Hello, lilyponders,
first of all -- thank you, everybody, who makes lilypond better.
Lilypond is *so* great, so i can not express this ever in my native
language, Ukrainian.
(Now i'm a-kind-of-working on some score books with
lilypond lilypond-book latex -- i would not like ever
imagine that i
with 2.12.2 (windows):
{ \tempo Ziemlich langsam 4 = 66 R1 \mark \default R1 }
puts A above Ziemlich langsam but I would expect A to be below.
How can I reverse the default behaviour?
Frédéric
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Hallo all,
I have two questions concerning tags.
(1) Is it possible to tag other elements than music elements?
I would like to do something like:
subtitle = \tag #'reduct { Piano Reduction }
(2) Is it possible to tag multiple lines at once?
Like:
\tag #'text {
\new Lyrics \lyricsto
frédéric,
On Apr 13, 2009, at 8:41 AM, Frédéric Bron wrote:
with 2.12.2 (windows):
{ \tempo Ziemlich langsam 4 = 66 R1 \mark \default R1 }
puts A above Ziemlich langsam but I would expect A to be below.
How can I reverse the default behaviour?
try this:
\version 2.12.2
{
\once \override
the documentation trail for this is fairly convoluted:
i'll take that back, it's in the LM 4.4.3 Placement of objects -
Outside-staff objects.
regards,
sb
--
Simon Bailey
Oompa Loompa of Science
+43 699 190 631 25
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Dear all,
I want to present time signatures in my reading notes. I tried
\markup { \time 2/4 }
It seems \time cannot be used in this way. I got a dirty way
\markup { \center-column { {\musicglyph #2} {\musicglyph #4} } }
which can show a time signature, but the vertical space between the
2009/4/13 Wei-Wei Guo wwgu...@gmail.com:
\markup { \center-column { {\musicglyph #2} {\musicglyph #4} } }
This (just stacking two markups):
\relative c'' { c4 -\markup {\number 4} -\markup{\number 2} c c c }
shows numbers closer to each other in my case.
No sure this is a good way.
--
Kieren MacMillan wrote:
Hi all you Slur-happy people,
1. Kudos to Mark for his amazing and generous contributions!
+1. Wow!
2. Does it (now) bother anyone else that dashed slurs do not look like
real slurs? I guess I always assumed — without visually confirming,
obviously — that dashed
Hi Wei-Wei,
I want to present time signatures in my reading notes. I tried
\markup { \time 2/4 }
It seems \time cannot be used in this way. I got a dirty way
\markup { \center-column { {\musicglyph #2} {\musicglyph #4} } }
which can show a time signature, but the vertical space between the
Hi Jon (et al.),
The publisher of my guitar music [...] uses dashed slurs like these
with invariant thickness
I note that Barenreiter also uses invariant-thickness dashed lines
(e.g., Mozart Jupiter Symphony, m. 167).
So that appears to be standard practice.
It probably would look nicer
2. Does it (now) bother anyone else that dashed slurs do not look
like real slurs? I guess I always assumed — without visually
confirming, obviously — that dashed slurs were real slurs (that
thickened and tapered, etc.) with cutouts; I now see that dashed
slurs are simply dashed lines (of
Kieren MacMillan wrote:
Hi Jon (et al.),
The publisher of my guitar music [...] uses dashed slurs like these
with invariant thickness
I note that Barenreiter also uses invariant-thickness dashed lines
(e.g., Mozart Jupiter Symphony, m. 167).
So that appears to be standard practice.
I
On Apr 13, 2009, at 3:17 PM, Wei-Wei Guo wrote:
Combining your solutions, the following way is the better, but still
to long...
\markup{ \override #'(baseline-skip . 1) {\center-column {\number 2
\number 4}}}
define this as a variable, then you only have to type it once:
ttf =
I don't understand custom key signatures. Why are the accidentals
shown in the second measure? Do I have to set the key signature for
each measure?
\version 2.12.2
\relative c {
\clef bass
\time 5/4
\set Staff.keySignature = #`(((-1 . 0) . ,SHARP) ((-1 .
3) . ,SHARP))
cis4 d e
Hello!
I've made huge progress with learning this tool but I am now facing a
problem, again a noobie issue.
I'd like to remove the key signature and clef from every line of the
composition except the first, so as to save space on the paper.
Can anyone suggest a solution?
Thanks,
GF.
--
2009/4/13 James E. Bailey derhindem...@googlemail.com:
I don't understand custom key signatures. Why are the accidentals shown in
the second measure?
There's a bug in Accidental_engraver:
http://code.google.com/p/lilypond/issues/detail?id=733
Do I have to set the key signature for each
2009/4/13 Simon Bailey bina...@gmail.com:
On Apr 13, 2009, at 3:17 PM, Wei-Wei Guo wrote:
Combining your solutions, the following way is the better, but still to
long...
\markup{ \override #'(baseline-skip . 1) {\center-column {\number 2
\number 4}}}
define this as a variable, then you
Am 13.04.2009 um 17:00 schrieb Neil Puttock:
2009/4/13 James E. Bailey derhindem...@googlemail.com:
I don't understand custom key signatures. Why are the accidentals
shown in
the second measure?
There's a bug in Accidental_engraver:
http://code.google.com/p/lilypond/issues/detail?id=733
2009/4/13 Nick Payne nick.pa...@internode.on.net:
Guitar stroke fingering is lower case, but with the orientation set to up,
the p is not correctly aligned with the other characters in a succession of
fingering indications, and with the orientation set to down, the i is
similarly misaligned.
Kieren MacMillan wrote:
I now see that dashed slurs are simply dashed
lines (of invariant
thickness) which curve along
the path that a slur would take between
two notes.
What is standard engraving practice when it comes
to such
things?
It's funny. There's a handwritten example of a
Greetings everybody,
Well, it's time for a reboot! The LilyPond Report is back, with a new
design, new features... but still the same spirit :-)
OK, let’s admit it: this installment has been released with some
delay. Like, nine to ten months… How is that? What has happened since
then in the
Whoops, Sorry Simon. I'd replied to your
earlier note before I saw this.
Trevor
- Original Message -
From: Simon Bailey bina...@gmail.com
To: Simon Bailey bina...@gmail.com
Cc: lilypond-user lilypond-user@gnu.org
Sent: Monday, April 13, 2009 12:07 PM
Subject: Re: relative position of
I'm getting this error showing up in the console output when running LP
2.12.2 against a particular score. LP continues building the score and I
can't see anything wrong with the PDF output produced:
programming error: minimise_least_squares (): Nothing to minimise
This means that vertical
2009/4/13 Dmytro O. Redchuk brownian@gmail.com:
\repeat unfold 0 { d4 d d d } % zero here
That's not a problem, i can not say why one could need
\repeat unfold *zero* { :-) }
That's a brilliant idea! Maybe the most useless feature ever, but it's
pretty cool anyway :-)
I'm not going
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