For my first outing with Lilypond, I wanted to see whether I could produce sheet
music that fits this publication specification:
http://tinyurl.com/barbershop-notation-manual
Note that this document spells out exactly what is expected for this style of
music, and a full example is given at the
Neil Puttock wrote Tuesday, September 08, 2009 12:01 AM
2009/9/7 Trevor Daniels t.dani...@treda.co.uk:
The relative positioning of script objects
is controlled by the 'script-priority property.
By default this left unspecified for most
articulations (including bowing commands) and set
to 100
Hello Mark,
one first point:
to set the right margin, you have to set the line-width in the
paper-block. This is, what I include in my scores (it does not fit your
specifications, but should be adjustable):
% set the paper size
#(set-default-paper-size a4)
\paper {
% alternativly set
Dear community,
is it possible to define a footer, only for a certain page?
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Hi there,
I'm using LilyPond-2.13.3 and the clip-regions feature to extract snippets from
a piano score.
However, I have defined a range in which LilyPond inserts a linebreak, so I
actually get 2 snippets extracted - one from the start-of-range up to the
linebreak and one from the linebreak
Hi,
It would be nice if you added symlinks for pictures and examples,
or removed this css test draft from lilypond.org ...
---BeginMessage---
popularity page
[referrer]...
3130 /~graham/out/flat-design.png
http://lilypond.org/~graham/out/Introduction.html
Is it possible to define custom articulations? I'm looking for an
articulation (called, say, \etrill) which behaves exactly as \trill
except that instead of tr being rendered as a glyph, it's rendered in
a standard upright font. (This is to distinguish editorial trills.)
--
Hilary Snaden
I see someone has answered about the L/R margins. For a larger top margin
only on p.1, if you want additional space between the title and first stave,
you can attach a markup something like
^\markup { \raise #12 { } }
To the first note.
If you want the additional space above the title, you
Hi Mark,
If anyone can offer more suggestions for developing a template that
fits this
specification and can handle all the notational elements this style
requires,
that would be great. If anyone wants to take a stab at engraving a
Lilypond
version of the sample song, and see how close we
On Tue, Sep 8, 2009 at 2:20 PM, Jan Nieuwenhuizenjanneke-l...@xs4all.nl wrote:
Very nice PR. Writing about lilypond in music[school] magazines
seems like a very good idea to me! This is really the audience
we're aiming at.
Thanks, at least, this will be one thing my opera will prove useful
Try the following:
editorial = {
\once \override TrillSpanner #'bound-details #'left #'text = tr
}
\relative c'{
c \startTrillSpan d e f \stopTrillSpan
\editorial c \startTrillSpan d e f \stopTrillSpan
}
It should be possible to define a macro \startEditorialTrillSpan, that
both does the
On 9/7/09 10:24 PM, Brett Duncan bdd1...@bigpond.net.au wrote:
Andrew Tucker wrote:
m7.7+ does provide the desired results, though I believe it's because
lilypond uses only the last alteration of a particular note (ie. 7.9+.9-
will end up 7/b9 and lose the sharp nine). This behavior might
Jan,
Fair enough the scans show your point, though there is other music I know
that has the asymmetric glyph for upbow and I do think the glyph I'm
proposing better matches the stroking on the downbow.
That matter of taste aside, the problem I'm having - while trying to typeset
chamber music
Sorry for re-send.
Has anybody any suggestion what I could do to include this text in piano
staff dynamics?
Helge
Hello,
I am using centered dynamics for some scores (id=357). Now I need to use
a text for a dynamic change spread over several measures. I found an
appropriate snippet in LSR
Hi all,
Let's say I want to create a new subclass of the Staff context called
MyStaff, and the only thing it does is override the InstrumentName
settings. Do I really have to include all the \consists from engraver-
init.ly? i.e., do I really have to use
\context {
\type
Fine, deleted. I'll look at this again when I've arrived in
Glasgow.
- Graham
On Tue, Sep 08, 2009 at 12:12:19PM +0200, Jan Nieuwenhuizen wrote:
Hi,
It would be nice if you added symlinks for pictures and examples,
or removed this css test draft from lilypond.org ...
Content-Description:
2009/9/8 Gustavo Caicedo gus@gmail.com:
Very nice, thanks. Do you also know how to put barlines at the beginning of
a clefless line? (The first four lines in my exercise sheet). Thanks.
Add the following below \remove Bar_number_engraver:
\override SystemStartBar #'collapse-height = #4
If
Hi Jonathan,
Shouldn't the brace be stretched vertically without changing the
thickness?
+1
Kieren.
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2009/9/8 Kieren MacMillan kieren_macmil...@sympatico.ca:
Is there anything like this? (From what I've read and experienced, \alias
does *NOT* do this.)
Have you looked at engraver-init.ly? It should give you an idea how
this works (see the definition for PianoStaff).
Here's a quick snippet
Hello,
I'm having trouble tweaking the Brace at the beginning of a system.
My test code is below; basically, I'd like to make the brace oonnecting
three staves less thick.
That brings me to my second question. I've attached two pngs, one of
Lilypond braces and the other from a Durand
Hello,
I'm having trouble tweaking the Brace at the beginning of a system.
My test code is below; basically, I'd like to make the brace oonnecting
three staves less thick.
That brings me to my second question:
\score {
\new PianoStaff
% \override
2009/9/8 Helge Kruse helge.kruse-nos...@gmx.net:
Has anybody any suggestion what I could do to include this text in piano
staff dynamics?
You'll probably kick yourself (if it's any consolation, I looked at
the file for quite a bit before realizing what's wrong :), but you're
typesetting a
2009/9/8 Jonathan Wilkes jancs...@yahoo.com:
I didn't see a place for feature requests on the documentation page, so
I thought I'd post it here.
Hmm, I'm not quite sure what you're after, though I'd guess you want a
shorthand method of specifying tuplet bracket/number directions in
advance of
Hi,
Maybe I'm doing something wrong, but I'm having problems with midi2ly.
It can't produce even the simplest tune in 3/4 time correctly. It
outputs a lilypond file that does show that the 3/4 time was extracted
from the midifile. But the \time 3/4 is put in the wrong place,
resulting in a
--- On Wed, 9/9/09, Neil Puttock n.putt...@gmail.com wrote:
From: Neil Puttock n.putt...@gmail.com
Subject: Re: Feature Request: ^\times and _\times
To: Jonathan Wilkes jancs...@yahoo.com
Cc: lilypond-user@gnu.org
Date: Wednesday, September 9, 2009, 12:07 AM
2009/9/8 Jonathan Wilkes
Torsten Anders wrote:
Lilypond does not know about multiple-sign accidentals, so I
somehow have to create more horizontal space for these manually.
The following code tries to adjust this spacing automatically.
But I haven't tested it with your font.
midi2ly is not supported any more, so you're almost certainly on
your own here.
Sorry,
- Graham
On Wed, Sep 09, 2009 at 12:43:36AM +0200, Martin Tarenskeen wrote:
Hi,
Maybe I'm doing something wrong, but I'm having problems with midi2ly.
It can't produce even the simplest tune in 3/4 time
On Tue, Sep 08, 2009 at 03:59:24PM -0700, Jonathan Wilkes wrote:
Something else I just though of, is that there isn't a shortcut for
setting the direction of stems that aren't beamed. It would be helpful if
there were a shortcut you could put after c4 to set the stem direction.
Maybe like
On Tue, Sep 8, 2009 at 3:43 PM, Martin Tarenskeenm.tarensk...@zonnet.nl wrote:
Hi,
Maybe I'm doing something wrong, but I'm having problems with midi2ly.
It can't produce even the simplest tune in 3/4 time correctly. It
outputs a lilypond file that does show that the 3/4 time was extracted
Quoting Graham Percival gra...@percival-music.ca:
On Tue, Sep 08, 2009 at 03:59:24PM -0700, Jonathan Wilkes wrote:
Something else I just though of, is that there isn't a shortcut for
setting the direction of stems that aren't beamed. It would be helpful if
there were a shortcut you could put
--- On Wed, 9/9/09, Neil Puttock n.putt...@gmail.com
wrote:
From: Neil Puttock n.putt...@gmail.com
Subject: Re: Feature Request: ^\times and _\times
To: Jonathan Wilkes jancs...@yahoo.com
Cc: lilypond-user@gnu.org
Date: Wednesday, September 9, 2009, 12:07 AM
2009/9/8 Jonathan
Neil,
you kicked me ;-)
I admit, it was too silly. But your advise showed that's simple.
Tanks,
Helge
Neil Puttock schrieb:
2009/9/8 Helge Kruse helge.kruse-nos...@gmx.net:
Has anybody any suggestion what I could do to include this text in piano
staff dynamics?
You'll probably kick
On 2009-09-08, at 15:25 , Kieren MacMillan wrote:
It would be so much easier to be able to force inheritance of
everything, e.g.
\context {
\name MyStaff
\from Staff
instrumentName = #MyStaff
shortInstrumentName = #My
}
Is there anything like this? (From what I've read and
To whom it may concern,
Here is what I have come up with. It does not meet my original goal,
but it is good enough for now. \barNumber forces a bar number to
appear at the current or next full-measure bar line.
\manualBarNumbersOn should appear at the beginning of the score to set
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