Oscar van Eijk schrieb:
Hi All,
I'm currently engraving a piece for several instruments, one of them
an acoustic guitar.
I'ld like to be able to print both the full score, and the instruments
separately, in which case I wanna print guitar tabs as well.
At some locations I add a second
Carl Sorensen c_soren...@byu.edu writes:
On 1/24/10 7:42 AM, David Kastrup d...@gnu.org wrote:
You can use an inline attachment for that, like this:
This is even worse for those of us who use digests. The email is
split up into one email plus two attachments, so we never see the end
of
Il giorno Mon, 25 Jan 2010 21:17:19 +0100
Oscar van Eijk oscar.van.e...@oveas.com ha scritto:
At some locations I add a second voice, as in the snippet I includes
with this mail, but that doesn't work for tabs; the new voice is twice
interpreted as a normal voice and an extra normal (G clef)
Dear community,
sorry, the topic is not really something about lilypond, but somehow related
to.
Do You know some good sheet-music sites, that contain contemporary music?
Off course, I knnow the great mutopia site, but it has only quite
contemporary pieces.
I thins it's the same problem with )
Am Dienstag, 26. Januar 2010 07:15:47 schrieb James Bailey:
that, and always get the alignment I want. However, you did give me a
brilliant idea. Chain the two together. instead of having a variable
assigned to the dynamic + text and a variable to the shift, I can
just have a variable assigned
Alexander,
One other thing. Your code does solve the additional wrinkle I referred
to. In the attached, at letter I, you will see that a 20 MMR is broken up
by Rehearsal Letter I and your function calcs the 2 contiguous MMR ranges
correctly and attaches them.
Randy
Federico Bruni wrote:
I guess the problem is that you've inserted \new Voice inside a
variable.
I'm not sure if this is correct.. I think \new commands must be placed
in \score blocks. Right?
Not at all! Read the section on Explicitly Instantiating voices, in the
Learning Manual. Also,
rasAK wrote:
Alexander,
The only remaining issue is the positioning of the text that results from
your function. It is currently being placed above the number (which is
above the MMR). I tried to adjust some of the Y-offset and Y-extent
numbers, but could only get the text to move up. I
Il giorno Tue, 26 Jan 2010 10:27:58 +0100
Mats Bengtsson mats.bengts...@ee.kth.se ha scritto:
Federico Bruni wrote:
I guess the problem is that you've inserted \new Voice inside a
variable.
I'm not sure if this is correct.. I think \new commands must be
placed in \score blocks.
I think you must either use TabVoice or Voice. You can't include a
simple Voice into a TabStaff and vice versa.
Oscar van Eijk wrote:
Hi All,
I'm currently engraving a piece for several instruments, one of them
an acoustic guitar.
I'ld like to be able to print both the full score, and the
Il giorno Tue, 26 Jan 2010 12:47:17 +0100
Bertalan Fodor (LilyPondTool) lilypondt...@organum.hu ha scritto:
I think you must either use TabVoice or Voice. You can't include a
simple Voice into a TabStaff and vice versa.
OK.
I've found a solution with \keepWithTag and \removeWithTag.
See
On 1/26/10 1:41 AM, David Kastrup d...@gnu.org wrote:
Carl Sorensen c_soren...@byu.edu writes:
On 1/24/10 7:42 AM, David Kastrup d...@gnu.org wrote:
You can use an inline attachment for that, like this:
This is even worse for those of us who use digests. The email is
split up
Carl Sorensen c_soren...@byu.edu writes:
On 1/26/10 1:41 AM, David Kastrup d...@gnu.org wrote:
Carl Sorensen c_soren...@byu.edu writes:
On 1/24/10 7:42 AM, David Kastrup d...@gnu.org wrote:
You can use an inline attachment for that, like this:
This is even worse for those of us who
Greetings everybody,
sorry for not being more available on -user these days... I hope some
skilled LilyPonders are better at multitasking than I am and that this
mail will be addressed though :)
(Quite) a while back, I had found a workaround issue 442, that allowed
me to keep both staves of a
Quoting Federico Bruni brunol...@gmx.com:
But, beside that, the thing is: if I use \new Voice in that example,
LilyPond thinks it's part of a new Staff. Instead, I want to just
create a new voice, which should be then interpreted as
belonging to both (Staff)Voice and TabVoice in the StaffGroup
Hello James,
Yes, that is certainly a much easier solution. For some reason when I tried
your override last night, it had no effect -- hence my experimenting. I
suppose I must have placed it badly, because now it works just fine.
Anyway, best of luck!
On Tue, Jan 26, 2010 at 12:15 AM, James
(Sorry Mats, just answered directly to you, I still can't get used to the
Reply button using the sender's address iso the list :-S Anyway, this is
forwarded to the list)
--
Oscar van Eijk
Oveas Functionality Provider
Zwaardenburg 63 -- 3437 RJ Nieuwegein
T: +31(0)30 - 889 7812 -- F: +31(0)30 -
Il giorno Tue, 26 Jan 2010 14:35:05 +0100
Mats Bengtsson mats.bengts...@ee.kth.se ha scritto:
The trick is to use the standard {...} \\ {...} construct for
polophony. If you use version 2.12 or earlier, you also have to
explicitly instantiate two TabVoice contexts (just replace DrumVoice
by
On Tue, Jan 26, 2010 at 10:18 AM, Stefan Thomas
kontrapunktste...@googlemail.com wrote:
A better one, in my opinion, is copyus, because it is specialized in
contemporary music, but it is not very well known.
Wow, thanks for sharing, I've been on the web a /lot/ and yet I never
stumbled upon
Hi,
I'm trying to adapt the configuration explained here:
http://lists.gnu.org/archive/html/lilypond-user/2007-06/msg00185.html
I'd like to set Frescobaldi as editor, so I've changed the line in the
script as follows (I've copied from the preferences of Okular, where
this works):
frescobaldi
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Dienstag, 26. Januar 2010 17:16:04 schrieb Federico Bruni:
Hi,
I'm trying to adapt the configuration explained here:
http://lists.gnu.org/archive/html/lilypond-user/2007-06/msg00185.html
I'd like to set Frescobaldi as editor, so I've
Quoting Federico Bruni (brunol...@gmx.com):
frescobaldi --smart --line %l --column %c
but it launches Frescobaldi with an empty file.
If I use this line instead:
frescobaldi ${LINENUM}:${STARTPOS} ${FILENAME}
it launches Frescobaldi, opens the right file (but it does not point
to a
.. and the winner is:
frescobaldi --smart --line ${LINENUM} --column ${STARTPOS} ${FILENAME}
Thanks Susan!
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Dear Valentine,
thank You for the link You've sended to me.
I guess the site http://theshadylanepublishing.com/ looks good but it is
actually very small, but it is an beginning. Hope it well get
It seems to be specialized on guitar-music. And when You've started Your own
publishing site, please
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Dienstag, 26. Januar 2010 17:35:55 schrieb Reinhold Kainhofer:
I suppose you rather mean:
frescobaldi --smart --line ${LINENUM} --column %c ${STARTPOS} ${FILENAME}
Oops, sorry, scrap that %c (I missed that one, should have been deleted).
me - stanford wrote:
2) Also, do you think #'outside-staff-priority = #150 is a reasonable
priority setting for the MMR Text? I'm not sure what most objects'
settings are for this property. I was just trying to get it to win over
the Lyrics setting.
Oh, and just a few words about this
Hello,
Consider:
\version 2.13.10
{
\compressFullBarRests
\override MultiMeasureRest #'expand-limit = #2
\override MultiMeasureRest #'minimum-length = #20
R1*16
R1*16
R1*16
}
It doesn't really matter what numbers you use here, but I wonder if
anyone could tell me how I can get
Sorry to reply to my own post.
I don't know how it ended up on another thread. I apologise and will repost.
Please ignore it here.
James
James Lowe wrote:
Hello,
Consider:
\version 2.13.10
{
\compressFullBarRests
\override MultiMeasureRest #'expand-limit = #2
\override
Hello,
Consider:
\version 2.13.10
{
\compressFullBarRests
\override MultiMeasureRest #'expand-limit = #2
\override MultiMeasureRest #'minimum-length = #20
R1*16
R1*16
R1*16
}
It doesn't really matter what numbers you use here, but I wonder if
anyone could tell me how I can get
Hi, masters!
Please, again, i can not find what's wrong.
In the snippet below (image attached) the last metronome mark is larger
than others --- why?
% ---8--
\version 2.13.11
% ourTempiFont = #Century Schoolbook L Bold
ourTempiFont = #New Century Schoolbook Bold
I haven't checked. But this may be related to issue #917.
On 26.01.2010, at 19:47, James Lowe wrote:
Hello,
Consider:
\version 2.13.10
{
\compressFullBarRests
\override MultiMeasureRest #'expand-limit = #2
\override MultiMeasureRest #'minimum-length = #20
R1*16
R1*16
R1*16
}
It
Stefan, are you looking looking to create a free sheet music site or are you
looking
at helping composers generate revenue from sheet music of their compositions
(which is really the function of a sheet music publisher)? And by contemporary
music, are you thinking specifically classical or are
Valentin Villenave wrote:
Well, go ahead if you have enough time. In France there's already
http://theshadylanepublishing.com/ and I'm founding my own publishing
website, but there's always room for more ;)
a pity i couldn't get the (lilypond-) code of Bachs Chaconne
Oscar van Eijk wrote:
The answer has already been given, namely to use the method shown in
the second example of
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Common-not
ation-for-percussion#Percussion-staves
The trick is to use the standard construct for
polophony. If you use
Hello,
I'm trying to combine the two snippets found here:
http://lsr.dsi.unimi.it/LSR/Snippet?id=503
http://lsr.dsi.unimi.it/LSR/Snippet?id=265
But adding the \rightbrace is adding a bunch of space above the first verse,
and also it is not correctly centered on the verse - the center of the
У вт, 2010-01-26 у 21:05 +0200, Dmytro O. Redchuk пише:
% this one *is* displayed, because it is very different in some way,
% no problem, but why it is larger?
\tempo \markup \setOurTempiFont Moderato
Probably would be better to mention that this markup:
\tempo \markup \override
On 27.01.2010, at 01:13, Mats Bengtsson wrote:
You have to adjust the s1*2 to keep the TabVoice contexts alive
during the full piece (or alternatively update to the latest
development version 2.13.x, where this trick is no longer needed).
/Mats
Contexts don't die in 2.13?! Wow,
Quoting James Bailey derhindem...@googlemail.com:
Contexts don't die in 2.13?!
They still do. What happens in 2.13 is that the \\ construct
automatically gives you TabVoices if you are in a TabStaff, DrumVoices
if you are in a DrumStaff and so on.
/Mats
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