Out of curiosity, which software packages did you try?
Did you try MuseScore http://www.musescore.org?
lasconic
Laura Conrad wrote:
Villum == Villum Sejersen v...@privat.tdcadsl.dk writes:
Villum Both of you ought to take a look at Jöerg Anders' NtED,
Villum which to my
On 26 Sep 2009, at 07:10, Graham Breed wrote:
I always get the error message:
stefansMikrotoene.ly:32:6: warning: Could not find glyph-name for
alteration -162/247
That says it's a warning, not an error, so it shouldn't stop
anything working. To get rid of it you have to define a valid
Hans Aberg wrote:
Isn't the lookup dynamic, so one only gets a warning when it actually
needs a glyph for an alteration? - But it is a good idea to define a
glyph for each alteration.
Yes, but we've overridden the glyph lookup to use strings
from external fonts. There's no need to define
On Sat, Sep 26, 2009 at 10:24:19AM +0200, Rodolfo Zitellini wrote:
I am trying to typeset a piece in 3/2 void notation. I entered all the
music in 3/4 and altered the noteheads with #'duration-log = 1 to make
all notes white. This fakes 3/2 ok, but all notes bigger than a minim
(in 3/2) now
Stefan Thomas wrote:
I don't understand why the distance between the barline and the cis
is better if it is a whole note but not, if it is a quarter note.
Well, the whole note has more room because it isn't sharing the measure
with any other notes.
But the barline
Hello list,
I am trying to typeset a piece in 3/2 void notation. I entered all the
music in 3/4 and altered the noteheads with #'duration-log = 1 to make
all notes white. This fakes 3/2 ok, but all notes bigger than a minim
(in 3/2) now have stem, which requires me to turn on and off all the
stems
On Sat, Sep 26, 2009 at 03:15, Andrew Tucker m.andrew.tuc...@gmail.com wrote:
As far as I know, there's no way to tell LilyPond, whatever it takes, cram
this onto 1 page - and that's just because there are so very many options
available to change the use of space! When I was last making
On 9/26/09 6:45 AM, Frédéric Bron frederic.b...@m4x.org wrote:
I would like the default behaviour of 2/4 time, i.e. beams end at the
end of each beat.
However, if there are only 8th notes in the measure, I would like the
beam not to stop half measure as shown below.
Is it possible to
On 26 Sep 2009, at 11:01, Graham Breed wrote:
Isn't the lookup dynamic, so one only gets a warning when it
actually needs a glyph for an alteration? - But it is a good idea
to define a glyph for each alteration.
Yes, but we've overridden the glyph lookup to use strings from
external
Out of interest, why not enter the music in 3/4 ? I'm missing
something here.
Well yes, it would be indeed simpler to typeset everything in normal
3/2 (or 3/4 halving everything), :) but in this particular case I am
trying to faithfully reproduce the look of a seventeenth century
piece, with
I would like the default behaviour of 2/4 time, i.e. beams end at the
end of each beat.
However, if there are only 8th notes in the measure, I would like the
beam not to stop half measure as shown below.
Is it possible to achieve that with automatic rules? With 2.13 maybe?
but I did not see
On 25 Sep 2009, at 08:42, Graham Breed wrote:
For the code I have, pitch names are defined as:
HEPitchNames = #`(
(c . ,(ly:make-pitch -1 0 0))
(g . ,(ly:make-pitch -1 4 10/1023))
(edown . ,(ly:make-pitch -1 2 -75/1096))
(bflatseven . ,(ly:make-pitch -1 6 -162/247))
(d . ,(ly:make-pitch
lasconic == lasconic lasco...@gmail.com writes:
lasconic Out of curiosity, which software packages did you try?
midi2ly, midi2abc, noteflight, nted. These all had spelling errors.
I just tried rosegarden, which exports lilypond directly. It looks
pretty good, and may be tweakable to be
Just to be sure, have you deleted the ~/.fontconfig, and
~/.fonts.cache* files (again)
I wanted to do that (again) but I didn't find them in ~/ even though I made
them visible.
and (optionally) changed Font Book to
store fonts on the computer, and not the user? That solved all of my
On Fri, Sep 25, 2009 at 7:45 AM, Graham Breed gbr...@gmail.com wrote:
You install them wherever fonts go on your system. That may sound vague
but, of course, it depends on your system. I think there's a special folder
LilyPond looks in as well but I'd have to check the documentation to find
On 25 Sep 2009, at 13:13, Stefan Thomas wrote:
How many cents are an alteration of 10/1023?
I made some Haskell functions that compute these; I use Hugs http://haskell.org/hugs/
, but perhaps somebody can translate it to Scheme code.
For example, for E12276, LilyPond scale degree 4 (note G
On 26 Sep 2009, at 19:33, Torsten Anders wrote:
For the record please find the final version of the code for
Helmholtz-Ellis notation in Lilypond attached, ...
My editor says that the encoding of HE-Lily-header.ly isn't UTF-8, but
Mac OS Roman.
Hans
Dear Robin,
thanks for Your very good advice!
I made a success, but I'm still not totally happy.
By the way, what's the problem with the font-including?
It works properly, for me. I still have a problem with spacing.
I guess I have these problems, because I dont understand what the lines
Hello,
I saw this thread from 2006, and it seems like there was some
interest for adding the functionality for setting even and odd page
margins. Did this ever get sponsored/implemented? If not, is there still
interest in it getting sponsored/implemented?
Thanks,
Jonathan
Hello again,
I've tried fooling around with the various properties of
SystemStartBrace, and I can't seem to find a way to make all braces the same
width, regardless of the height of the brace. (The problem is really
exaggerated when there are three staves in a PianoStaff-- the brace looks
The braces are typeset using symbols from a special font, so you cannot
adjust the width and height separately. As far as I can see from the
Metafont code generating these font symbols, the relationship between
width and height is fixed, which may not be the best choice as you have
pointed
Isn't it simplest to first use the trick described in
http://lsr.dsi.unimi.it/LSR/Item?id=305 to modify the duration of each
note to the double, and then alter the note heads. This should give you
correct stems.
/Mats
Rodolfo Zitellini wrote:
Hello list,
I am trying to typeset a piece in
Dear Hans,
On 26.09.2009, at 19:17, Hans Aberg wrote:
On 26 Sep 2009, at 19:33, Torsten Anders wrote:
For the record please find the final version of the code for
Helmholtz-Ellis notation in Lilypond attached, ...
My editor says that the encoding of HE-Lily-header.ly isn't UTF-8,
but Mac OS
Stefan Thomas wrote:
cis cis cis cis | % the sharp sign is too much left!
gis' gis gis gis | % the note and the sharp sign are too much right!
Well, erm, how far do we want to get into fine-tuning?
OK, it looks like you only want one glyph at a time.
Dear Stefan,
Sorry for my late reply.
Stefan wrote
I was able to try out the example. There is one not convincing for me:
The default accidental is an natural. But I would like to use fis
and ges as before.
You can easily switch to the standard Lily accidental treatment where
the HE
On 26 Sep 2009, at 22:26, Torsten Anders wrote:
For the record please find the final version of the code for
Helmholtz-Ellis notation in Lilypond attached, ...
My editor says that the encoding of HE-Lily-header.ly isn't UTF-8,
but Mac OS Roman.
Thanks for your feedback.
Do you have any
--- On Sat, 9/26/09, Mats Bengtsson mats.bengts...@ee.kth.se wrote:
From: Mats Bengtsson mats.bengts...@ee.kth.se
Subject: Re: Relative thickness of PianoStaff Braces
To: Jonathan Wilkes jancs...@yahoo.com
Cc: lilypond-user@gnu.org
Date: Saturday, September 26, 2009, 9:47 PM
The braces
Dear Hans,
Thank you for your careful checking of this file.
On 26.09.2009, at 21:58, Hans Aberg wrote:
On 26 Sep 2009, at 22:26, Torsten Anders wrote:
For the record please find the final version of the code for
Helmholtz-Ellis notation in Lilypond attached, ...
My editor says that the
Philippe Hezaine a écrit :
Hi all,
Here is the new Puzzle du Batteur-The Drummer's Gigsaw.
Published under GPLv3 or later Licence, at this time it's only available
for Linux.
Forget the old versions and first of all read the README.
Feedbacks, suggestions, criticisms are welcome, of course.
On 26 Sep 2009, at 23:58, Torsten Anders wrote:
Line 169 has spurious character A7 at the end. Looks like:
%% show the markup extend as box (for debugging)ß
Oops. Actually, I read this char as §, but it is certainly not
necessary there. Anyway, it is a comment. Do you have any problems
Hans Aberg wrote:
Thanks for the explanation. I recall that: LilyPond has more than one
glyph-finding model. That was a problem with the key signatures, I
think, which could not use those from external fonts.
Lilypond has one glyph-finding model for accidentals, and
the hooks to allow us to
On 26.09.2009, at 15:16, Patrick Schmidt wrote:
Just to be sure, have you deleted the ~/.fontconfig, and
~/.fonts.cache* files (again)
I wanted to do that (again) but I didn't find them in ~/ even
though I made them visible.
Well, if you're not finding them, then it probably means that
I'm looking at the 2.13.3 documentation on this in the NR (starts on
p.47 of the PDF manual), and the comments against the the second example
don't seem to match the output. The comment says No auto-beaming is
defined for 12/16, yet the output has the 16th notes beamed in four
groups of three.
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