On Sun, 18 Oct 2009, a...@spamcop.net wrote:
On the topic of new examples, would a big band example help? It would
be a copyright violation to use the whole piece, however this illustrates
several of the issues peculiar to jazz combo music, most notably
transposition, chord notation and
Arvid Grøtting wrote:
- Is there a (reliable) way of stacking the notes in the first chord
exactly as in the original? (I've played around with \voiceThree
etc and \shiftOnn, not quite getting it. Is extra-offset my only
hope here?)
hi!
this seems hard manual work - i've managed
On Sun, Oct 18, 2009 at 11:09:34PM -0400, a...@spamcop.net wrote:
On the topic of new examples, would a big band example help? It would
be a copyright violation to use the whole piece, however this illustrates
several of the issues peculiar to jazz combo music, most notably
transposition,
Hello, Hu Haipeng,
I'm always amazed at your scores! I'd like to use this for our
orchestral example. However, this particular page of examples
only contains very short snippets -- between 2 to 5 bars. The
idea is let new users get a quick idea of lilypond's output.
Would it be ok if we used
And this is my attempt (see droeyende.ly).
For the alignment I used 2 force-hshift overrides (in voices 3 and 4).
You can certainly use arpeggioBracket here, but it is so inconvenient:
- put the Span_arpeggio_engraver in the right place
- turn on
Robin Bannister wrote:
And this is my attempt (see droeyende.ly).
… which i like much more than mine - thanks!
And then take care that the hidden note doesn't upset the whole applecart!
i was just starting to mess everything up with brackets and hidden notes…
You can instead tweak
Great! You don't need to do it yourself; I can handle that task.
Cheers,
- Graham
On Mon, Oct 19, 2009 at 10:03:40PM +0800, 胡海鹏 - Hu Haipeng wrote:
Thank you, and I'm happy to take out these bars.
Haipeng
Thank you, and I'm happy to take out these bars.
Haipeng
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For a couple of years now, we've had Nicolas' cool top-level \pageBreak
commands. So I'd like to get rid of the code supporting the old
breakbefore \paper block variable. Before I do, is there still a
use-case for it?
Cheers,
Joe
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Am Montag, 19. Oktober 2009 20:09:33 schrieb Joe Neeman:
For a couple of years now, we've had Nicolas' cool top-level \pageBreak
commands. So I'd like to get rid of the code supporting the old
breakbefore \paper block variable.
Nitpicking: It's a
Dear Lilyponders,
as ist was discussed in the group earlier, one can alter the size of
accidentals in figuredbass-mode with a bit of a hack changing the
translation-functions.scm:
(alt (ly:event-property event 'alteration))
(alt-markup
(if (number? alt)
(markup
Hi all,
Can't you use a \bookpart block to achieve the page break at the start
of a \score, too?
Cheers,
Ian
Reinhold Kainhofer wrote:
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Am Montag, 19. Oktober 2009 20:09:33 schrieb Joe Neeman:
For a couple of years now, we've had Nicolas' cool
Sorry all, sent this reply to devel, by mistake
Ian
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Hi all,
Can't you use a \bookpart block to achieve the page break at the start
of a \score, too?
Cheers,
Ian
Reinhold Kainhofer wrote:
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Am Montag, 19. Oktober 2009 20:09:33
G'day all.
Quoting Martin Tarenskeen m.tarensk...@zonnet.nl:
Looks nice.
Well, kind of. :-) I didn't go to a lot of trouble, so there are a few
notable weirdnesses, such as accents clashing with phrasing marks.
Incidentally, it's also a great example of how the 15 voice MIDI limit has
this
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