Janek Warchoł lemniskata.bernoull...@gmail.com writes:
Thanks for all replies.
I'd use phrasing slur, however there's not much phrase to indicate with it...
Look at the slurs marked in red in the attachment - a phrasing slur
for 2 notes?
In the first case Werner's guess may be correct (a
Frank Weichert wrote:
I'm looking for special symbols used for harp-notation
You could try following up Mario's TabSymbols font
http://www.lilypondforum.de/index.php?topic=252.0
And for a possible markup approach and some discussion, see
On 02/19/2011 04:58 AM, frank.weich...@lpp-pfullingen.de wrote:
Hi All,
I'm looking for special symbols used for harp-notation (german: Mundharmonika).
Like
fingering for keybords, harps needs special symbols for chanel-number and
blow and
reverse blow, Shift (chromatic one only).
There are
- Original Message -
From: Janek Warchoł lemniskata.bernoull...@gmail.com
To: lilypond-user lilypond-user@gnu.org
Sent: Friday, February 18, 2011 8:00 PM
Subject: engraving question - temporary voices in vocal music
Hi,
i have a SATB choral piece and occasionally some voices are
2011/2/19 David Kastrup d...@gnu.org:
Janek Warchoł lemniskata.bernoull...@gmail.com writes:
Thanks for all replies.
I'd use phrasing slur, however there's not much phrase to indicate with it...
Look at the slurs marked in red in the attachment - a phrasing slur
for 2 notes?
In the first
Am Samstag, 19. Februar 2011, um 16:31:36 schrieb Janek Warchoł:
2011/2/19 David Kastrup d...@gnu.org:
It is not unusual to have instruments double some vocal parts and the
slurs might be a playing instruction for them.
Maybe, i must ask the composer.
Should a dashed slur be used in such
2011/2/19 Reinhold Kainhofer reinh...@kainhofer.com:
Am Samstag, 19. Februar 2011, um 16:31:36 schrieb Janek Warchoł:
2011/2/19 David Kastrup d...@gnu.org:
It is not unusual to have instruments double some vocal parts and the
slurs might be a playing instruction for them.
Maybe, i must ask
- Original Message -
From: Janek Warchoł lemniskata.bernoull...@gmail.com
Maybe, i must ask the composer.
Should a dashed slur be used in such a case?
Lo and behold, another example from the Gondoliers
--
Phil Holmes
attachment:
...
The only thing i can come up with is that he wants the notes to be
sung legato, so maybe it would be best to simply write legato above
notes?
...
Perhaps the composer wants portamento here, not simply legato. If so, I'd be
inclined (as others have suggested) to use phrasing slurs to
My wife has just asked and I don't know the answer. Why is LilyPond called
LilyPond?
--
Phil Holmes
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On Sat, Feb 19, 2011 at 04:47:01PM -, Phil Holmes wrote:
My wife has just asked and I don't know the answer. Why is LilyPond
called LilyPond?
It's on the old webpages, and one of the things I've had in the
back of my mind that we might want to integrate into the new
docs+web.
On 2/19/11 9:47 AM, Phil Holmes em...@philholmes.net wrote:
My wife has just asked and I don't know the answer. Why is LilyPond called
LilyPond?
http://lilypond.org/web/about/name
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Lo and behold, another example from the Gondoliers
This slur has an exact meaning: It's a portato. You can find this
kind of notation in virtually all scores from the 19th century,
including both German (e.g. Wagner) and Italian (e.g. Verdi)
composers.
Werner
I'd use phrasing slur, however there's not much phrase to indicate
with it... Look at the slurs marked in red in the attachment - a
phrasing slur for 2 notes?
Wearing my singers' coach hat, I'd say that the slurs have two
meanings:
. They indicate a long first note and a shorter second
2011/2/19 Carl Sorensen c_soren...@byu.edu:
On 2/19/11 9:47 AM, Phil Holmes em...@philholmes.net wrote:
My wife has just asked and I don't know the answer. Why is LilyPond called
LilyPond?
http://lilypond.org/web/about/name
And the thread starting at
On Sat, Feb 19, 2011 at 12:41 PM, Francisco Vila paconet@gmail.comwrote:
On 2/19/11 9:47 AM, Phil Holmes em...@philholmes.net wrote:
My wife has just asked and I don't know the answer. Why is LilyPond
called
LilyPond?
http://lilypond.org/web/about/name
Telling your wife
On Sat, Feb 19, 2011 at 12:11 PM, Graham Percival
gra...@percival-music.ca wrote:
On Sat, Feb 19, 2011 at 04:47:01PM -, Phil Holmes wrote:
My wife has just asked and I don't know the answer. Why is LilyPond
called LilyPond?
It's on the old webpages, and one of the things I've had in the
I'm attempting to use lilypond-book but have run into the following anomaly.
The latex file below demonstrates the problem. There is a line \input{test.ind}
to include the index file generated by the makeindex command. Normal procedure
is to start with an empty (0 byte) xxx.ind file, do several
Werner LEMBERG wl at gnu.org writes:
Does anyone know how to create a full score and individual parts for
a concert band? This would be very helpful to me. There should be a
template for that in the documentation!
`Should'? Boy, the documentation already has more than 1000 pages!
Brett McCoy idragosani at gmail.com writes:
On Fri, Feb 18, 2011 at 4:07 PM, Thomas thomas-wilmot at hotmail.com
wrote:
Does anyone know how to create a full score and individual parts for a
concert
band? This would be very helpful to me. There should be a template for that
in
the
Where does TextSpanner hide its text? I'm trying to extract the
text (i.e. II or IV) from a TextSpanner. I've realized that
it isn't part of the text-spanner-event (sob), but as far as I can
tell, it's not in the TextSpanner context either!
What am I missing? example attached and inline (it's
On Sat, Feb 19, 2011 at 2:23 PM, Thomas thomas-wil...@hotmail.com wrote:
Werner LEMBERG wl at gnu.org writes:
Does anyone know how to create a full score and individual parts for
a concert band? This would be very helpful to me. There should be a
template for that in the documentation!
Graham Percival-3 wrote:
Where does TextSpanner hide its text? I'm trying to extract the
text (i.e. II or IV) from a TextSpanner. I've realized that
it isn't part of the text-spanner-event (sob), but as far as I can
tell, it's not in the TextSpanner context either!
i found it int the
Dear all,
thank you for your answers. I think i'll use explicit notation for
clarity's sake, especially because it doesn't take much space in this
case and composer asked for it.
2011/2/19 Phil Holmes m...@philholmes.net:
- Original Message - From: Janek Warchoł
On Sat, Feb 19, 2011 at 01:59:31PM -0800, -Eluze wrote:
Graham Percival-3 wrote:
Where does TextSpanner hide its text? I'm trying to extract the
i found it int the Voice context:
Woah, thanks! That works! Thank you so much!
I'm even more puzzled, because I didn't need that for any
I am trying to create an ossia that is above a measure with repeats. Is it
possible to prevent the repeats from appearing in the ossia but at the same
time, preserve the bar lines and prevent the staves from extending past the
last bar?
Here is a a code snippet that demonstrates...
\version
Wow. Brilliant work here:
http://99-bottles-of-beer.net/language-lilypond-1351.html
(I was doing a google search for lilypond music function,
because I couldn't remember the exact syntax, and this popped up)
Cheers,
- Graham
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Hello,
-Original Message-
From: Janek Warchoł lemniskata.bernoull...@gmail.com
Date: Sat, 19 Feb 2011 23:06:12 +0100
To: Phil Holmes m...@philholmes.net, davidandrewrog...@gmail.com,
Trevor Daniels t.dani...@treda.co.uk, Shane Brandes
sh...@grayskies.net, Francisco Vila
On 11-02-18 01:00 PM, Janek Warchoł wrote:
Hi,
i have a SATB choral piece and occasionally some voices are split in
two. If the rhythyms differ, a polyphonic notation must be used -
that's obvious. But, what to do in the situation pictured in the
problem.png attachment? Is the notation used
On 11-02-19 02:45 AM, David Kastrup wrote:
Janek
Warchołlemniskata.bernoull...@gmail.comlemniskata.bernoull...@gmail.com
writes:
Thanks for all replies.
I'd use phrasing slur, however there's not much phrase to indicate with
it...
Look at the slurs marked in red in the attachment - a phrasing
On Sat, Feb 19, 2011 at 6:24 PM, Graham Percival
gra...@percival-music.ca wrote:
Wow. Brilliant work here:
http://99-bottles-of-beer.net/language-lilypond-1351.html
Pretty cool! I wonder if the number lookups could be simplified with
the 'r' format spec?
(use-modules (ice-9 format))
Graham Percival gra...@percival-music.ca writes:
Wow. Brilliant work here:
http://99-bottles-of-beer.net/language-lilypond-1351.html
That is impressive. It's a good demonstration of LilyPond's support for
lyrics.
I wonder if it could be done with the verses under *the same staff*,
with
Shouldn't this example have the notes in the second bar beamed three
together and three together? What I'm getting is three, then one, then two:
\version 2.13.50
\relative c' {
\time 3/4
c8 c c c c c
\set beamExceptions = #'((end . (((1 . 8) . (3 3)
c c c c c c
}
Nick
Any singers out there who know of a good song for Purim that can be
sung in four-part harmony?
Out-of-copyright is preferred.
I want to set it in Lilypond sing with my group.
david olson
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Nick Payne nick.payne at internode.on.net writes:
Shouldn't this example have the notes in the second bar beamed three
together and three together?
I think it should. For now, you can add a line
\version 2.13.50
[...]
\set Timing.beatStructure = #'(3)
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