Hi, I've copied my complete code at the bottom, but the highlighted part is
this. The midi plays the piano part only.
violasmiling
=
\relative c'
{
\set Staff.instrumentName = Viola
\clef
alto
\time
4/4
\once \override TextScript #'padding =
#2.2
r8 [...]
Take a look at this threads, there are several slightly different versions of
modal and diatonic transpose functions.
http://lists.gnu.org/archive/html/lilypond-user/2008-12/msg00805.html
http://lists.gnu.org/archive/html/lilypond-user/2008-12/msg00815.html
Original-Nachricht
Hello.
Hi, I've copied my complete code at the bottom, but the highlighted part is
this. The midi plays the piano part only.
[...]
I've tried repositioning the \set Staff.midiInstrument everywhere but I
never hear the part.
Did you try selecting another instrument?
[Maybe it's the MIDI
Neil Puttock schrieb:
2009/5/15 Marc Hohl m...@hohlart.de:
I still don't get it - when I use extra-dy = 0, I get glissando lines
parallel to the staff lines,
so a value of zero can't be right. I have attached the pdf output, the
upmost tab lie is the
standard behaviour, the middle line is
Neil Puttock schrieb:
2009/5/15 Marc Hohl m...@hohlart.de:
Upto now, I have achieved to make tablature fret numbers invisible which are
tied to another note.
But I don't know how to add parentheses to the numbers that are tied but
show up after a line break
(for example the first note in
Marc Hohl schrieb:
[...]
Is the a possibility to handle these situations with a different
approach? For
the normal case (i.e. tied notes within the same staff line)
everything works
properly with tie::handle-tab-tie, so if there is a possibility to
filter all notes
that are tied _and_
Hello,
I got in a piece of music nearly all slurs and ties attached to the note heads.
But one slur is attached to the stem ends and I want it to be attached to the
note heads too. How to obtain this?
greetings
Werner
\version 2.12.2
\include deutsch.ly
Tenor = {
\key g
\minor
\time 4/4
In message c6334c1b.93d6%c_soren...@byu.edu, Carl D. Sorensen
c_soren...@byu.edu writes
On 5/15/09 3:06 PM, Anthony W. Youngman lilyp...@thewolery.demon.co.uk
wrote:
In message 200905151909580...@1654122929, David Pounder
pound...@lineone.net writes
I don't know if it's worth mentioning, but
2009/5/16 Helge Kruse helge.kruse-nos...@gmx.net:
Hello,
I want to write a fragment as shown in the attachment. I wrote it as
\clef treble
\time 2/4
\key f \major
{ f8 a g a f a g a f a g a g b g a4 } \\
{ d4 e d e d e d c }
This gives the same
Am Samstag, 16. Mai 2009 12:26:27 schrieb Helge Kruse:
Hello,
I want to write a fragment as shown in the attachment. I wrote it as
\clef treble
\time 2/4
\key f \major
{ f8 a g a f a g a f a g a g b g a4 } \\
{ d4 e d e d e d c }
This gives the same
2009/5/16 Reinhold Kainhofer reinh...@kainhofer.com:
Simple use chords with those notes in the first voice, too:
{ f d8 a g e a f d a g e a f d a g e a g d b g a c,4 } \\
:-)
Sometimes I'm tempted to think that my mails spend too much time to
reach the Internet from this corner of the
Francisco Vila wrote:
2009/5/16 Helge Kruse helge.kruse-nos...@gmx.net:
Hello,
I want to write a fragment as shown in the attachment. I wrote it as
\clef treble
\time 2/4
\key f \major
{ f8 a g a f a g a f a g a g b g a4 } \\
{ d4 e d e d e d c }
Hello,
I need to write something that looks like ottava brackets, but must not
affect the pitch. With _#(set-ocatavation 1)_ I can create a bracket
that yields to _#(set-ocatavation 0)_ and I would also change the text
to i.e. _\set Staff.ottavation = #Pincé_ after several measures.
But how
Hi Helge,
I need to write something that looks like ottava brackets, but must not
affect the pitch. With _#(set-ocatavation 1)_ I can create a bracket
that yields to _#(set-ocatavation 0)_ and I would also change the text
to i.e. _\set Staff.ottavation = #Pincé_ after several measures.
I have trawled around and can not find how to lower the space between a
guitar chord letter, not symbol, and the top of the music lines.
Any advice?
Thanks
--
View this message in context:
http://www.nabble.com/Space-between-staff-and-guitar-chords-tp23573686p23573686.html
Sent from the Gnu -
Hi all,
I'm having difficulty applying the example
http://lilypond.org/doc/v2.13/input/lsr/lilypond-snippets/Repeats#Volta-text-markup-using-repeatCommands
In my score, I need the first bracket to say safety and the second to say
last time only, with no volta numbers in either case. Despite
On Sat, May 16, 2009 at 01:19:45PM +, Kieren MacMillan wrote:
I'm having difficulty applying the example
http://lilypond.org/doc/v2.13/input/lsr/lilypond-snippets/Repeats#
Volta-text-markup-using-repeatCommands
In my score, I need the first bracket to say safety and the second to say
GJO wrote:
I have trawled around and can not find how to lower the space between a
guitar chord letter, not symbol, and the top of the music lines.
Any advice?
Thanks
Here's a snippet I created a while back that does what I think you're
asking for:
http://lsr.dsi.unimi.it/LSR/Item?id=537
Hello
I think the subject says it all... how can I just not print the time
signature? :)
Thank you ;)
--
Alberto Simões - Departamento de Informática - Universidade do Minho
Campus de Gualtar - 4710-057 Braga - Portugal
___
Alberto Simões wrote:
Hello
I think the subject says it all... how can I just not print the time
signature? :)
Google is my friend.
\once \override Staff.TimeSignature #'stencil = ##f
Probably adding this to the documentation (Time Signature section) would
be great.
Thanks
Alberto
--
Am 16.05.2009 um 16:27 schrieb Alberto Simões:
Alberto Simões wrote:
Hello
I think the subject says it all... how can I just not print the time
signature? :)
Google is my friend.
\once \override Staff.TimeSignature #'stencil = ##f
Probably adding this to the documentation (Time
Hey Graham,
Oh, come on. There's only n! different combinations of those things!
=)
PS: I have no maoing clue why this works, but it does.
Thanks for the answer... as well as the honesty!
To save others the trouble, I've wrapped this in a function — I've included it
as a snippet below.
If you move the Metronome_mark_engraver and Mark_engraver from the
Score context to another context, you also need to move the
Staff_collecting_engraver.
I do not understand what it is for but it is clearly better: there is
no page break at each end of line.
Both engravers need the
Why do you need to quote instead of just putting everything in a variable
and including it in both voices?
This snippet can be use too :
http://lsr.dsi.unimi.it/LSR/Item?id=542
Gilles
___
lilypond-user mailing list
lilypond-user@gnu.org
Werner wrote:
But one slur is attached to the stem ends and I
want it to be attached to the note heads too. How
to obtain this?
Werner,
Technically, the slur over the eighth notes is not
attached to the stem heads, it is rather outside
of the eighth-note beam which, if I'm not mistaken,
is
Dear All,
I worked out the custom volta text problem but Graham beat
me to it.
\version 2.12.2
voltaSafety = \markup { \text \italic { safety } }
voltaLast = \markup { \text \italic { last time only }}
\relative c'' {
c1
\set Score.repeatCommands = #(list (list 'volta voltaSafety)
Werner,
you might want to try: \slurDown etc.
HTH
Herbert
Mark Polesky wrote:
Werner wrote:
But one slur is attached to the stem ends and I
want it to be attached to the note heads too. How
to obtain this?
Werner,
Technically, the slur over the eighth notes is not
attached to the
Kieren MacMillan wrote:
Hi Helge,
I need to write something that looks like ottava brackets, but must not
affect the pitch. With _#(set-ocatavation 1)_ I can create a bracket
that yields to _#(set-ocatavation 0)_ and I would also change the text
to i.e. _\set Staff.ottavation = #Pincé_
Kieren MacMillan wrote:
Hi Helge,
thanks for hint to TextSpanner. I suspect ottava brackets to use TextSpanner.
;-)
Clever... but too complicated in this case! =)
I read the manual and searched at LSR. The sample in LSR looks
promisingly. But I don't get the expected results:
1) The text
Gilles, thanks for the suggestion. violin works but not viola --
contrary to the MIDI instruments list on #MIDI-instruments documentation
page.
This will do -- I never expected MIDI to capture the difference between the
instruments anyway : P .
Qian
Sorry, forgot to change the Subject heading.
Gilles, thanks for the suggestion. violin works but not viola --
contrary to the MIDI instruments list on #MIDI-instruments documentation
page.
This will do -- I never expected MIDI to capture the difference between the
instruments anyway : P .
It might be opened not in UTF-8. See in the lower right corner. You can
make sure it is loaded in the correct encoding, by using File Open
with encoding...
Cheers,
Bert
Helge Kruse írta:
Hello,
I have found a problem with jEdit (probably LilypondTool). I just
write a .ly source that
Hi again. I did some more work and found that viola and vibraphone are
silent while voice oohs, glockenspiel, and violin (and default
acoustic grand) play ok.
If anyone can tell me if I'm missing something it would be greatly helpful.
I have attached one file for your convenience.
Qian
Bertalan Fodor wrote:
It might be opened not in UTF-8. See in the lower right corner. You
can make sure it is loaded in the correct encoding, by using File
Open with encoding...
I've had the same problem with one file as well - the title of a song is
Cariño Nuevo. The ñ gets changed to n
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