of #-1,
#RIGHT instead of #+1 and #CENTER instead of ...
Wouldn't it be a good idea to use those as the
The TextScript and MultiMeasureRestText objects have the same
outside-staff-priority (450) by default. If you for example set
\override MultiMeasureRestText #'outside-staff-priority = #'400
your example will look better.
/Mats
Paul Scott wrote:
Can I use something like outside-staff-priority
See section Multi measure rests in the manual.
/Mats
Reinhold Kainhofer wrote:
I'm having a piece with each vocal voice split into two, which are printed on
the same staff. As I only want to print dynamics, articulations etc. once, I
simply remove the corresponding engravers from the
Dear All,
Risto Vääräniemi wrote:
Has this issue taken some steps backwards? I compiled both of Paul's
examples in this thread using versions 2.11.32 and 2.11.37. The first
one with headers takes two pages on both versions. The second one
without a header takes two pages on 2.11.32 and
Bertalan Fodor (LilyPondTool) wrote:
For the record, I believe *any* value (i.e., not necessarily in the
range [-1,1]) may be specified.
True! Also, don't forget the convenient definitions that let you say
#LEFT instead of #-1,
#RIGHT instead of #+1 and #CENTER instead of ...
Wouldn't it
Well, I suppose the real feature request would be to make a way to
attach something to anything, for example my making all layout objects
have an anchor.
Bert
Mats Bengtsson wrote:
The standard way to attach something to a bar line is to typeset it as a
text mark (see section Text marks in
Bertalan Fodor (LilyPondTool) wrote:
Well, I suppose the real feature request would be to make a way to
attach something to anything, for example my making all layout objects
have an anchor.
True, but don't forget that the beginning and end of a spanner currently
is determined
as musical
Hi,
David Bobroff wrote:
In the latest 2.11.x there is a page-count in which you can specify the
total number of pages. If that fails, you can try forcing more measures
on a line using \noBreak.
Interesting! How is this command used? I tried to search for it in the docs
but I could not
I thought that the documentation generator (IIRC a scheme script) could
handle this. Now I can see, that this is not the case as RehearsalMark
contains the definition of (direction . ,UP) and it is still displayed as 1.
Mats Bengtsson wrote:
Bertalan Fodor (LilyPondTool) wrote:
For the
I would be very happy if I had a way to attach anything to a musical
position in time. Perhaps I could already do this using an invisible
voice, could I?
Mats Bengtsson wrote:
Bertalan Fodor (LilyPondTool) wrote:
Well, I suppose the real feature request would be to make a way to
attach
Bertalan Fodor (LilyPondTool) wrote:
I would be very happy if I had a way to attach anything to a musical
position in time. Perhaps I could already do this using an invisible
voice, could I?
You mean like
\version 2.10.0
myAnnotations = {
s2 \f s \ |
s1\! \mark \fermataMarkup |
s4-^
Mats Bengtsson wrote:
The TextScript and MultiMeasureRestText objects have the same
outside-staff-priority (450) by default. If you for example set
\override MultiMeasureRestText #'outside-staff-priority = #'400
your example will look better.
Thank you very much. That works perfectly for my
Am Montag, 14. Januar 2008 schrieben Sie:
See section Multi measure rests in the manual.
Thanks, but that's the first place that I looked. It only says that the
fermata markup is a MultiMeasureRestText. The internal reference then says
that these objects are created by
2008/1/13, Reinhold Kainhofer [EMAIL PROTECTED]:
BTW, I realized that I forgot some events in the filter function (namely
CrescendoEvent, DecrescendoEvent, etc.), but I suppose users will have to
find out themselves, as I can't modify it any more after you approved it.
If you want to correct
If you want to discuss issues with the latest development releases, I'd
recommend to use the lilypond-devel mailing list. I have forwarded
this email there.
/Mats
Risto Vääräniemi wrote:
Dear All,
Risto Vääräniemi wrote:
Has this issue taken some steps backwards? I compiled both of
2008/1/14, Risto Vääräniemi [EMAIL PROTECTED]:
*) IMHO the manual is now harder to use than a couple of minor versions ago.
There are now four different major documents where the information is
stored. Sometimes I have to search all of them or use the OS search function
to get the info I
2008/1/14, Mats Bengtsson [EMAIL PROTECTED]:
based on how this documentation
currently
is generated, I cannot conceive how that could be done.
Plus, using numbers instead of literal indications can sometimes be
more precise: in my opera I use
\override Score.LyricText #'self-alignment-X =
I think it's not about the structure but the display: you definitely
would need a tree view at the left side, the Top Next Previous is
just not enough.
Bert
Valentin Villenave wrote:
2008/1/14, Risto Vääräniemi [EMAIL PROTECTED]:
*) IMHO the manual is now harder to use than a couple of
you mean like below? That works fine...
ole
\new Staff {
\time 6/4
\clef G_8
\relative c' { \override TupletBracket #'direction = #up
r4 \times 2/3 { r8 a e'~4 } a e'2 \times 2/3 { r8 a e'4 } a~
e'~4 |
} \\
{
r1 r4 r8 es,~ |
}
}
\version
On Mon 14 Jan, Mats Bengtsson wrote:
- You cannot start or stop spanners, i.e. things like crescendi,
pedaling,
text spanners this way.
That's a pity, because it was the pedaling (Up) mark that I needed to put
under the barline.
I'll use the 'hidden voice' solution for now, but obviously
Dear Valentin et. al.,
On Jan 14, 2008 1:00 PM, Valentin Villenave wrote:
Can you give us some concrete examples of things you were looking for
in such cases?
As an example I could give you this page-count parameter. I finally
found it using Windoze search option. It wasn't in the NR, IR, LM
2008/1/14, Bertalan Fodor (LilyPondTool) [EMAIL PROTECTED]:
I think it's not about the structure but the display: you definitely would
need a tree view at the left side, the Top Next Previous is just not
enough.
... Hence the use of LilyJHelp :)
This was what John suggested a while ago,
2008/1/14, Jamie Bullock [EMAIL PROTECTED]:
OK. Please just bear in mind that at some point in the future I would be
interested in (co)sponsoring this feature in some shape or form.
Can I add it to the Google tracker as a Feature Request, priority
PostPoned, with a link to this discussion and
Reinhold Kainhofer wrote:
Am Montag, 14. Januar 2008 schrieben Sie:
See section Multi measure rests in the manual.
Thanks, but that's the first place that I looked. It only says that the
fermata markup is a MultiMeasureRestText. The internal reference then says
that these objects
I'm new to LaTeX, but not lilypond. I'm using TeXShop, and I'm
getting some not really desired output.
\begin{document}
\begin{lilypond}
\version 2.11.36
\include deutsch.ly
\header { title = Beauty—be not caused—It Is— instrument =
Querflöte }
{c'2 fis'4
I'm new to LaTeX, but not lilypond. I'm using TeXShop, and I'm
getting some not really desired output.
My guess is that either LaTeX, TeXShop, or both, is not happy with the
extended characters. Look on your hard drive for a recently generated
.ly file with a strange name; that might contain
Dear All,
I've been trying to create a command that I could use in the header
fields to change font size and such. I'm doing this is because I'm
writing a song book and I'd like to tweak the font size of the songs
with just one command that's specified in an external (.ily) file.
Is there a way
Please use the default definitions as a starting point, see the file
.../ly/titling-init.ly in your installation directory.
/Mats
Risto Vääräniemi wrote:
Dear All,
I've been trying to create a command that I could use in the header
fields to change font size and such. I'm doing this is
dear all,
this is maybe a bit stupid question...:
when I have a construction like below, the two \override commands
only take effect on the first { }. Where do I have to put them to
also override the two following { } (I only want them in this
particular staff, not in the whole score).
The main issue here is that LilyPond wants UTF-8 encoded input whereas
standard LaTeX doesn't understand UTF-8. I know that there are packages to
LaTeX, or maybe separate versions of the latex command that can handle
UTF-8, but I don't know any details about these.
One alternative, to handle
Hi,
did you try to set the encoding in the TeX-file also to utf8?
You can do this by adding the following line to you LaTeX preamble.
\usepackage[utf8]{inputenc}
Does this help?
Dominic
2008/1/14, James E. Bailey [EMAIL PROTECTED]:
I'm new to LaTeX, but not lilypond. I'm using TeXShop, and
A few comments:
- In Relative octave entry, I would reorder the items in the itemized
list and
move the first item last (or at least below the currently second
item), since
the other items explain the concept of relative to ... which is
mentioned in the
first item.
Also, in the
I am using 2.11.something and have had to mess around with the Ly file to
get it
to print. However I can't get it to print as compactly (7 a4 pages) as the
original PDF, as whatever I do I can't fit enough bars on a line.
I have recently tested the \pageBreak command with the option
What about \override Staff.TupletNumber and \override Staff.TupletBracket?
Ole Schmidt wrote:
dear all,
this is maybe a bit stupid question...:
when I have a construction like below, the two \override commands only
take effect on the first { }. Where do I have to put them to also
override
2008/1/14, Mats Bengtsson [EMAIL PROTECTED]:
A few comments:
OK, I'm applying your suggestions.
Thanks,
Valentin
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Just in case...
On Jan 14, 2008 3:50 PM, Mats Bengtsson wrote:
- In Accidentals, I wouldn't refer to Nordic and Germanic languages,
since both Swedish, Danish, Norwegian and German use
-iss and -ess (admittedly the same concept, but
a different spelling).
I guess the same applies for Note
I said
If you delete the last line of this exemple ( \score { c'1} ), Lilypond
scratches !!!
Sorry i meant Lilypond crashes !!!
%
\version 2.11.34
music = { \repeat unfold 74 \relative{ c8 d e f g f e d } }
\score {
\new Staff\music
\layout {
\context { \Score
Am 14.01.2008 um 14:07 schrieb Mats Bengtsson:
The main issue here is that LilyPond wants UTF-8 encoded input whereas
standard LaTeX doesn't understand UTF-8. I know that there are
packages to
LaTeX, or maybe separate versions of the latex command that can handle
UTF-8, but I don't know any
When I use Lilypond+LaTeX, both my TeX and ly files are written in
UTF-8 encoding. Therefore you should add the line
\usepackage[utf8]{inputenc}
into your LaTeX preamble. This works quite fine.
2008/1/14, Mats Bengtsson [EMAIL PROTECTED]:
The main issue here is that LilyPond wants UTF-8
Hallo,
seit in paar Tagen versuche ich mich an Lilypond und habe
schon einige schöne
Erfolge gehabt. Nur gelingt es mir nicht deutsche Umlaute
-ä, ö, ü- zu generieren.
Was muss ich also tun, um im Titel oder in Liedtexten Umlaute
zu bekommen. Die
TeX-Notation wirkt nicht, obwohl ich in einem
Did you try to add the line I posted to your preamble?
2008/1/14, James E. Bailey [EMAIL PROTECTED]:
Am 14.01.2008 um 14:07 schrieb Mats Bengtsson:
The main issue here is that LilyPond wants UTF-8 encoded input whereas
standard LaTeX doesn't understand UTF-8. I know that there are
One answer is that you can't, since the text script will belong to the
Staff
and the full Staff context will appear below the full FiguredBass context.
However, there are some possibilities to get what you want:
1. Move the text script using extra-offset, which means that LilyPond
won't in
On Jan 14, 2008 5:48 AM, Valentin Villenave [EMAIL PROTECTED] wrote:
2008/1/14, Jamie Bullock [EMAIL PROTECTED]:
OK. Please just bear in mind that at some point in the future I would be
interested in (co)sponsoring this feature in some shape or form.
Can I add it to the Google tracker as
Hello Trevor,
it's possible that what we're really looking for here isn't the
ability to attach to *barlines* but intead
I'd like to suggest that we're really looking for the ability to
arbitrarily attach a duration to things such as hairpins -- for
example, I'd like to be able to say
Trevor Bača wrote:
If this particular feature does list under such a bounty section, I'll
be happy to put my name in the willing to sponsor column. I've been
looking for such a feature for quite some time now, especially being
able to stop arbitrary spanners / hairpins just *before* a
It seems that this bug is fixed in version 2.11 but unfortunately not in
2.10.
/Mats
Thomas Frank wrote:
To me it seems like hairpinToBarline works correctly in 2.10 as long as the
(de-)crescendo ends in '\!' and not in an absolute dynamic like '\f'.
Is this the way it is supposed to
2008/1/14, Ewald Brökel [EMAIL PROTECTED]:
Hallo,
Hello Erwald,
I hope you can understand English :)
seit in paar Tagen versuche ich mich an Lilypond und habe
schon einige schöne
Erfolge gehabt.
... und das ist nur der Anfang :)
Welcome to LilyPond!
Nur gelingt es mir nicht deutsche
2008/1/14, Mats Bengtsson [EMAIL PROTECTED]:
It seems that this bug is fixed in version 2.11 but unfortunately not in
2.10.
Shall I report it as a possible Enhancement for the stable branch?
Valentin
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Hi Kieren,
Really interesting point actually. Can we take this a bit farther for a moment?
I love the idea of durated spanners, and, in fact have just such a
concept in some of the (non-lily) code I write to model parts of my
notation in larger pieces.
That said, I have a question for you:
Ewald Brökel schrieb:
Hallo,
Hi,
please note: this is a list in English language, so it is unlikely somebody
understood you question. :)
[howto generate german umlauts; TeX notation (\u, ...) does not work]
Have you ever tried to enter the umlauts directly. At least on my systems this
works
Citat Mats Bengtsson [EMAIL PROTECTED]:
- In Accidentals, I wouldn't refer to Nordic and Germanic languages,
since both Swedish,
Danish, Norwegian and German use -iss and -ess (admittedly the
same concept, but
a different spelling).
This is not correct.
In Danish we do not use -ss at
2008/1/14, Mats Bengtsson [EMAIL PROTECTED]:
- In Relative octave entry, I would reorder the items in the itemized
list and
move the first item last (or at least below the currently second
item), since
the other items explain the concept of relative to ... which is
mentioned in the
Dear Lilypond-users,
is there a programm which can be used in windows for midi-input in
Lilypond?
If there is one, I would be very interested.
Stefan
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On Mon, 14 Jan 2008 09:58:28 -0600
Trevor Ba__a [EMAIL PROTECTED] wrote:
On Jan 14, 2008 5:48 AM, Valentin Villenave [EMAIL PROTECTED]
wrote:
Can I add it to the Google tracker as a Feature Request, priority
PostPoned, with a link to this discussion and maybe a Bounty
label?
Sure. In
In the relative octave section, paragraph beginning When octaves are
specified, I suggest we replace as above with in absolute mode,
put a pitch with put a single pitch, and prevents with
reduces. This should clarify the intent of the paragraph, and the
advantages of relative mode.
Under
On Jan 14, 2008 1:43 PM, Andrew Hawryluk [EMAIL PROTECTED] wrote:
In the relative octave section, paragraph beginning When octaves are
specified, I suggest we replace as above with in absolute mode,
put a pitch with put a single pitch, and prevents with
reduces. This should clarify the intent
I want to set a simple homophonic choir piece, with 4 voices on two staffs and
the lyrics in between. When any of the voices has a melisma, I want the text
to align correctly (not just when the soprano has a melisma), and also
extender lines to be drawn correctly.
To achieve this (without
Hi Ewald,
just an addition: We have a German forum: www.lilypondforum.de. Welcome!
Ewald Brökel wrote:
Hallo,
seit in paar Tagen versuche ich mich an Lilypond und habe
schon einige schöne
Erfolge gehabt. Nur gelingt es mir nicht deutsche Umlaute
-ä, ö, ü- zu generieren.
Was muss ich
On Jan 14, 2008 1:41 PM, Graham Percival [EMAIL PROTECTED] wrote:
On Mon, 14 Jan 2008 09:58:28 -0600
Trevor Ba__a [EMAIL PROTECTED] wrote:
On Jan 14, 2008 5:48 AM, Valentin Villenave [EMAIL PROTECTED]
wrote:
Can I add it to the Google tracker as a Feature Request, priority
If they are all from the Beethoven Piano Sonatas, then I can compare
them with the edition I have at home. Are there any any outside NR 1?
Andrew
On Jan 14, 2008 12:55 PM, Trevor Bača [EMAIL PROTECTED] wrote:
On Jan 14, 2008 1:43 PM, Andrew Hawryluk [EMAIL PROTECTED] wrote:
In the relative
I have never heard of iss or ess in German either, but I didn't find it on
the pdf anymore, so I guess this is irrelevant for now. The current
formulation seems to be correct.
Till
Rune Zedeler wrote:
Citat Mats Bengtsson [EMAIL PROTECTED]:
- In Accidentals, I wouldn't refer to Nordic and
Hi,
I just read a bit further in the GDP and saw this example about polymetric
music where each note has still the same duration, so the barlines won't be
on the same vertical position. Because Lilypond can't count the bars
anymore, it won't put bar numbers by default. This has to be done a
- In Accidentals, I wouldn't refer to Nordic and Germanic
languages, since both Swedish, Danish, Norwegian and German use
-iss and -ess (admittedly the same concept, but a different
spelling).
This is not correct. In Danish we do not use -ss at all. That
would be a spelling mistake.
2008/1/14, Andrew Hawryluk [EMAIL PROTECTED]:
In the relative octave section, paragraph beginning When octaves are
specified, I suggest we replace as above with in absolute mode,
put a pitch with put a single pitch, and prevents with
reduces. This should clarify the intent of the paragraph,
2008/1/14 Andrew Hawryluk [EMAIL PROTECTED]:
If they are all from the Beethoven Piano Sonatas, then I can compare
them with the edition I have at home. Are there any any outside NR 1?
Oh excellent; indeed, they are all from the Beethoven sonatas. In fact I
believe they are all from the mid-
Quoting Valentin Villenave [EMAIL PROTECTED]:
2008/1/14, Mats Bengtsson [EMAIL PROTECTED]:
It seems that this bug is fixed in version 2.11 but unfortunately not in
2.10.
Shall I report it as a possible Enhancement for the stable branch?
Valentin
I would clearly mark it as a bug, since
2008/1/14, Valentin Villenave [EMAIL PROTECTED]:
2008/1/14, Mats Bengtsson [EMAIL PROTECTED]:
It seems that this bug is fixed in version 2.11 but unfortunately not in
2.10.
Shall I report it as a possible Enhancement for the stable branch?
Generrally we don't do enhancements on the stable
On Mon, 14 Jan 2008 14:50:47 +0100
Mats Bengtsson [EMAIL PROTECTED] wrote:
A few comments:
General reply - anything inside
Commonly tweaked properties
is an included snippet from LSR.
Cheers,
- Graham
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Hi,
Anyone have a smarter way to set Beam #'positions in the third beam grouping
below?
%%% BEGIN %%%
\version 2.11.34
\new PianoStaff
\new Staff = RH {
\time 9/8
\override Staff.VerticalAxisGroup #'minimum-Y-extent = #'(-10 . 20)
\override Stem #'direction = #down
On 1/14/08 10:19 AM, Rune Zedeler [EMAIL PROTECTED] wrote:
Citat Mats Bengtsson [EMAIL PROTECTED]:
- In Accidentals, I wouldn't refer to Nordic and Germanic languages,
since both Swedish,
Danish, Norwegian and German use -iss and -ess (admittedly the
same concept, but
a different
Hi and thanks,
On Jan 14, 2008 8:28 PM, Valentin Villenave wrote:
Risto: I have changed the sentence. Tell me if it is better this way.
Damn. I already forgot how it was before. :-) Just a couple of
comments – no show stoppers, though. Do what you wish with the
comments below.
I guess the
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