On Fri, 22 Jan 2010 21:54:44 -0200
Ezequiel Birman ezebir...@gmail.com wrote:
Hello.
I found your post in lylypond user list of 25 Sep 2004 regarding horn
notation and the half stopped glyph.
I am facing the same problem. I've tried inserting an eps file with
the $\oplus$ glyph, but I
Something like c2^⊕ should do the trick; it works in my little test
sample (using 2.12.3) without needing any tweaking.
In case it's necessary (or at least useful), the circled-plus
character appears to be coded as 2295 in UTF-16.
___
lilypond-user
version 12.2
I would like to have the slurs in the following \slurDown and the long
phrase Neutral or up but the LSR example is confusing as it uses many
voices and I can't get it to usefully work for me.
e''8-1^\markup {\bold #8} \ ((f-2 e f) fis-3 (f-2 fis f\))
The slurs and phrase
See section 5.4.2 in the notation reference, Direction and Placement
On 23.01.2010, at 13:25, i...@soundand.com wrote:
version 12.2
I would like to have the slurs in the following \slurDown and the
long phrase Neutral or up but the LSR example is confusing as it
uses many voices and I
I would have expected something like this to work
e''8-1^\markup {\bold #8} \slurDown
(
\slurNeutral
(f-2 e f) fis-3 (f-2 fis f\))
but it won't compile. So I'm still not understanding that section or
I'm placing the \slur in the wrong place.
Jay
Quoting James Bailey
Hi Jay,
I would have expected something like this to work
e''8-1^\markup {\bold #8} \slurDown
(
\slurNeutral
(f-2 e f) fis-3 (f-2 fis f\))
but it won't compile. So I'm still not understanding that section or I'm
placing the \slur in the wrong place.
Is this what you're trying to do?
Kieren-
I copy/pasted your suggestion into the piece and the slurs/phrases all are up.
Explanation-
all of the notes are one phrase
each group of four 8ths are slurred. In the original the slurs are
under the 8ths and the phrase mark is above.
Jay
Quoting Kieren MacMillan
Hello.
I would have expected something like this to work
e''8-1^\markup {\bold #8} \slurDown
(
\slurNeutral
(f-2 e f) fis-3 (f-2 fis f\))
^^
This \) seems unbalanced.
but it won't compile.
Gilles
P.S. Please always give a self-contained example file, in
Hi Jay,
I copy/pasted your suggestion into the piece and the slurs/phrases all are up.
Explanation-
all of the notes are one phrase
each group of four 8ths are slurred. In the original the slurs are under the
8ths and the phrase mark is above.
Then raise it:
music = {
\slurDown
Gilles asked for an attachment I don't exactly know what to attach so
I've attached the latest pdf output.
This is close but nothing I've tried gets the 1st set of 8ths to be \slurDown
\version 2.12.2
\header {
title = Nested Curves
}
melody = \relative c'
{
\clef bass
\key
On 1/23/10 6:39 AM, i...@soundand.com i...@soundand.com wrote:
Gilles asked for an attachment I don't exactly know what to attach so
I've attached the latest pdf output.
What was wanted was the exact working code to get bad output, which you've
included in the body of the email. Perfect!
{ \clef bass e''8-1^\markup {\bold #8} ^\( ^(f-2 e f) fis-3 ^(f-2
fis f\)) }
{ \clef bass e''8-1^\markup {\bold #8} _\( ^(f-2 e f) fis-3 ^(f-2
fis f\)) }
{ \clef bass e''8-1^\markup {\bold #8} ^\( _(f-2 e f) fis-3 _(f-2
fis f\)) }
{ \clef bass e''8-1^\markup {\bold #8} _\( _(f-2 e f) fis-3
Hi.
Gilles asked for an attachment I don't exactly know what to attach so
I've attached the latest pdf output.
What was wanted was the exact working code to get bad output, which you've
included in the body of the email. Perfect!
IMHO, perfect would be to *attach* a complete lilypond
This is what I was looking for. So could a snippet be created from this
simple(r) example with that instruction? The current example of nested
slurs with the schenker example is way too complex for my (and maybe
others?) poor brain.
Thanks to everyone for your help.
Jay
On Sat, Jan 23, 2010 at
Hi Jay,
So could a snippet be created from this simple(r) example with that
instruction?
What exactly is wrong with the [very simple] example in the docs?
http://lilypond.org/doc/v2.13/Documentation/notation/curves#phrasing-slurs
What could you not figure out by looking at that coe, or by
Hi, masters!
Please, help :-)
Having run lilypond-book (linux, lilypond 2.13.11-1) i've got these
warnings (note, all is well with lilypond 2.12.3-1):
% ---8
[ ... latex's output ...]
(./tmpRfG3TY.aux) )
No pages of output.
Transcript written on
In my orchestral parts, I would like Multi-Measure Rests to have both:
(1) an integer representing the number of measures in the current MMR,
centered above (default behavior)
(2) a second text indicating which measures are included in the given MMR,
in parentheses and centered BELOW the MMR.
On 1/23/10 7:07 AM, Gilles Sadowski gil...@harfang.homelinux.org wrote:
Hi.
Gilles asked for an attachment I don't exactly know what to attach so
I've attached the latest pdf output.
What was wanted was the exact working code to get bad output, which you've
included in the body of the
Hi.
Gilles asked for an attachment I don't exactly know what to attach so
I've attached the latest pdf output.
What was wanted was the exact working code to get bad output, which you've
included in the body of the email. Perfect!
IMHO, perfect would be to *attach* a complete
Gilles Sadowski wrote Saturday, January 23, 2010 11:39 PM
Gilles asked for an attachment I don't exactly know what to
attach so
I've attached the latest pdf output.
What was wanted was the exact working code to get bad output,
which you've
included in the body of the email.
On Sun, Jan 24, 2010 at 12:39:51AM +0100, Gilles Sadowski wrote:
IMHO, perfect would be to *attach* a complete lilypond file, so that
people
Well, IMO, it's better to have a short file in the body of the email.
Because that way I can look at it and identify errors without having to
rasAK wrote:
In my orchestral parts, I would like Multi-Measure Rests to have both:
(1) an integer representing the number of measures in the current MMR,
centered above (default behavior)
(2) a second text indicating which measures are included in the given MMR,
in parentheses and centered
Dear users.
I found a problem in polyphony.
In version 2.12.2 of lilypond-learning.pdf,
sample of page 51 (section 3.2.1 I’m hearing Voices)
tie connect properly.
But, page 52 of version 2.13.11
tie cannot connect, also voice style does not continue.
Is there any changes recent version?
thank
Alexander,
Thanks so much. I'll take a look at your suggestion in detail.
Randy
rasAK wrote:
In my orchestral parts, I would like Multi-Measure Rests to have both:
(1) an integer representing the number of measures in the current MMR,
centered above (default behavior)
(2) a second
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