Thanks Robin. This does exactly what I need. I will use this to optically tweak
note heads before trying to patch the fonts again. Lets me optically align the
mi and do.
On 17 Mar 2011, at 2:06 AM, Robin Bannister wrote:
Tim Sheasby wrote:
how do I apply it to a specific note in a \set
Carl thank you for the input! Unfortunately I get an error that I
don't know how to do anything with. Below is my input and output.
If you or anyone can help this would be a nice help to me. Thanks!
Adam
@@@
\version 2.12.3
#(define sequence-number 0)
#(define-markup-command (score-sequence
On Thu 17 Mar 2011, 09:13 Adam Good wrote:
Carl thank you for the input! Unfortunately I get an error that I
don't know how to do anything with. Below is my input and output.
If you or anyone can help this would be a nice help to me. Thanks!
Adam
@@@
\version 2.12.3
#(define
Completely awesome. Thank you guys so much for your help. Long live
Lilyponders!!
On Thu, Mar 17, 2011 at 9:48 AM, Dmytro O. Redchuk
brownian@gmail.com wrote:
On Thu 17 Mar 2011, 09:13 Adam Good wrote:
Carl thank you for the input! Unfortunately I get an error that I
don't know how to do
It looks like the LilyPond installation is no longer adding the path to the
executable to the Windows PATH. I have installed .54 and don't have it on my
path. For me that's actually good - my PATH variable overflowed and I lost all
the ones I wanted. However, for people who rely on the
Hello all,
i'm working on the different modal structure from a score and i woud
like to print the half or full ton from one not to the next one!
\version "2.12.3"
\include "italiano.ly"
\header { }
TimeKey = { \key do \minor \time 12/8}
Hi LilyPonders,
in Usage 1.2:
When invoked with a filename that has no extension, the ‘.ly’ extension
is tried first. To read input from stdin, use a dash (-) for file.
I wonder what's the use of stdin. Can you show a use case?
I'm translating the Usage manual so I want to be sure that I've
On Thu 17 Mar 2011, 12:19 Federico Bruni wrote:
Hi LilyPonders,
Hi!
in Usage 1.2:
When invoked with a filename that has no extension, the ‘.ly’ extension
is tried first. To read input from stdin, use a dash (-) for file.
I wonder what's the use of stdin. Can you show a use case?
I'm
cat test.ly | lilypond -o TEST -
for instance. You'll get TEST.pdf here.
Ok, thanks!
I had seen this before (when importing GPG keys, for example), but
apparently I hadn't got the role of - :-)
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On Mar 17, 2011, at 5:55 AM, christophe 1710 wrote:
Hello all,
i'm working on the different modal structure from a score and i woud like to
print the half or full ton from one not to the next one!
\version 2.12.3
\include italiano.ly
\header { }
TimeKey = { \key do \minor \time 12/8}
On 15 March 2011 00:01, Neil Puttock n.putt...@gmail.com wrote:
You want a markup identifier, so all you need to do is put \markup
before \score:
scoreOne = \markup \score {
c'1
\layout {} % required!
}
\markup {
\column {
\scoreOne
}
}
Thanks Neil!
This works
On Mon, Mar 14, 2011 at 04:16:35PM -0400, Shane Brandes wrote:
I suppose since I have spent so much
of my life attempting to master keyboard instruments and having watch
so many students progress in their own studies that it seems to me
that one cold never hope to replicate a human at an
This is intellectually interesting but the question is not who deserves to create good
music? but rather who wants to listen to music made by someone that does not
practice? and who wants to listen to music played by a computer? Sure many times, nowadays,
the rendition of a computer playing is
Is it possible to tell the NoteNames engraver to print the name for
only the first note of a sequence of tied notes?
mymusic = { c'4 c' ~ c'2 }
\score {
\new Voice \mymusic
\context NoteNames \mymusic
}
Thanks,
Mike
attachment:
Graham Percival gra...@percival-music.ca writes:
Now, at the moment, Vivi doesn't create good music, and probably
requires about 10 hours of learning. I mean, you have to write a
lilypond file (that could be between 1 and 5 hours, for simple music
at least), and then if you know nothing
Hello all,
At first, I wasn't really interested in this thread… however, it's now gotten
quite interesting.
This is intellectually interesting but the question is not who deserves to
create good music? but rather who wants to listen to music made by someone
that does not practice? and who
Marc Mouries m...@mouries.net writes:
This is intellectually interesting but the question is not who
deserves to create good music? but rather who wants to listen to
music made by someone that does not practice? and who wants to listen
to music played by a computer? Sure many times, nowadays,
At 10:15 on 17 Mar 2011, Marc Mouries wrote:
This is intellectually interesting but the question is not who
deserves to create good music? but rather who wants to listen to
music made by someone that does not practice? and who wants to
listen to music played by a computer?
I don't really see
On 3/17/2011 10:57 AM, David Kastrup wrote:
Marc Mouriesm...@mouries.net writes:
This is intellectually interesting but the question is not who
deserves to create good music? but rather who wants to listen to
music made by someone that does not practice? and who wants to listen
to music
On Thu, Mar 17, 2011 at 10:15:46AM -0400, Marc Mouries wrote:
This is intellectually interesting but the question is not who
deserves to create good music? but rather who wants to listen
to music made by someone that does not practice? and who wants
to listen to music played by a computer?
On Thu, Mar 17, 2011 at 11:02:59AM -0400, Kieren MacMillan wrote:
But I also believe that it will be a great while longer before
*watching* a robot (or audio speaker) will be as compelling as
watching a human performer.
BS. Watching musical robots is *incredibly* interesting, and way
way
Kieren MacMillan kieren_macmil...@sympatico.ca writes:
[...]
One thing that comes to mind is that I don't want to arrive at a
point where musician will be teaching computers to play instead of
learning to play themselves.
I hate to break the news, but we're already at that point -- as
- Original Message -
From: James Lowe james.l...@datacore.com
To: 'Phil Holmes' em...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Tuesday, March 15, 2011 4:37 PM
Subject: RE: Removing accidentals from a voice
Hello,
)-Original Message-
)From:
Hi David,
Excellent rebuttal!
The whole point is that a computer, left to its own devices, would never
think of playing the violin or chess. It would sit in a corner and rust.
With all due respect, I don't even think that's the point -- for at some future
date, there will undoubtedly be a
Hi,
On Thu, 17 Mar 2011 11:02:59 -0400
Kieren MacMillan kieren_macmil...@sympatico.ca wrote:
Hello all,
At first, I wasn't really interested in this thread… however, it's
now gotten quite interesting.
Same here ...
This is intellectually interesting but the question is not who
hello
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of David Kastrup
)Sent: 17 March 2011 14:57
)To: lilypond-user@gnu.org
)Subject: Re: [OT] Vivi, the Virtual Violinist, plays
On Thu 17 Mar 2011, 15:31 Graham Percival wrote:
As for *good* computer-performed music... it's not my favorite Miku
work, but can you honestly say that you feel no emotion when
watching this?
http://www.youtube.com/watch?v=g1Dqb6uJ8WY
(maybe you _can_ say that you feel nothing, but I can't
Marc Mouries m...@mouries.net writes:
On 3/17/2011 10:57 AM, David Kastrup wrote:
Marc Mouriesm...@mouries.net writes:
This is intellectually interesting but the question is not who
deserves to create good music? but rather who wants to listen to
music made by someone that does not
Another tree to bark up and on a similar note, how to set roman
numerals in Score.markFormatter as rehearsal marks via \mark \default
...
\version 2.12.3
\relative c' {
\set Score.markFormatter = #(fancy-format #f ~@r. 1)
\mark \default
a b c d
\mark \default
a b c d
}
gives:
On 3/17/2011 11:31 AM, Graham Percival wrote:
Art conveys emotions which are the one thing that make us human
and thus should be played by human.
should be? Hmm. Art conveys emotions, and thus sheet music
should be engraved by a human.
You are mixing unrelated things. The analogy is about
David Santamauro david.santama...@gmail.com writes:
One thing a robot, or any type of computer generated music will never
replace is the simple gratification of actually playing -- from a
players perspective.
What a ridiculous criterion. One thing you or any type of human
generated music
On 3/17/11 9:37 AM, Adam Good adamg...@adamgood.com wrote:
Another tree to bark up and on a similar note, how to set roman
numerals in Score.markFormatter as rehearsal marks via \mark \default
...
\version 2.12.3
\relative c' {
\set Score.markFormatter = #(fancy-format #f ~@r. 1)
On Thu, Mar 17, 2011 at 11:08:53AM -0400, Kieren MacMillan wrote:
Hi David,
The whole point is that a computer, left to its own devices, would never
think of playing the violin or chess. It would sit in a corner and rust.
With all due respect, I don't even think that's the point -- for
Quoting Marc Mouries (m...@mouries.net):
This is intellectually interesting but the question is not who deserves to
create good music? but rather who wants to listen to music made by
someone that does not practice? and who wants to listen to music played by
a computer? Sure many times,
Graham Percival gra...@percival-music.ca writes:
On Thu, Mar 17, 2011 at 11:08:53AM -0400, Kieren MacMillan wrote:
Hi David,
The whole point is that a computer, left to its own devices, would never
think of playing the violin or chess. It would sit in a corner and rust.
With all due
On Thu, Mar 17, 2011 at 12:38:48PM -0400, Marc Mouries wrote:
On 3/17/2011 11:31 AM, Graham Percival wrote:
Art conveys emotions which are the one thing that make us human
and thus should be played by human.
should be? Hmm. Art conveys emotions, and thus sheet music
should be engraved by a
Graham,
BS. Watching musical robots is *incredibly* interesting, and way
way way more interesting than a human!
(seriously! I mean, you can wonder how much power it uses, and
whether they use wired or wireless transmission, or how many
degrees of freedom each of the joints offers,
Hi all,
how can I get the staff-lines vertically aligned?
\version 2.13.40
\layout { line-width = 6.2\cm ragged-right = ##f }
\markup \fill-line {
\column{
\score {
\new Staff { c''' }
\layout { }
}
}
\column{
\score {
\new Staff
Hi David,
You are confusing teaching, training, and programming.
No: they are simply three different levels/aspects/stages/manifestations of the
same basic task.
You don't teach an encyclopedia or an expert system
You don't train or program an encyclopedia either -- the closest you can
Hi Graham,
With all due respect, I don't even think that's the point -- for
at some future date, there will undoubtedly be a computer which,
left to its own devices, *would* think of playing the violin or
chess rather than sitting in a corner and rusting.
Actually, I doubt that.
Wow,
Hi David,
This day has more-or-less arrived. Whether we like it or not, most of
the music we hear in our daily lives, e.g., radio spots, commercials,
tv-shows and ever-increasingly, major motion pictures are filled with
music generated by computers, albeit mostly through samples generated
by
Marek Klein wrote:
Hi all,
how can I get the staff-lines vertically aligned?
\version 2.13.40
\layout { line-width = 6.2\cm ragged-right = ##f }
\markup \fill-line {
\column{
\score {
\new Staff { c''' }
\layout { }
}
}
\column{
Marek Klein wrote:
how can I get the staff-lines vertically aligned?
Here's another padding hack:
\layout { line-width = 6.2\cm ragged-right = ##f }
centeredVAG = \with { \override VerticalAxisGroup #'Y-extent = #'(-8 . 8) }
\markup \fill-line \vcenter {
\column{
\score
I, for one, welcome our new computer overlords. -- Ken Jennings
:-,
Mike
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From the LilyPond essay I learned that LilyPond deliberately *avoids* lining up
the staff lines vertically to make the music look more like a hand engraved
manuscript . . .
On 17 Mar 2011, at 10:28 PM, Robin Bannister wrote:
Marek Klein wrote:
how can I get the staff-lines vertically
I, for one, welcome our new computer overlords. -- Ken Jennings
=)
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Thank you all!
Marek
http://gregoriana.sk
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Graham == Graham Percival gra...@percival-music.ca writes:
Graham Percival gra...@percival-music.ca writes:
It comes down to this: - new tool for composers.
It's also a tool for music teachers. And I'd argue that that is as
important if not more so.Human students do an awful lot of
Robin Bannister wrote:
Marek Klein wrote:
how can I get the staff-lines vertically aligned?
Here's another padding hack:
\layout { line-width = 6.2\cm ragged-right = ##f }
centeredVAG = \with { \override VerticalAxisGroup #'Y-extent = #'(-8 .
8) }
\markup \fill-line
Graham,
I think the impact of making it easier and better for music *composers*
will outweigh any inconvience for music *performers*.
[...]
it's created a market for thousands of people to create
music where it was previously impossible.
Unfortunately, lower barrier of entry almost always
Version 1.5 of the Articulate scripts is now available from
http://www.nicta.com.au/people/chubbp/articulate/
This version adds support for mordents --- thanks to Patrick Karl who
reported the issue.
The next big thing I'd like Lilypond to do is to handle dynamics in
MIDI better. The problem
Right -- markFormatter needs to be a procedure, so you define it as a
lambda procedure:
\set Score.markFormatter = #(lambda (mark) (fancy-format #f ~@r. mark))
Haven't tested, but this is the general idea.
This lambda procedure needs 2 arguments.
With :
\set Score.markFormatter = #(lambda
On Fri, 18 Mar 2011, Peter Chubb wrote:
(from Messiaen's `Abime des Oiseaux', bar 13) -- a smooth crescendo
over almost the full range of the instrument.
I love that piece ! Which is remarkable, since I hate most clarinet music
with a few exceptions including Mozart's Clarinet Concerto and
On Fri, 18 Mar 2011, Peter Chubb wrote:
(from Messiaen's `Abime des Oiseaux', bar 13) -- a smooth crescendo
over almost the full range of the instrument.
Martin I love that piece ! Which is remarkable, since I hate most
Martin clarinet music with a few exceptions including Mozart's
Martin
On Fri, Mar 18, 2011 at 01:56:05AM +0100, Martin Tarenskeen wrote:
But let's stay on-topic: Keep up the good work with your articulate
script. Any chance articulate will be an integrated, built-in
functionality in Lilypond in the future ?
I estimate it would take about 5 hours from a Frog.
2011/3/17 Graham Percival gra...@percival-music.ca:
I estimate it would take about 5 hours from a Frog. I've been
estimating this for the past few years, but nobody's even
attempted to tackle it yet.
It is a feature that already works... would be nice to have! :-)
Are there any downside?
On Thu, Mar 17, 2011 at 10:20:38PM -0300, Bernardo Barros wrote:
2011/3/17 Graham Percival gra...@percival-music.ca:
I estimate it would take about 5 hours from a Frog. I've been
estimating this for the past few years, but nobody's even
attempted to tackle it yet.
It is a feature that
On 3/17/11 5:04 PM, Gilles THIBAULT gilles.thiba...@free.fr wrote:
fancy-format doen't seem to be part of guile, so only a function added by
Lilypond. I found it in output-svg.scm defined as follow :
(define fancy-format format)
So it is exactly the same !
What the advantage to use
On 3/17/11 5:04 PM, Gilles THIBAULT gilles.thiba...@free.fr wrote:
Just a comment :
If you use format instead of fancy-format it works too.
fancy-format doen't seem to be part of guile, so only a function added by
Lilypond. I found it in output-svg.scm defined as follow :
(define fancy-format
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