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Am Sonntag, 29. Juni 2008 schrieb Graham Percival:
sdfgsdhdshd [EMAIL PROTECTED] wrote:
In the new documentation, after looking carefully, i was not able to
find the section related to the symbol
||O||
a whole note, with two short
||O||
a whole note, with two short vertical lines on both sides.
Is this a notehead for ancient music? You'll find it in NR
2.8.1.1 or NR appendix B.5.
Nope, that's typically used for the breve:
http://en.wikipedia.org/wiki/Note_value
Well, not in German typography, which
Dear Werner:
THank you for your advice. Here's my first exercise for suspension notes. I
don't know whether the result looks satisfying. Could you all help me?
\version 2.11.49
\include mydefs.ly
#(ly:set-option 'point-and-click #f)
\header {
tagline = ##f
title = \markup { \fontsize #2 Ex.
Le 28 juin 08 à 20:52, Patrick Horgan a écrit :
Nicolas Sceaux wrote:
oops, baseline-skip and word-space should also be fixed absolutely,
and
not based on the ones from props.
Do you mean like:
#(define-markup-command (abs-fontsize layout props size arg)
(number? markup?)
(let* ((ref-size
Werner LEMBERG wrote:
Is this a notehead for ancient music?
Not really.
You'll find it in NR 2.8.1.1 or NR appendix B.5.
He won't find it since we don't have a glyph for it. It's probably
best to submit a bug report, together with a high-resolution scan of
such a note head.
THank you for your advice. Here's my first exercise for suspension
notes. I don't know whether the result looks satisfying. Could you
all help me?
Attached an improved version, at least optically. Since I'm not
acquainted with the details of those special chord notation, I can
only
IupperI = \relative c'' {
\voiceOne
IupperII = \relative c' {
\voiceTwo
Those \voiceOne and \voiceTwo are redundant, of course.
Werner
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Hi,
There are several GUI's named on your website for Lilypond but I'm
missing NtEd. NtEd is a new musical score editor for linux made by the
author (J. Anders)of Noteedit. NtEd has an (experimental) export
function to lilypond.
Hello all,
For anyone who is interested in putting their 2¢ in on this
discussion...
Here is a simple instrument-doubling-with-key-signature-changes
challenge:
%
\version 2.11.49
\include english.ly
#(set-global-staff-size 14)
\layout { \context { \Score
Hi Andrew,
The ultimate Aligned Dynamics Engraver as described above
would need to handle two cases:
Case A, baseline aligned dynamics [...]
Case B, vertical centering between skylines on a mark-by mark basis
[...]
Well put!
I don't know how hard that would be, but I think it would be
Does Lilypond run also in Puppy Linux?
I've just installed Pully 4.00 and it would be useful to work with Lilypond,
when I switch on Puppy.
Does anybody know?
Thanks Stefano
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Dear Lilypondusers,
I don't know, what could be wrong with this snippet:
\version 2.11.49
\relative { \compressMusic #' (1 . 2 ) {c4 c g' g a a g2 } }
Is it a bug of the version 2.11.49?
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Hi Stefan,
I don't know, what could be wrong with this snippet:
\version 2.11.49
\relative { \compressMusic #' (1 . 2 ) {c4 c g' g a a g2 } }
Is it a bug of the version 2.11.49?
In the NEWS section, you'll see that \compressMusic has been renamed
\scaleDurations.
Hope this helps!
2008/6/29 stefanozanobini [EMAIL PROTECTED]:
Does Lilypond run also in Puppy Linux?
I've just installed Pully 4.00 and it would be useful to work with Lilypond,
when I switch on Puppy.
Yes, LilyPond works on Puppy (I even managed to compile it from the
sources on Puppy once).
All
MuseScore (http://musescore.org) has export to lilypond as well, although I
don't know how good it is.
rosea wrote:
Maybe you should add these programs to your website/ Faq/ documentation?
--
View this message in context:
http://www.nabble.com/NtEd-and-tuxguitar-tp18181546p18184484.html
Hi, TextMate is also an alternative, there is a bundle for Lilypond. I also
made a supercollider class to use lilypond, it works ok here. It's something
like: LilyOutput.makePdfMidi(~file);
Bernardo
2008/6/23 Ivo Bouwmans [EMAIL PROTECTED]:
Hallo Steve,
I can totally live without the gui.
Hello Lilyponders,
I'm using ramp-style Cluster spanners and I'm getting unexpected output.
When more than two identical chords follow each other, the upper boundary of
the cluster collapses down one space and then goes back up.
In the example below (its corresponding image is attached), I have a
Hi Kieran,
I really appreciate the spirit of the challenge, but can you correct it
as the alto flute's in G?
I think only the lines with the text markup saying (in F) need changes,
but can you repost the entire thing in case there's something I missed?
Cheers,
Ian
Kieren MacMillan
Hi People
Tonite at approx. 8:30 PM and 8:35PM EST USA. I tried twice to search the
online manual but got a The server at lsr.dsi.unimi.it is taking too long
to respond firefox message. :teeth:
Is there a sticky somewhere about this?
Sincerely,
Jay
--
View this message in context:
Hi Ian,
I really appreciate the spirit of the challenge, but can you
correct it as the alto flute's in G?
Oops! I've been going back and forth in both directions (\transpose
and \transposition) so much, I lost track! =\
Thanks for catching that...
Best,
Kieren.
%
Nicolas Sceaux wrote:
Actually I was thinking about computing the new word-space and
baseline-skip based on the one defined on the paper block (ie the
default one) multiplied by the magnification. Then, when using
\abs-fontsize is like making a new start, getting rid off previous
font-size,
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