Re: Scheme question

2011-03-10 Thread TaoCG
Carl Sorensen-3 wrote: It is possible to determine the current time signature from the Timing context using the timeSignatureFraction property. However, this is difficult to do in a music function, because the music function does not have a context available. You'll need to use a

Re: skip lyrics

2011-03-10 Thread Jan-Peter Voigt
You might use a little helper function, to reduce typing: --snip-- \version 2.12.3 lskip = #(define-music-function (parser location count)(integer?) #{ \repeat unfold $count { \skip 4 } #}) % random music with random lyrics and a counted skip in verse two \relative c' { e g a b c d d c

Re: bar line through text in Mensurstriche layout

2011-03-10 Thread Klaus Föhl
Hello, I tried to produce a tiny example and did not succeed to get bar lines to cut through text. Then I pulled out my (old) file with the issue, but version 2.12.3 works ok in that respect. So it may be a 2.10 issue, addressed and solved in the meantime. Thank you folks. My conclusion: fine

Re: lilypond-user Digest, Vol 100, Issue 36

2011-03-10 Thread MING TSANG
-- next part -- An HTML attachment was scrubbed... URL: http://lists.gnu.org/archive/html/lilypond-user/attachments/20110310/a6bde0e1/attachment.html -- ___ lilypond-user mailing list lilypond-user

Re: Putting fret diagrams in a separate score

2011-03-10 Thread Phil Holmes
- Original Message - From: Marc Hohl m...@hohlart.de To: Lilypond-User lilypond-user@gnu.org Sent: Wednesday, March 09, 2011 9:26 AM Subject: Putting fret diagrams in a separate score Hello list, I try to put fret diagrams at the beginning of a piece. My input file looks like this:

Changing text fonts

2011-03-10 Thread Hannes Kuhnert
Hello, what needs to be done for changing fonts in general? I tried things like \override Score.ChordNames #'font-family = #'roman but it didn’t work. I’m pretty sure, that \override … #'font-family = #'sans etc. makes sense, but how can I find out, how the objects that have the font

chorus echo to follow the tenor line

2011-03-10 Thread John Bryant
Sometimes the lyrics in a chorus of a hymn have to follow the tenor line notes rather than the melody. I've successfully managed to get the lyrics to follow the alto line but I am stumped as to how to get an echo line to follow the tenor or bass line notes. If I create an extra chorusecho and try

Re: bar line through text in Mensurstriche layout

2011-03-10 Thread Phil Holmes
- Original Message - From: Klaus Föhl kl...@haelden.de To: lilypond-user@gnu.org Sent: Wednesday, March 09, 2011 9:02 PM Subject: bar line through text in Mensurstriche layout Hello, With lyrics and ChoirStaff a long word may overlap into an adjacent bar and this looks visually ok.

Re: chorus echo to follow the tenor line

2011-03-10 Thread Phil Holmes
- Original Message - From: John Bryant john_bry...@sil.org To: lilypond-user@gnu.org Sent: Thursday, March 10, 2011 12:30 PM Subject: chorus echo to follow the tenor line Sometimes the lyrics in a chorus of a hymn have to follow the tenor line notes rather than the melody. I've

Special repetition issue: breaking volta lines

2011-03-10 Thread Hannes Kuhnert
Hello, I’m currently typing a more or less complicated repetition by manually requesting the repeat marks. Now there is a really long volta, going over three lines. It I’d like to break the volta bracket after two bars or so and let it start again two bars before the end. I already tried

Text on slurs (faking bends etc)

2011-03-10 Thread bluelegend
I am trying to fake guitar-bend notation in lilypond by putting text over a slur (B for bend, R for release etc), both regular slurs and for grace-notes. I have searched the web, the lilypond-docs and the archives but can't seem to find it. Help much appreciated. Thanks in advance :) -- View

Combining different measures

2011-03-10 Thread Hannes Kuhnert
Hello, I’ve got a piece with multiple measures like http://www.herzogenberg.ch/bilder/Gott_ist_notenbild.gif. I’d like to have both time signatures engraved at the beginning of the piece. Additionally some kind of semi-automatic setting of bars would be great, but isn’t really needed. What

RE: Changing text fonts

2011-03-10 Thread James Lowe
Hello, )-Original Message- )From: lilypond-user-bounces+james.lowe=datacore@gnu.org )[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On )Behalf Of Hannes Kuhnert )Sent: 10 March 2011 12:07 )To: lilypond-user@gnu.org )Subject: Changing text fonts ) )Hello, ) )what needs

Re: Text on slurs (faking bends etc)

2011-03-10 Thread Janek Warchoł
2011/3/9 bluelegend daniel.alberts...@comhem.se: I am trying to fake guitar-bend notation in lilypond by putting text over a slur (B for bend, R for release etc), both regular slurs and for grace-notes. I have searched the web, the lilypond-docs and the archives but can't seem to find it.

Re: Changing text fonts

2011-03-10 Thread Hannes Kuhnert
James Lowe schrieb: If you wanted to override the font on a 'TextSpanner' you can use something like \override TextSpanner #'(font-name) = Baskerville So you can use the same method to choose a font for chord markups. Thanks for your reply! I already assumed that it works that way. But

Re: SOME DIFFICULTIES

2011-03-10 Thread Janek Warchoł
Hi, 2011/3/9 M.X. mx0...@gmail.com Hi all, First, I don't manage to exactly reproduce ties between separate notes on one hand and  notes in a chord on the other hand. See the attached picture the original score (left oval) and my attempt with the attached code. I suppose you are using

Re: Text on slurs (faking bends etc)

2011-03-10 Thread Federico Bruni
Do you know that an attempt to add bend support in LilyPond has already been made? http://lilypond-s-support-for-tablatures.3383434.n2.nabble.com/Request-Bounty-Tablature-bends-td573.html#a5536946 Now it's stuck but you can offer money and hope a developer will work on it:

Re: Combining different measures

2011-03-10 Thread Phil Holmes
- Original Message - From: Hannes Kuhnert hannes.kuhn...@gmx.de To: lilypond-user@gnu.org Sent: Thursday, March 10, 2011 2:30 PM Subject: Combining different measures I’ve got a piece with multiple measures like http://www.herzogenberg.ch/bilder/Gott_ist_notenbild.gif. I’d like to

Re: chorus echo to follow the tenor line

2011-03-10 Thread Phil Holmes
- Original Message - From: JRBryant john_bry...@sil.org To: Phil Holmes m...@philholmes.net Sent: Thursday, March 10, 2011 2:32 PM Subject: Re: chorus echo to follow the tenor line Dear Phil: I'm using 2.12.2. This is how the LyrictStaff section normally looks in my hymn. Please

RE: Combining different measures

2011-03-10 Thread James Lowe
Hannes )-Original Message- )From: lilypond-user-bounces+james.lowe=datacore@gnu.org )[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On )Behalf Of Hannes Kuhnert )Sent: 10 March 2011 14:30 )To: lilypond-user@gnu.org )Subject: Combining different measures ) )Hello, )

RE: Changing text fonts

2011-03-10 Thread James Lowe
Hannes, )-Original Message- )From: lilypond-user-bounces+james.lowe=datacore@gnu.org )[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On )Behalf Of Hannes Kuhnert )Sent: 10 March 2011 15:49 )To: lilypond-user@gnu.org )Subject: Re: Changing text fonts ) )James Lowe

Preventing Custom Stencil Collisions

2011-03-10 Thread ctesta
Hello Everyone, I have been working with making custom stencils in Lilypond and replacing rests with them when I want them in scores. When I make really long stencils they collide with the next notes in the piece. Is there a way to define how big a stencil is so that the next note doesn't start

Re: Double Digit Fingering ie 10 11 12

2011-03-10 Thread Neil Puttock
On 9 March 2011 23:18, James Lowe james.l...@datacore.com wrote: If this is true I can add an @knownissue in the Notation Reference at least. Unless anyone objects? It's only true at the most basic level, i.e., using the bare digits, since this is a parser limitation. However, there's nothing

RE: Double Digit Fingering ie 10 11 12

2011-03-10 Thread James Lowe
Hello, )-Original Message- )From: Neil Puttock [mailto:n.putt...@gmail.com] )Sent: 10 March 2011 18:09 )To: James Lowe )Cc: Robin Bannister; banners...@ccacompanies.com; LilyPond User )Subject: Re: Double Digit Fingering ie 10 11 12 ) )On 9 March 2011 23:18, James Lowe

Re: Double Digit Fingering ie 10 11 12

2011-03-10 Thread Neil Puttock
On 10 March 2011 18:18, James Lowe james.l...@datacore.com wrote: We could add this snippet to the LSR and then add an @known, or (someone) make a code change to allow any digit to be generated (i.e. we use 0 - 9 but let users have multiple instances of 0 - 9 so you can get 'fingering'

make several (20 : 4X5) systems in only one page

2011-03-10 Thread louloupond
Hello , firstable excuse for my language , however i'll try to explain you my problem. Here is the file i'm working on : http://old.nabble.com/file/p31118481/bandoneon.ly bandoneon.ly I would like to obtain a file with all measures separated , each one without the time signature . One page

Re: Preventing Custom Stencil Collisions

2011-03-10 Thread Robin Bannister
Carl Testa wrote: Is there a way to define how big a stencil is In your case, using ly:make-stencil, the parameters xext and yext are for saying how big, and you have done this OK. The problem is that these values don't get to affect the layout, because the overridden rest is still

Re: Putting fret diagrams in a separate score

2011-03-10 Thread Keith OHara
Marc Hohl marc at hohlart.de writes: I try to put fret diagrams at the beginning of a piece. My input file looks like this: \new ChordNames \chordmode { g:m } \new Lyrics \lyricmode { \markup { \fret-diagram #w:4;4-o;3-o;2-1;1-3; } } Warning:

RE: Double Digit Fingering ie 10 11 12

2011-03-10 Thread James Lowe
hello, )-Original Message- )From: Neil Puttock [mailto:n.putt...@gmail.com] )Sent: 10 March 2011 18:23 )To: James Lowe )Cc: LilyPond User )Subject: Re: Double Digit Fingering ie 10 11 12 ) )On 10 March 2011 18:18, James Lowe james.l...@datacore.com )wrote: ) ) We could add this snippet to

Re: SOME DIFFICULTIES

2011-03-10 Thread Xavier Scheuer
2011/3/10 Janek Warchoł lemniskata.bernoull...@gmail.com: Hi, [...] Perhaps \shiftOn is what you need. It is described in Notation Reference 1.5.2 - http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Multiple-voices#Collision-resolution Agree. A \shiftOff and a \once \override

Re: Double Digit Fingering ie 10 11 12

2011-03-10 Thread Neil Puttock
On 10 March 2011 18:52, James Lowe james.l...@datacore.com wrote: I've added a snippet for approval. Great, thanks! I've made a few style/coding tweaks (including an override to suppress annoying warning messages for those who like clean compilation) and tagged/approved it. Cheers, Neil

Re: Double Digit Fingering ie 10 11 12

2011-03-10 Thread James Lowe
Neil, -Original Message- From: Neil Puttock n.putt...@gmail.com Date: Thu, 10 Mar 2011 21:04:31 + To: James Lowe james.l...@datacore.com Cc: LilyPond User lilypond-user@gnu.org Subject: Re: Double Digit Fingering ie 10 11 12 On 10 March 2011 18:52, James Lowe james.l...@datacore.com

Re: Special repetition issue: breaking volta lines

2011-03-10 Thread Xavier Scheuer
On 10 March 2011 14:50, Hannes Kuhnert hannes.kuhn...@gmx.de wrote: Hello, I’m currently typing a more or less complicated repetition by manually requesting the repeat marks. Now there is a really long volta, going over three lines. It I’d like to break the volta bracket after two bars or so

Compile for Mac

2011-03-10 Thread Tim Sheasby
Using lilydev on a Virtual Box ubuntu machine – how do I compile a Mac binary? Tim Sheasby t...@sheafpublishing.co.za inline: Sheaf logo small.jpg ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Text on slurs (faking bends etc)

2011-03-10 Thread Federico Bruni
Il giorno gio, 10/03/2011 alle 17.36 +0100, Federico Bruni ha scritto: Anyway, there is a bend.ly file which you can hopefully use in 2.13.x versions. It worked quite well in versions 2.13.1x (IIRC). I don't have this file right now Here's bend.ly attached. I've tested it with 2.13.53

Re: Compile for Mac

2011-03-10 Thread Neil Puttock
On 10 March 2011 22:08, Tim Sheasby t...@sheafpublishing.co.za wrote: Using lilydev on a Virtual Box ubuntu machine – how do I compile a Mac binary? Via GUB: http://lilypond.org/gub/ It's not for the faint of heart, but should be possible (if very slow) on a virtual machine. Cheers, Neil

Re: Compile for Mac

2011-03-10 Thread Henning Hraban Ramm
Am 2011-03-10 um 23:08 schrieb Tim Sheasby: Using lilydev on a Virtual Box ubuntu machine – how do I compile a Mac binary? You don’t. It’s nearly impossible to cross-compile for Mac. (Excuse my ignorance if you LilyPond wizards solved it anyhow...) Greetlings from Lake Constance --- fiëé

Re: Compile for Mac

2011-03-10 Thread Graham Percival
On Thu, Mar 10, 2011 at 10:24:12PM +, Neil Puttock wrote: On 10 March 2011 22:08, Tim Sheasby t...@sheafpublishing.co.za wrote: Using lilydev on a Virtual Box ubuntu machine – how do I compile a Mac binary? Via GUB: http://lilypond.org/gub/ It's not for the faint of heart, but

Re: Compile for Mac

2011-03-10 Thread Tim Sheasby
Ok -- heart just fainted : ( -- will let others do it On 11 Mar 2011, at 2:12 AM, Graham Percival wrote: On Thu, Mar 10, 2011 at 10:24:12PM +, Neil Puttock wrote: On 10 March 2011 22:08, Tim Sheasby t...@sheafpublishing.co.za wrote: Using lilydev on a Virtual Box ubuntu machine – how do I

make systems seperated in one page

2011-03-10 Thread louloupond
Hello , firstable excuse for my language , however i'll try to explain you my problem. Here is the file i'm working on : http://old.nabble.com/file/p31117145/bandoneon.ly bandoneon.ly . I would like to obtain a file with all measures separated , each one without the time signature . One page

Single-staff polyphony

2011-03-10 Thread Richard Opheim
It's my belief that the following code should have produced a 16-bar single-staff polyphony, but instead, the second voice follows the first voice consecutively and I get 32 bars. \version 2.12.3 \header {subtitle = Single staff polyphony (but only measure 8 has more than one voice at a time)}

Re: Single-staff polyphony

2011-03-10 Thread -Eluze
Richard Opheim wrote: It's my belief that the following code should have produced a 16-bar single-staff polyphony, but instead, the second voice follows the first voice consecutively and I get 32 bars. usually a polyphonic sequence is enclosed in … - see 1.5.2 in NR. in your score you

Re: Scheme question

2011-03-10 Thread TaoCG
Carl Sorensen-3 wrote: It is possible to determine the current time signature from the Timing context using the timeSignatureFraction property. However, this is difficult to do in a music function, because the music function does not have a context available. You'll need to use a