Oops,
I've been having some problems with my internet provider. What I meant
to say was:
This works a treat. Exactly what I wanted. However (inevitably) it has
lead to another problem. The right bracket sometimes collides with the
following bar line. Is there a way of increasing the distance
Hello,
I am working on typesetting some music examples from a 17th century
book on how to improvise. I am having trouble figuring out how to
set one example in particular. The example is showing concords and
discords. It has an 11 line staff where the lines are spread out to
allow room for
In message 1241914773.13703.7.ca...@mercury, Joe Neeman
joenee...@gmail.com writes
On Sun, 2009-05-10 at 00:18 +0100, Anthony W. Youngman wrote:
Isn't working quite right and I can't see how to fix it (12.2).
From the content of your email, I suppose you mean page-turn-breaking
rather than
Am 10.05.2009 um 08:43 schrieb Kim Shrier:
Hello,
I am working on typesetting some music examples from a 17th century
book on how to improvise. I am having trouble figuring out how to
set one example in particular. The example is showing concords and
discords. It has an 11 line staff where
Hi!
I tried to play with the contexts and engravers but cannot reach
exactly what I would like. Please look at the example given at the
bottom of this message.
I would like the tempo marks, rehearsal marks, bar numbers and text
spanners to be written above and below each StaffGroup. I came up
I can't get the following bit of notation to work -- despite the
\stemUp command the stems are down (which looks horrid!) -- can
anybody tell me what I'm doing wrong? Thanks.:
\version 2.12.2
\include english.ly
lower = \relative c {
\clef bass
\key f \major
\time 4/4
{\stemDown c2 }
Is there any way to get a fakebook style indication of modified root
notes? For example, I'd like a D chord with a C in the bass to be
notated as D/C (rather than as whatever it is formally -- presumably
some sort of 13th).
Thanks.
--
Tim Rowe
___
Hi Tim,
I can't get the following bit of notation to work -- despite the
\stemUp command the stems are down (which looks horrid!) --
can anybody tell me what I'm doing wrong?
You're not letting Lilypond do the correct voice handling for you...
\version 2.12.2
\include english.ly
lower =
Hi Tim,
Is there any way to get a fakebook style indication of modified
root notes?
Read the doc section on chords -- this is explained there (right in
the second example).
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Displaying-
chords#Displaying-chords
Cheers,
Kieren.
Caro Neil esiste anche un modo per abbreviare questo?:
\override StrokeFinger #'text = #(lambda (grob)
(markup #:center-column (#:lower 2.5 ^ (stroke-finger::calc-text
grob
Grazie!
2009/5/10 Kieren MacMillan kieren_macmil...@sympatico.ca:
In the example you give, {M1} {M2} (i.e., without the \\), Lilypond
simply says engrave the two musical gestures {M1} and {M2} simultaneously
in the same Voice context V .
Hence, there is no concern for stem direction, collision,
On May 10, 2009, at 2:35 AM, James E. Bailey wrote:
Am 10.05.2009 um 08:43 schrieb Kim Shrier:
Hello,
I am working on typesetting some music examples from a 17th century
book on how to improvise. I am having trouble figuring out how to
set one example in particular. The example is
Hi Tim,
Does the \\ keep adding voices (effectively) indefinitely
[...] I'm worried about running out of voices!
I don't know the official answer. (Maybe Mats or HW or Graham can
speak to this?)
The attached test shows that there are at least 5 -- I'm assuming
there are an indefinite
2009/5/10 Kieren MacMillan kieren_macmil...@sympatico.ca:
Why do you need two voices just to align lyrics to a dotted slur?
If you post your current workaround, I'm sure someone on the list will be
able to show you how to do it with only one voice.
I used the snippet at
Hi Tim,
Why do you need two voices just to align lyrics to a dotted slur?
If you post your current workaround, I'm sure someone on the list
will be
able to show you how to do it with only one voice.
I used the snippet at http://lsr.dsi.unimi.it/LSR/Item?id=308 for
exactly the use mentioned
Neil Puttock schrieb:
2009/5/9 Marc Hohl m...@hohlart.de:
I tried to receive the informations needed by overriding the Glissando
#'stencil with
a function which simply displays the values obtained by the ly:spanner-bound
call
before calling ly:line-spanner::print, but I get only #Grob
I came up with the following definition: [...]
and it works!
Mhmm, not perfect: There should be a dx correction to avoid an overlap
between the glissando line and the accidental.
Werner
___
lilypond-user mailing list
lilypond-user@gnu.org
Werner LEMBERG schrieb:
I came up with the following definition: [...]
and it works!
Mhmm, not perfect: There should be a dx correction to avoid an overlap
between the glissando line and the accidental.
Werner
Yes, I know, but I concentrated on item (2); see the start of this
2009/5/10 Kieren MacMillan kieren_macmil...@sympatico.ca:
I've attached a better (IMO) way of doing the same thing.
Hope this helps!
/Very/ much better, and conceptually matches how I would expect to do
it. Splendid!
Thanks.
--
Tim Rowe
___
Marc Hohl schrieb:
Neil Puttock schrieb:
2009/5/9 Marc Hohl m...@hohlart.de:
I tried to receive the informations needed by overriding the Glissando
#'stencil with
a function which simply displays the values obtained by the
ly:spanner-bound
call
before calling ly:line-spanner::print, but I
Kieren MacMillan wrote:
Hi Tim,
Does the \\ keep adding voices (effectively) indefinitely
[...] I'm worried about running out of voices!
I don't know the official answer. (Maybe Mats or HW or Graham can
speak to this?)
It seems that you can have an infinite number and looking at the
Sorry for all the newbie questions -- I'm getting what I can from the
documentation and examples, but as you can tell a few things are
tripping me up.
This one is a song that has verses and a chorus. I can't work out how
to set them all against the music, unless I pad all verses except the
first
Am 10.05.2009 um 22:54 schrieb Tim Rowe:
Sorry for all the newbie questions -- I'm getting what I can from the
documentation and examples, but as you can tell a few things are
tripping me up.
This one is a song that has verses and a chorus. I can't work out how
to set them all against the
This is explained in Sect. 3.2.3 Voices and vocals in the Learning
Manual for LilyPond.
/Mats
Tim Rowe wrote:
Sorry for all the newbie questions -- I'm getting what I can from the
documentation and examples, but as you can tell a few things are
tripping me up.
This one is a song that has
James E. Bailey wrote:
Some prefer to use \skip1*32 (or appropriate).
I can't imagine that anybody prefers this option (at least not when
using \addlyrics or \lyricsto), since it doesn't work. This will not
skip 32 bars and not even 32 notes, but just a single note.
/Mats
2009/5/9 -Eluze elu...@gmail.com:
but i am sure i have seen so many *uppercase* LEFTs RIGHTs UPs DOWNs CENTERs
or others recently, so i did not care… maybe there was a # preposed, but i
am sure i also saw *\override Stem #'neutral-direction = #up* so i am
wondering how to memorise this - are
2009/5/9 bosmutus bosmu...@live.com:
That changed the slur, but not enough to avoid the collision. Any other
suggestions?
Did you experiment with the value? It might need to be increased, but
it's dependent on things like the staff-size and how tightly packed
the notes are.
You could also try
I found that using something like,
\once \override Slur #'positions = #'(0 . 2.8)
did a good job. I'll try your other suggestions and see how they compare.
Thanks
--
View this message in context:
http://www.nabble.com/Slurs-collide-with-the-dot-of-dotted-notes-tp23463349p23474399.html
Sent
2009/5/10 Frédéric Bron frederic.b...@m4x.org:
1. The issue is the vertical alignment of Stringendo and Lebhaft.
Why are they not on the same line?
Two things:
If you move the Metronome_mark_engraver and Mark_engraver from the
Score context to another context, you also need to move the
2009/5/10 Marc Hohl m...@hohlart.de:
I came up with the following definition:
#(define (glissando::calc-extra-dy grob)
(let* ((original (ly:grob-original grob))
(left-bound (ly:spanner-bound original LEFT))
(right-bound (ly:spanner-bound original RIGHT))
2009/5/10 Marc Hohl m...@hohlart.de:
And here's my solution for tablature:
#(define (glissando::calc-tab-extra-dy grob)
(let* ((original (ly:grob-original grob))
(left-bound (ly:spanner-bound original LEFT))
(right-bound (ly:spanner-bound original RIGHT))
Ciao a tutti!
Vorrei sapere se c'è un modo per rendere costante la distanza delle corde
dalle note!
Grazie!
--
oiram/bin/selom
app = {\override StrokeFinger #'text = #(lambda (grob) (markup #:center-column (#:lower 2.5 ^ (stroke-finger::calc-text grob}
napp = {\override StrokeFinger #'text
2009/5/10 Mario Moles mario-mo...@libero.it:
Caro Neil esiste anche un modo per abbreviare questo?:
\override StrokeFinger #'text = #(lambda (grob)
(markup #:center-column (#:lower 2.5 ^ (stroke-finger::calc-text
grob
You could use identifiers, but here's a better solution, using your
2009/5/10 Mats Bengtsson mats.bengts...@ee.kth.se:
This is explained in Sect. 3.2.3 Voices and vocals in the Learning Manual
for LilyPond.
I can't see anything relating to it there -- it was the first place I
looked! Perhaps you don't understand what I want, or perhaps I can't
see what't in
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