Nick,
2 questions: 1. How would you like the tie to behave? 2. Can you make this
simpler, please? See http://lilypond.org/website/bug-reports.html and tiny
examples.
--
Phil Holmes
- Original Message -
From: Nick Payne
To: lilypond-user@gnu.org
Sent: Wednesday, December
Nick
When a spanner such as a tie crosses a line break, the grob
is cloned into two grobs, one to be placed at the end of
the first line and one to be placed at the beginning of the
second. Overrides to properties made in the usual way are
made to both of these cloned grobs, although the
Phil
I've just posted a reply to this. This is not really a
bug, as it is not possible to modify the second part of
a cloned tie in this way. It might form the basis of an
enhancement request though ...
Trevor
- Original Message -
From: Phil Holmes m...@philholmes.net
To: Nick Payne
On Wed 15 Dec 2010, 12:59 Nick Payne wrote:
Here's a small example that demonstrates the problem. The lower of
the two ties between bars 2 and 3 appears to go to the wrong note,
and if you uncomment the override for the tie control points to get
it correctly positioned vertically, the
On 14/12/2010 11:28, Phil Holmes wrote:
And hello from me.
- Original Message - From: James Lowe james.l...@datacore.com
To: Mats Bengtsson mats.bengts...@ee.kth.se; lilypond-user@gnu.org
Sent: Tuesday, December 14, 2010 10:34 AM
Subject: RE: How to print 2 rehearsal marks above and
- Original Message -
From: James james.l...@datacore.com
However as a general question from all this regarding workarounds, while
we don't document workarounds in the Notation Reference or the Learning
manual and while we use Snippets and LSR for 'tweaks' like this; I
wondered from
Hi Jan-Peter,
2010/12/13 Jan-Peter Voigt jp.vo...@gmx.de
Hello list,
I wrote a script to align dynamics centered on the corresponding note:
--snip--
\version 2.12.3
% calculate x-alignment based on attribute text + dynamic text
#(define-markup-command (center-dyn layout props atr-text
I have now added both methods to the LSR awaiting approval.
Once they are published we can then link them to the LSR URLs instead of
filling up the tracker with lots of different methods.
James
On 15/12/2010 12:56, Phil Holmes wrote:
- Original Message - From: James
Hello,
I would like to know if there is a way (i search quite a while
whithout success) to write chords according to Riemann's Function
Theory. In principle, math would do the trick, but there are some
arguments for a own syntax (have a look at
- Original Message -
From: James james.l...@datacore.com
To: Phil Holmes m...@philholmes.net
Cc: Mats Bengtsson mats.bengts...@ee.kth.se; lilypond-user@gnu.org
Sent: Wednesday, December 15, 2010 2:54 PM
Subject: Re: How to print 2 rehearsal marks above and below same bar line
I have
Jan Warchol wrote I don't know how it could be done, and i strongly
recommend not doing
this. Separating different types of content is in my opinion very
beneficial
I agree that separating content is useful. As you point out, it allows one
to easily recombine it in various formats. It's just
2010/12/15 Michael Ellis michael.f.el...@gmail.com
Jan Warchol wrote I don't know how it could be done, and i strongly
recommend not doing
this. Separating different types of content is in my opinion very
beneficial
I agree that separating content is useful. As you point out, it allows one
Hello
On 15/12/2010 15:06, Phil Holmes wrote:
- Original Message - From: James james.l...@datacore.com
To: Phil Holmes m...@philholmes.net
Cc: Mats Bengtsson mats.bengts...@ee.kth.se; lilypond-user@gnu.org
Sent: Wednesday, December 15, 2010 2:54 PM
Subject: Re: How to print 2
- Original Message -
From: James james.l...@datacore.com
To: Phil Holmes m...@philholmes.net
Cc: Mats Bengtsson mats.bengts...@ee.kth.se; lilypond-user@gnu.org
Sent: Wednesday, December 15, 2010 3:38 PM
Subject: Re: How to print 2 rehearsal marks above and below same bar line
Hello
Ming
On 15/12/2010 16:09, Jan Warchoł wrote:
You need to create a tiny example of your problem (see
http://lilypond.org/tiny-examples.html), or else the chance of getting
help is (very) small.
In my case the file failed to compile at all (i'm running latest
development version, 2.13.43) so i
You need to create a tiny example of your problem (see
http://lilypond.org/tiny-examples.html), or else the chance of getting help
is (very) small.
In my case the file failed to compile at all (i'm running latest development
version, 2.13.43) so i don't even know if i can help you (i don't have
Is it possible to define functions that generate music functions
in Lilypond? I'm looking something to this effect:
-
\version 2.12.3
musicA = #(define-music-function (parser location music)
(ly:music?)
#{ c4 d e f $music #})
\musicA { g4 a b a }
On Mon, Dec 13, 2010 at 11:26 PM, George_ georgexu...@gmail.com wrote:
I seem to be having a problem with \change Staff screwing up my barchecks.
Thanks, I've added it to the LilyPondTool bug tracker:
https://sourceforge.net/tracker/?func=detailaid=3138066group_id=91119atid=596024
Cheers,
On Wed, Dec 15, 2010 at 5:29 PM, Juha Erkkila j...@turnipsi.no-ip.org wrote:
Is it possible to define functions that generate music functions
in Lilypond? I'm looking something to this effect:
It's a bit tricky. Here's what I use (but it's *very* hackish):
The following does what I want but requires explicit variables that have to
be manually concatenated. There's got to be a way to reduce the overhead.
After all, Scheme is the most powerful language in the known universe,
right?
\include english-solfa.ly % english.ly modified to include solfa
Hello,
On 09/09/2010 09:32, Éditions IN NOMINE wrote:
Hi.
If you encapsulate right and left hand, I think this is not possible.
I've tried this :
\version 2.13
right = \relative c'' {c4 c c d e2 d c4 e d d c1 \bar |.}
left = \relative c {\clef bass c2. g4 c2 b c4 f, g g c1 \bar |.}
accords =
On 12/15/10 9:29 AM, Juha Erkkila j...@turnipsi.no-ip.org wrote:
Is it possible to define functions that generate music functions
in Lilypond? I'm looking something to this effect:
-
\version 2.12.3
musicA = #(define-music-function (parser location music)
Cheers. I didn't know where to put this, but I thought here was best, seeing
as I seem to see many people here seem to work on LilypondTool as well.
Thanks
George
Valentin Villenave wrote:
On Mon, Dec 13, 2010 at 11:26 PM, George_ georgexu...@gmail.com wrote:
I seem to be having a problem
Am 15.12.2010 00:36, schrieb Valentin Villenave:
On Tue, Dec 14, 2010 at 8:39 PM, Marc Hohlm...@hohlart.de wrote:
Oh - thanks for the hint! I'll contact him...
I'm available to do the go-between if needed.
Thanks for your offer! I have no response until now, but
when problems occur, I'll
Has anyone found a way to draw the following in Penderecki's style?
1. irregular glissando lines or clusters
2. the symbols for bowing behind the bridge consisting of an arch and two or
four vertical lines crossing through it
3. horizontal lines through the staff consisting of (a) dots only or
Michael Ellis wrote:
Is there a clean way to enter a phrase followed by the corresponding notes
in a \relative block? The example given in the docs,
{
\time 3/4
\relative c' { c2 e4 g2. }
\addlyrics { play the game }
}
is fine for a small example, but it gets messy for
Thanks, Eluze. The spreadsheet idea is clever!
Since my last post, I've been playing with a python template substitution
approach that, I think, will meet most of my needs. Here's a trivial
example
from mixlyrics import *
## --
## Enter lyrics and notation
Oops! You'll also need my english-solfa.ly file (attached) to run the
example as is.
Cheers,
Mike
On Wed, Dec 15, 2010 at 5:09 PM, Michael Ellis michael.f.el...@gmail.comwrote:
Thanks, Eluze. The spreadsheet idea is clever!
Since my last post, I've been playing with a python template
On 15 December 2010 16:06, Phil Holmes m...@philholmes.net wrote:
And this is what the LSR preview shows. By default, I believe the LSR only
outputs a single line, and so that may be why you see more than we get with
the LSR. It can be set to give a whole page, but then this is a bit bigger
On 10 August 2010 01:08, Carl Sorensen c_soren...@byu.edu wrote:
On 8/9/10 5:22 PM, Trevor Daniels t.dani...@treda.co.uk wrote:
Neil Puttock wrote Monday, August 09, 2010 9:07 PM
On 6 August 2010 20:36, Trevor Daniels t.dani...@treda.co.uk
wrote:
Second, this only seems to work in the
Michael Ellis wrote:
Thanks, Eluze. The spreadsheet idea is clever!
Since my last post, I've been playing with a python template substitution
approach that, I think, will meet most of my needs.
hi Mike
what you are doing is in a way expanding parrallel input to lyrics.
to be honest,
Is it possible to line up all bar number just above the staff / bar line,
especially bar 2, 4 and 5 which is on top of the phrase curve?
Here is a simpler example.
\version 2.13.40
\header {
title = Walking in Winter Wonderland
}
#(set-global-staff-size 30)
\include english.ly
TimeKey =
Hello list
Triggered by my recent problem with a strange notion of Lilypond, due to which
it seems to prefer an even number of pages for a score in a multi-score
work, I wanted to try and fix that in another document of mine.
This work (namely Bach’s Mass in B minor, BWV 232) has 27 pieces,
On 12/15/10 3:43 PM, Neil Puttock n.putt...@gmail.com wrote:
On 10 August 2010 01:08, Carl Sorensen c_soren...@byu.edu wrote:
On 8/9/10 5:22 PM, Trevor Daniels t.dani...@treda.co.uk wrote:
Neil Puttock wrote Monday, August 09, 2010 9:07 PM
On 6 August 2010 20:36, Trevor Daniels
On 13 December 2010 11:21, Jan-Peter Voigt jp.vo...@gmx.de wrote:
Is it possible to set that value inside the make-dynamic-script or align it
some other way, so that I can simply use my defined \pocof (etc.) without
switching X-offset on and off?
Sure, by overriding X-offset as a tweak:
On 16 December 2010 00:05, Carl Sorensen c_soren...@byu.edu wrote:
I think the solution is a documentation change. timeSignatureSettings can
only apply to the context containing the time signature, i.e. wherever the
Timing_translator is.
OK, though does that mean you're leaving the context
On 12/15/10 3:43 PM, Neil Puttock n.putt...@gmail.com wrote:
On 10 August 2010 01:08, Carl Sorensen c_soren...@byu.edu wrote:
On 8/9/10 5:22 PM, Trevor Daniels t.dani...@treda.co.uk wrote:
Neil Puttock wrote Monday, August 09, 2010 9:07 PM
On 6 August 2010 20:36, Trevor Daniels
On Wed, Dec 15, 2010 at 05:19:27PM -0700, Carl Sorensen wrote:
It looks like a 2.14 release blocker to me.
I agree.
Could we get an issue number? You don't need to have a tiny
example or image, but I'd like to see something in the tracker to
show that we have more than one critical issue.
On 12/15/10 5:49 PM, Graham Percival gra...@percival-music.ca wrote:
On Wed, Dec 15, 2010 at 05:19:27PM -0700, Carl Sorensen wrote:
It looks like a 2.14 release blocker to me.
I agree.
Could we get an issue number? You don't need to have a tiny
example or image, but I'd like to see
Trevor
Thanks for the explanation and Scheme code. I tried to generalise it a
bit by passing in the x and y offset values as parameters, using:
#(define (tie2-extra-offset grob movex movey)
(let* (
(orig (ly:grob-original grob))
(siblings (if (ly:grob? orig)
I have a music function I use for barring indications in guitar music.
I'd like to be able to add some code to it to drop a vertical line from
the start of the TextSpanner to the position on the staff indicating how
many strings to cover (see attached png for an example), but to do that
I need
On Wed 15 Dec 2010, 13:08 I wrote:
i've posted a function for shaping broken slurs (thanks to Neil and an
author of that snippet, see source attached), see here:
http://www.mail-archive.com/lilypond-user@gnu.org/msg57796.html
[...]
I am sorry, i should mention the author of that LSR snippet --
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