Re: Allowing empty space at bottom of page

Thanks. That's exactly what I was looking for. Cheers, David. On Thu, May 7, 2009 4:39 pm, Graham Percival wrote: Take a look at the \bookpart command, added in 2.12. Cheers, - Graham On Thu, May 07, 2009 at 04:37:42PM +0100, David Jarvie wrote: I'm doing a score which has more than one

Re: [LilyPond] Unequal line spacing in columns

Sven Siegmund wrote: In my case the vertical line spacing in the left and right column differ a tiny bit. I wouldn't notice it wouldn't it be for this big that's probably due to lines with/without ascenders/descenders! Please tell me what's what in the source code causes this difference

Re: [LilyPond] Unequal line spacing in columns

2009/5/8 -Eluze elu...@gmail.com: Sven Siegmund wrote: In my case the vertical line spacing in the left and right column differ a tiny bit. I wouldn't notice it wouldn't it be for this big that's probably due to lines with/without ascenders/descenders! The attached example could confirm

Re: [LilyPond] Unequal line spacing in columns

What exactly are line ascenders/descenders? I don't know what you mean. I will try your suggestions later today. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Absolute premiere of a LilyPond typesetted work

Hello, this comes from the Spanish users list and I post it here for future remainder. A work from César Camarero entitled Duración invisible (Invisible duration) for double orchestra and three soloists, is to be first performed in the Auditorio Nacional in Madrid. The score is fully typeset

Re: [LilyPond] Unequal line spacing in columns

Sven Siegmund wrote: What exactly are line ascenders/descenders? I don't know what you mean. I will try your suggestions later today. ascenders: b,d,f,h,i,k,l,t (+ numbers, question mark, exclamation…) descenders: g,j,p,q,y -- View this message in context:

Re: [LilyPond] Unequal line spacing in columns

2009/5/8 -Eluze elu...@gmail.com: Sven Siegmund wrote: What exactly are line ascenders/descenders? I don't know what you mean. I will try your suggestions later today. ascenders: b,d,f,h,i,k,l,t (+ numbers, question mark, exclamation…) descenders: g,j,p,q,y Yes, and accented uppercase

Bass in Chord Name

I'd like to get the following chord representation D7/F#. How to define this F# as bass in chord? I can use d:7/fis and I'll get D7/fis - but I get fis, and I want F#. I can define e.g. d:m/f and I'll get Dm/F but cannot define F# as bass. -- View this message in context:

Multiple skips in lyrics

I have a score with intro of e.g. first 16 bars, and after that intro goes song with lyrics. When I write lyrics in \addlyrics {} part I have to skip notes in first 16 intro bars (bars without lyrics). I use underscore _ multiple times, e.g. 30 underscores. Is there any more convenient way to

Mark Indent Position

When I define e.g. \mark Intro at the beginning of line it is positioned above clef sign but if there is repeat start sign immediately after clef then it is positioned above it. So when I have several marks in score like \mark Intro , \mark Solo, \mark Coda etc. sometime they are positioned

Re: Multiple skips in lyrics

Hi Stjepan, I use underscore _ multiple times, e.g. 30 underscores. Is there any more convenient way to define multiple skips \repeat unfold 30 { \skip 8 } Hope this helps! Kieren. ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Multiple skips in lyrics

[...] I use underscore _ multiple times, e.g. 30 underscores. Is there any more convenient way to define multiple skips instead of long row of underscores like _ _ _ _ _ _ _? \repeat unfold 30 { _ } Best, Gilles ___ lilypond-user mailing list

\partcombine

Dear list, i asked that already some days ago, but maybe this is the correct list this time? is there a way to persuade partcombine in a case like: \partcombine {{r4}{s4}} to produce a vertically centered rest, not one in the upper half of the staff? Thanks, Arno -- View this message in

Re: \partcombine

Hi Arno, is there a way to persuade partcombine in a case like: \partcombine {{r4}{s4}} to produce a vertically centered rest, not one in the upper half of the staff? Maybe http://lsr.dsi.unimi.it/LSR/Snippet?id=336 will help? Cheers, Kieren.

Re: Bass in Chord Name

Hi Stjepan, I'd like to get the following chord D7/F#. How to define this F# as bass in chord? I can use d:7/fis but I get fis, not wanted F# as bass. If you're using english.ly, you need to use fs (not fis). Kieren. ___ lilypond-user mailing

Re: Multiple skips in lyrics

Or use the technique shown in the second example of http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Specific-uses-of-lyrics#Divisi-lyrics /Mats Kieren MacMillan wrote: Hi Stjepan, I use underscore _ multiple times, e.g. 30 underscores. Is there any more convenient way to define

Re: [LilyPond] Unequal line spacing in columns

-Eluze eluzew at gmail.com writes: Sven Siegmund wrote: In my case the vertical line spacing in the left and right column differ a tiny bit. I wouldn't notice it wouldn't it be for this big that's probably due to lines with/without ascenders/descenders! In particular I think

Re: Mark Indent Position

Use \override Score.RehearsalMark #'break-align-symbols = #'(clef staff-bar) or \override Score.RehearsalMark #'break-align-symbols = #'(clef) The default setting is \override Score.RehearsalMark #'break-align-symbols = #'(staff-bar clef) which means that it's aligned to a bar line if there is

Re: tablature.ly, second attempt

Marc Hohl wrote: There is one problem now with the settings in tablature.ly: I simply made ties transparent, but then, the fret number appears as it were a note to be played. Hopefully somewhere in the future, I will find a possibility to let the fret number disappear, but as David Stocerk

Re: Mark Indent Position

I seem to remember that this issue was discussed some 6-12 months ago, check the mailing list archives. /Mats Kieren MacMillan wrote: Hi Mats, The default setting is \override Score.RehearsalMark #'break-align-symbols = #'(staff-bar clef) which means that it's aligned to a bar line if

Re: Mark Indent Position

Hi Mats, The default setting is \override Score.RehearsalMark #'break-align-symbols = #'(staff-bar clef) which means that it's aligned to a bar line if there is one and otherwise to the clef. This is an odd default, given traditional engraving rules... it should be (in priority order)

N.C. symbol?

I need to be able to put a symbol for no chord (such as N.C.) on several lead sheets and can't find a simple way to do it. Or, really, any way which I find even remotely comprehensible. It seems like it ought to be possible- and that the simplest way would be- to put something like:

Re: N.C. symbol?

Hello use chordNameExceptions http://lsr.dsi.unimi.it/LSR/Item?id=309 %% \version 2.12.2 % Whiteout hide the chordname NCString = { c e g-\markup { \whiteout { \hspace #2 NC } } } ChrdExcep = #(append (sequential-music-to-chord-exceptions NCString #t)

Re: Absolute premiere of a LilyPond typesetted work

2009/5/8 Francisco Vila paconet@gmail.com: A work from César Camarero entitled Duración invisible (Invisible duration) for double orchestra and three soloists, is to be first performed in the Auditorio Nacional in Madrid. The score is fully typeset using LilyPond 2.12 (not by the author).

strange results with rightHandFinger/StrokeFinger and avoid-slur

in this snippet the right hand finger indication is not placed above the note and below the slur as excpected, even if there is plenty of space - any hints? \version 2.12.2 { \override Slur #'outside-staff-priority = #5000 \set strokeFingerOrientations =#'(UP) \override StrokeFinger

Re: Absolute premiere of a LilyPond typesetted work

2009/5/9 Valentin Villenave v.villen...@gmail.com: 2009/5/8 Francisco Vila paconet@gmail.com: I can hear you think, is the score available? No, it isn't, yet. That is certainly good news. Who typeset the score? How is it licensed? It was typeset by the pianist and composer Pascual

bug causing this barcheck failure?

In 4/4 time this code results in a barcheck failure - g,4. fs2. f4. e2. yet this code, the same output, does not cause a barcheck failure - g,4~ g8 fs8~ fs2 f4~ f8 e8~ e2 I'm guessing this is a bug? -- Chip ___ lilypond-user mailing list

Re: bug causing this barcheck failure?

Chip schrieb: In 4/4 time this code results in a barcheck failure - g,4. fs2. f4. e2. yet this code, the same output, does not cause a barcheck failure - g,4~ g8 fs8~ fs2 f4~ f8 e8~ e2 You know, that the examples are NOT equal? Equal to the second one would be: g,4. fs8 ~ fs2 f4. e8 ~

Re: N.C. symbol?

On May 8, 2009, at 3:30 PM, Martial wrote: Hello use chordNameExceptions http://lsr.dsi.unimi.it/LSR/Item?id=309 %% \version 2.12.2 % Whiteout hide the chordname NCString = { c e g-\markup { \whiteout { \hspace #2 NC } } } ChrdExcep = #(append

Re: bug causing this barcheck failure?

Jan Kohnert wrote: Chip schrieb: In 4/4 time this code results in a barcheck failure - g,4. fs2. f4. e2. yet this code, the same output, does not cause a barcheck failure - g,4~ g8 fs8~ fs2 f4~ f8 e8~ e2 You know, that the examples are NOT equal? Equal to the second one would be:

Re: bug causing this barcheck failure?

Chip wrote: Jan Kohnert wrote: Chip schrieb: In 4/4 time this code results in a barcheck failure - g,4. fs2. f4. e2. yet this code, the same output, does not cause a barcheck failure - g,4~ g8 fs8~ fs2 f4~ f8 e8~ e2 You know, that the examples are NOT equal? Equal to the second

Re: bug causing this barcheck failure?

Please do not CC me, I read the list, and discussion should be kept on the list. Am Samstag, 9. Mai 2009 schrieben Sie: Jan Kohnert wrote: Equal to the second one would be: g,4. fs8 ~ fs2 f4. e8 ~ e2 There is no 4/4 timing possible in the first example as it is 9/8 in each line...