Hi
I'd like to use Lilypond in an interactive music learning program where
short response times are needed. I think running Lilypond on a ramdisk
could help. Does anyone know how to do that?
- Thomas
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Hello,
2009/1/3 Hasi hasberg...@yahoo.com
The subject titel says it:
Can I put lyrics above the bars/notes instead of underneath?
Easily.
1. Goto LilyPond documentation page - http://lilypond.org/web/documentation/;
2. Click 'Lilypond Snippet Repository (LSR)';
3. In the search box enter
Ivo Bouwmans wrote Saturday, January 03, 2009 11:54 PM
(It is strange, though, that in my original version (see below) the
stemUp did not force the stem upwards.)
Not really, since the code below also has a \stemDown at
the same musical moment in the same Voice. Only one of
these can be
Hi Carl,
Le vendredi 02 janvier 2009 à 20:16 -0700, Carl D. Sorensen a écrit :
I've attached a file README-contrib.txt, which is an attempt at what one of
you described as Frogging for Dummies. It gives at least a brief
introduction to the key issues that I remember as obstacles when I got
Le 4 janv. 09 à 15:15, John Mandereau a écrit :
When you're done with this task, each function for which you are
responsible
should have an internationalizable docstring. By
internationalizable, I
mean that it will look like (_i This is the docstring.), rather
than This
is the docstring.
This question concerns changing the key signature e.g. from a major to a
flat major. Lilypond standard behavior seems to be printing the natural
signs and the flat signs both after the bar line, but I have also come
across the natural signss being noted _before_ the bar line, and the new
key
How to make an easy installation on vista ? I have very little it background.
Best regards
Edmond.___
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Arne Peters wrote:
Why not take the .ps-file generated by Lilypond, and use Ghostview to
convert it to an imagefile. This then can be further manipulated with
GIMP/Photoshop etc before importing in the textfile.
This may not be the most elegant way to do it but should work.
No,
Hi Nick,
2009/1/4 Nick Payne nick.pa...@internode.on.net:
I have a TextSpanner where I draw a small vertical line at the end of the
TextSpanner line. Where the line continues for more than one stave, The
small vertical line is being drawn at the end of each stave. I'd prefer that
it only get
Am 04.01.2009 um 15:43 schrieb Francois Planiol:
Hello!
I need for a kind of Summary of Different way to harmonize a
melodie a
command of markup, I suppose. If it does exist, i dont find it or
how and be
very pleased for having help
My idea would be something like
\markup \floating { %
Am 04.01.2009 um 11:11 schrieb fa070232:
How to make an easy installation on vista ? I have very little it
background.
Best regards
Edmond.
I don't have any experience with windows vista, but the lilypond wiki
may help
Le dimanche 04 janvier 2009 à 14:50 +, Trevor Daniels a écrit :
I've now added a ref to Harmonics in References for for fretted strings in
NR 2.4.1.
I guess you mean 328df0d0d386fb553062680fd3c5be6d47548218 Docs: NR 2.4
Fretted: Add ref to Harmonics (tagged as 2.12.1-1)?
Do you think
James E. Bailey wrote:
Am 04.01.2009 um 11:11 schrieb fa070232:
How to make an easy installation on vista ? I have very little it
background.
Best regards
Edmond.
I don't have any experience with windows vista, but the lilypond wiki
may help
Mark Polesky wrote:
I've cooked up a way of tearing the right side of
the staff, which you can take a look at.
...
Otherwise, is this about what you're looking for?
Thanks Mark, good job but I was looking for something different:
I don't want to draw anything, just have my staff end
Piero,
This should be closer to what you want, but I need to emphasize that
it's not finished yet. It *is* possible to randomize the staff-line
tear-lengths; hopefully I'll have time to work on that a little
later. But I figured I'd send off what I have so far. For now, only
the top 2 variables
Hi Stefan,
2009/1/3 Stefan Waler ste...@waler.at:
Hi,
lilypond provides one petrucci style f clef (called petrucci-f).
It's not documented yet, but petrucci-f3 is also available.
You can also use petrucci-f4, but that's identical to petrucci-f.
It would be straightforward to add any other
I need to make staccato signs in brackets. Does anyone know how?
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In message 4960746d.2040...@floetenbau.ch, Thomas Fehr
thomas.f...@floetenbau.ch writes
Hi
I'd like to use Lilypond in an interactive music learning program where
short response times are needed. I think running Lilypond on a ramdisk
could help. Does anyone know how to do that?
Which OS.
Hi,
I have frescobaldi now running nicely on my Fedora 10 desktop.
I think frescobaldi is brilliant! Just what I was looking for.
I have two questions left: Should indentation work automatically?
On my system it doesn't. When I go to the tools-indentation-lilypond
menu, I see it is grayed out.
John
I've now added a ref to Harmonics in References for for fretted strings in
NR 2.4.1. Do you think this is adequate?
Trevor
- Original Message -
From: Trevor Daniels t.dani...@treda.co.uk
To: John Mandereau john.mander...@gmail.com
Cc: lilypond-user@gnu.org
Sent: Monday,
Hello.
I have a Piano score (three voices) organized in the following way:
upperA = { ... melody ... }
upperB = { ... melody ... }
upper = { ... \upperA \\ \upperB }
lower = { ... melody ... }
and
\score {
\new PianoStaff
\new Staff = upper \upper
\new Staff = lower
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Sonntag, 4. Januar 2009 18:56:46 schrieb Hasi:
I need to make staccato signs in brackets. Does anyone know how?
Yes, the documentation knows a lot ;-) It even has this very example
with parenthesized staccato-dots:
Hello!
I need for a kind of Summary of Different way to harmonize a melodie a
command of markup, I suppose. If it does exist, i dont find it or how and be
very pleased for having help
My idea would be something like
\markup \floating { % to wrap the scores ...
\score { ... } % T-S-D
\score {
On Sun, Jan 04, 2009 at 10:58:13AM +, Anthony W. Youngman wrote:
In message 4960746d.2040...@floetenbau.ch, Thomas Fehr
thomas.f...@floetenbau.ch writes
Hi
I'd like to use Lilypond in an interactive music learning program where
short response times are needed. I think running
2009/1/4 Lasse Rempe l.re...@liverpool.ac.uk
This question concerns changing the key signature e.g. from a major to a flat
major. Lilypond standard behavior seems to be printing the natural signs and
the flat signs both after the bar line, but I have also come across the
natural signss
Do any of you know how I can use Umlaute?
I'd like to do the following:
_\markup { \italic hartnäckig }
it just comes out as hartnckig
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Neil Puttock wrote:
It's not documented yet, but petrucci-f3 is also available.
I should have tried :-)
It would be straightforward to add any other variants, assuming
there's no need for changes to the glyph.
Great! Could you add petrucci-f5 at the next opportunity?
Thanks,
Stefan
Op zaterdag 3 januari 2009, schreef 胡海鹏 Hu Haipeng:
I'm about to download Frescobaldi, but I don't know whether Kde is for
all platforms or Linux only. I want to speed up my structure construction
(to say, a large orchestral score's stave structure--Orchestrallily has
many limitations), but
Op zaterdag 3 januari 2009, schreef Martin Tarenskeen:
Building and installing went OK. I can see the Frescobaldi message
windows and edit a lilypond file. But PDF preview fails: Could not load
okularpart. What is okularpart ? It seems that I don't have it ? What
am I missing ?
Thats the PDF
Op zondag 4 januari 2009, schreef Martin Tarenskeen:
I have two questions left: Should indentation work automatically?
On my system it doesn't. When I go to the tools-indentation-lilypond
menu, I see it is grayed out. Something missing on my system ?
Yes: I'm sorry I didn't notice earlier: You
2009/1/4 Hasi hasberg...@yahoo.com:
Do any of you know how I can use Umlaute?
I'd like to do the following:
_\markup { \italic hartnäckig }
it just comes out as hartnckig
On Linux with java version 1.6.0_07, jEdit, LilyPond 2.12.1 and
LilypondTool 2.11-r1 there is no problem – Umlaut in
On Sun, Jan 04, 2009 at 04:43:55PM +0100, John Mandereau wrote:
Le dimanche 04 janvier 2009 à 14:50 +, Trevor Daniels a écrit :
I've now added a ref to Harmonics in References for for fretted strings in
NR 2.4.1.
Do you think this is adequate?
It certainly is, but I'm not sure
On 4 jan 2009, at 19:31, Hasi wrote:
Do any of you know how I can use Umlaute?
I'd like to do the following:
_\markup { \italic hartnäckig }
it just comes out as hartnckig
Hasi,
Please save the file with UTF-8 encoding. Most editors offer this
option on the save (as) menu.
If you need
doesn't it have to do with the encoding which should be UTF-8 ?
ole
Am 04.01.2009 um 20:15 schrieb Antanas Budriūnas:
2009/1/4 Hasi hasberg...@yahoo.com:
Do any of you know how I can use Umlaute?
I'd like to do the following:
_\markup { \italic hartnäckig }
it just comes out as hartnckig
Op donderdag 1 januari 2009, schreef Wilbert Berendsen:
Op woensdag 31 december 2008, schreef Grammostola Rosea:
Is there also a possibility to play midi in a quick way? Like it was
possible in lilykde in the log?
Will be added Very Soon Now (TM).
It is added now in SVN. Install Subversion
Hi,
you can define a named voice context here:
upper = { \new Voice = melody \upperA \\ \upper B }
for whatever reason the \voiceOne property gets lost though, so you have to
assign it explicitly to upperA like this:
upperA = { \voiceOne ..music.. }
to place the lyrics above the staff you
Hello, Tao
Tao Cumplido wrote:
you can define a named voice context here:
upper = { \new Voice = melody \upperA \\ \upper B }
for whatever reason the \voiceOne property gets lost though, so you have to
assign it explicitly to upperA like this:
upperA = { \voiceOne ..music.. }
to
Mark Polesky wrote:
This should be closer to what you want, but I need to emphasize that
it's not finished yet. It *is* possible to randomize the staff-line
tear-lengths;
Mark,
That's GREAT!!! Exactly what I need!!!
The randomization is not important, it's just that when we have many
Hello again!
I'm once again posting with a newbie question.
I'm trying to make a score with both music and tab staffs, as well as chord
names a fret diagrams. But NOT string numbers in circles.
Can anyone suggest the proper thing to set? Is it an override?
My Score section looks like this:
Le dimanche 04 janvier 2009 à 11:19 -0800, Graham Percival a écrit :
No; references is the correct place. If people skip over the
references to previous docs, then it's their own fault. We simply
/cannot/ add links to everything in all places in the docs; the
best we can do is have a
Stefan Waler stefan at waler.at writes:
Great! Could you add petrucci-f5 at the next opportunity?
Thanks,
Stefan
You can do it yourself, by putting this line in your .ly file:
#(append! supported-clefs '((petrucci-f5 . (clefs.petrucci.f 4 0
I don't think the glyph is really
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Sonntag, 4. Januar 2009 18:13:04 schrieb Mark Polesky:
This should be closer to what you want, but I need to emphasize that
it's not finished yet. It *is* possible to randomize the staff-line
tear-lengths; hopefully I'll have time to work on
2009/1/3 Carl D. Sorensen c_soren...@byu.edu:
Antanas,
On 1/3/09 9:21 AM, Antanas Budri?nas antan...@gmail.com wrote:
parallelStaffs = #(define-music-function (parser location firstStaff
firstLyrics
secondStaff secondLyrics)
(ly:music? ly:xxx? ly:music? ly:xxx?)
#{
Am 04.01.2009 um 20:22 schrieb Arjan Bos:
On 4 jan 2009, at 19:31, Hasi wrote:
Do any of you know how I can use Umlaute?
I'd like to do the following:
_\markup { \italic hartnäckig }
it just comes out as hartnckig
Hasi,
Please save the file with UTF-8 encoding. Most editors offer this
Grateful Frog wrote:
Hello again!
I'm once again posting with a newbie question.
I'm trying to make a score with both music and tab staffs, as well as chord
names a fret diagrams. But NOT string numbers in circles.
Can anyone suggest the proper thing to set? Is it an override?
My Score
Thanks! That did it perfectly!
GF
On Sun, Jan 4, 2009 at 10:05 PM, Jonathan Kulp jonlancek...@gmail.comwrote:
Grateful Frog wrote:
Hello again!
I'm trying to make a score with both music and tab staffs, as well as
chord
names a fret diagrams. But NOT string numbers in circles.
You can
Grateful Frog wrote:
Thanks! That did it perfectly!
GF
Glad to help, but beware that transparent objects still take up space so
if later you have layout problems with respect to fingerings and other
things, it could have to do with the transparent string numbers. Best,
Jon
--
Jonathan
Jonathan Kulp jonlancekulp at gmail.com writes:
Grateful Frog wrote:
Thanks! That did it perfectly!
GF
Glad to help, but beware that transparent objects still take up space so
if later you have layout problems with respect to fingerings and other
things, it could have to do with
Hello Mr Bailey and thanks.
By me, the result is: see the first 1/2-page of file.
I need to have: see the 2nd 1/2-page (done with oodraw, not with lilypond of
course)
Thanks again, in advance
Francois
Am Sonntag, 4. Januar 2009 16:39 schrieben Sie:
music = \relative c' { c d e f }
Thomas Fehr wrote:
Hi
I'd like to use Lilypond in an interactive music learning program
where short response times are needed. I think running Lilypond on a
ramdisk could help. Does anyone know how to do that?
- Thomas
Working on Lilypond files in a ramdisk (which is not exactly what you
Francois
The suggestion works as you want it in 2.12.1. What version are you using?
You may need to set ragged-right = ##t in 2.10 or early versions of 2.11:
\layout {
ragged-right = ##t
}
in every \score block.
Trevor
- Original Message -
From: Francois Planiol
On Sun, Jan 04, 2009 at 07:35:20PM +0100, Wilbert Berendsen wrote:
Op zaterdag 3 januari 2009, schreef Martin Tarenskeen:
Building and installing went OK. I can see the Frescobaldi message
windows and edit a lilypond file. But PDF preview fails: Could not load
okularpart. What is okularpart
Michael Lauer wrote:
I don't know what Petrucci actually used.
Obviously, he used the latest stable release of Lilypond...;)
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On 1/4/09 1:27 PM, Antanas Budri?nas antan...@gmail.com wrote:
2009/1/3 Carl D. Sorensen c_soren...@byu.edu:
Antanas,
On 1/3/09 9:21 AM, Antanas Budri?nas antan...@gmail.com wrote:
parallelStaffs = #(define-music-function (parser location firstStaff
You need to put \lyricsmode {
Thomas Fehr wrote:
Hi
I'd like to use Lilypond in an interactive music learning program
where short response times are needed. I think running Lilypond on a
ramdisk could help. Does anyone know how to do that?
- Thomas
I mucked up part of my previous mail -- it should read:
To do this
Hi Francois,
By me, the result is: see the first 1/2-page of file.
I need to have: see the 2nd 1/2-page (done with oodraw, not with
lilypond of
course)
Look for \startStaff and \stopStaff in the documentation and list
archive.
HTH!
Kieren.
In the following code sample how would I prevent the glissando and sharp
sign collision?
--
Thanks,
Chip
\version 2.12.1
\header {}
staffNotes = \new Staff {
\time 4/4
\key c \major
\clef treble
\relative c'' {
\override Glissando #'thickness = #3
\override Glissando #'style =
In message 49613875.9020...@gmail.com, M Watts zwy648...@gmail.com
writes
Whether you use ramdisks or not, you can increase harddisk performance
by enabling the 'noatime' option in /etc/fstab. Whenever you read a
file, you system also performs a writing operation, to store the time
of last
Le dimanche 04 janvier 2009 à 23:23 +, Anthony W. Youngman a écrit :
WARNING!
I think some things (notably source control) depend on atime so be
careful.
I have used noatime for years without noticeable inconsistency with Git
and CVS.
Cheers,
John
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Montag, 5. Januar 2009 00:23:06 schrieb Anthony W. Youngman:
In message 49613875.9020...@gmail.com, M Watts zwy648...@gmail.com
writes
Whether you use ramdisks or not, you can increase harddisk performance
by enabling the 'noatime' option in
On 1/4/09 7:24 AM, Nicolas Sceaux nicolas.sce...@free.fr wrote:
Le 4 janv. 09 à 15:15, John Mandereau a écrit :
When you're done with this task, each function for which you are
responsible
should have an internationalizable docstring. By
internationalizable, I
mean that it will look
Le dimanche 04 janvier 2009 à 09:33 +0100, Thomas Fehr a écrit :
I'd like to use Lilypond in an interactive music learning program where
short response times are needed. I think running Lilypond on a ramdisk
could help. Does anyone know how to do that?
I'm not sure a ramdisk will increase
Le dimanche 04 janvier 2009 à 17:02 -0700, Carl D. Sorensen a écrit :
I don't understand the significance of the change from _i to _idoc (which I
would recommend instead of _doc). What is the difference between the
lilypond gettext domain and the lilypond-doc gettext domain.
The difference is
On 1/4/09 5:33 PM, John Mandereau john.mander...@gmail.com wrote:
Le dimanche 04 janvier 2009 à 17:02 -0700, Carl D. Sorensen a écrit :
I don't understand the significance of the change from _i to _idoc (which I
would recommend instead of _doc). What is the difference between the
lilypond
On 1/4/09 7:15 AM, John Mandereau john.mander...@gmail.com wrote:
Hi Carl,
Le vendredi 02 janvier 2009 à 20:16 -0700, Carl D. Sorensen a écrit :
I've attached a file README-contrib.txt, which is an attempt at what one of
you described as Frogging for Dummies. It gives at least a brief
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