Hi everybody,
here is a first clumsy solution to extract lyrics, chords and guitar frets from
an existing score WITHOUT changing the notes, chords and lyrics except
optionally add some line breaks for layout reasons.
Only remaining disadvantage is that shrinking the staff still seems to
Jürgen Ibelgaufts juri...@gmx.de writes:
-- Johan
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Is there any chance to start a piece with a || bar line?
I have tried this:
\version 2.12.2
{
\time 4/4
\bar ||
c''4
}
but it does not show the bar line (it works for |:, however).
I have found the following hack:
\version 2.12.2
{
\time 4/4
\grace s
\bar ||
c''4
}
but this is not working
On Fri, Jan 28, 2011 at 05:07:58AM -0800, ornello wrote:
\version 2.12.2
{
\time 4/4
\grace s
\bar ||
c''4
}
but this is not working for multiple staves.
I suggest
\partial 64 s64
\bar ||
and I'm pretty certain it'll work if you put it in all staves.
Cheers,
- Graham
Op vrijdag 28 januari 2011 schreef ornello:
Is there any chance to start a piece with a || bar line?
See: http://lsr.dsi.unimi.it/LSR/Item?id=500
best regards,
Wilbert Berendsen
--
Frescobaldi, LilyPond editor for KDE: http://www.frescobaldi.org/
Nederlands LilyPond forum:
\markup { \override #'(font-name . new font) العربية }
where new font is the name of the font to use.
This is what I tried, and got the same (wrong) result (Arabic characters not
correctly displaying in their medial and initial forms):
\score
{
\relative d'
{
Dear all,
\version 2.13.44
\score {
\relative g' { \grace a16 g4 }
\midi { }
\layout { }
}
I have a problem with a grace at the very beginning of the score.
Lilypond returns an error when creating the midi:
GNU LilyPond 2.13.44
Processing `tst.ly'
Parsing...
Hello
-Original Message-
From: lilypond-user-bounces+james.lowe=datacore@gnu.org
[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
Behalf Of Wilbert Berendsen
Sent: 28 January 2011 14:27
To: lilypond-user@gnu.org
Subject: Re: Bar line at beginning of piece
Op
Thanks Graham,
Graham Percival-3 wrote:
I suggest
\partial 64 s64
\bar ||
and I'm pretty certain it'll work if you put it in all staves.
this leaves an additional space between time signature and bar line which I
wanted to avoid using the grace (which has no duration).
I have now
This is what I tried, and got the same (wrong) result (Arabic
characters not correctly displaying in their medial and initial
forms):
I tried this:
\relative c' {
c4^\markup { \override #'(font-name . KacstOffice)
العربية }
d e f |
g^\markup { english }
I tried this:
\relative c' {
c4^\markup { \override #'(font-name . KacstOffice)
العربية }
d e f |
g^\markup { english }
f e d |
}
and get the attached image as output, which seems to be correct
(please correct me if I'm wrong). This is on a
I have to correct my previous message. My solution is not working because it
affects all line breaks (not just the beginning of the piece. So I'll try
your suggestion, Graham...
ornello wrote:
Thanks Graham,
Graham Percival-3 wrote:
I suggest
\partial 64 s64
\bar ||
and I'm
ornello wrote:
My solution is not working because it affects all line breaks
(not just the beginning of the piece
Having to affect all line breaks was what made was-empty.ly so cumbersome.
You can make LSR 500 work by adding:
\once \override Staff.BarLine #'glyph-name = ||
So this seems like a bug after all. How do I get this into the queue? I'd be
more than happy to help out with testing.
-Samir
On 1/28/11, at 9:10 AM, James Samir Ismail wrote:
I tried this:
\relative c' {
c4^\markup { \override #'(font-name . KacstOffice)
العربية }
Things can be made easier, but there still are some questions to ask.
#4 is not necessary. The lyrics may stay below the staff.
#2 is not necessary. It makes no difference whether you shrink the staff or
not.
#6 By using negative values for the y value in the #extra-offset property,
you can
On 28 January 2011 15:54, Peter Van Kranenburg
peter.van.kranenb...@meertens.knaw.nl wrote:
Dear all,
\version 2.13.44
\score {
\relative g' { \grace a16 g4 }
\midi { }
\layout { }
}
I have a problem with a grace at the very beginning of the score. Lilypond
returns
Hi,
recently i was told that this notation
{ \mergeDifferentlyHeadedOn b'2 \\ { b'8 a' g' f' } }
is not allowed in vocal music (i.e., the noteheads shouldn't be
merged). Is that true?
By the way, if there is a notehead shared by two voices (i.e. with two
stems, up and down), should there
I want to automate the process of generating a midi metronome track
for rehearsal purposes. It's trivial if the piece is in the same
meter throughout, e.g. if the piece has 97 measures in 4/4 you can
do:
\new Voice = Click {
\set midiInstrument = #woodblock
Hello Mike.
2011/1/29 Michael Ellis michael.f.el...@gmail.com
I want to automate the process of generating a midi metronome track
for rehearsal purposes.
See this message:
http://lists.gnu.org/archive/html/lilypond-user/2010-09/msg00730.html
HTH.
Marek
--
Marek Klein,
http://gregoriana.sk
On 1/28/11 2:03 PM, James Samir Ismail j...@tenable.biz wrote:
So this seems like a bug after all. How do I get this into the queue? I'd be
more than happy to help out with testing.
The first thing to do is to run the specified command from a terminal
window:
lilypond -dshow-available-fonts x
On Fri, Jan 28, 2011 at 1:03 PM, James Samir Ismail j...@tenable.biz wrote:
So this seems like a bug after all. How do I get this into the queue? I'd be
more than happy to help out with testing.
Hi,
Which version of LilyPond are you using? The 2.13 series has many,
many improvements in
On Fri, Jan 28, 2011 at 10:50 PM, Patrick McCarty pnor...@gmail.com wrote:
On Fri, Jan 28, 2011 at 1:03 PM, James Samir Ismail j...@tenable.biz wrote:
So this seems like a bug after all. How do I get this into the queue? I'd be
more than happy to help out with testing.
Which version of
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