Hello Michael,
I know next to nothing about JEdit, except that it installed on my
(Windows) system without any difficulty. No-one else has replied, so I
thought I'd mention that a few more details are probably required
before anyone can help. It would appear that JEdit is not finding a
necessary
On Fri, Apr 8, 2011 at 2:53 PM, Michael Dykes thedoctor81...@gmail.com
wrote:
I just started using JEdit and the LilypondTools provided as a plug-in for
that editor. Everytime I use it though, I keep getting the follwoing error:
java.io IOException:error=2, No such file or directory - Any help
When a tie is broken across staves, the second part of the tie defaults
to starting right at the key signature. How can I move it slightly away?
Setting extra-spacing-width for the KeySignature moves the first note
further away but doesn't move the starting point of the broken tie. I
also
bruys . wrote:
Hello Again,
Part 2: If I put each part into a separate voice context, the ties are
in the right direction, but otherwise it's a real mess.
i tried another approach starting from your original code:
since the tie of the d'' goes thru the fis'' it looks a bit funny if
I feel this is quite the point. Mutopia is a very nice project, no
doubt. But a repository only with ly-files would be also very helpful,
in conjonction (does it exist?) with a lily-fonction to translate
notes names from one language t another (I got used to netherland
notes names, and i dislike
Unfortunately, there is an obvious error in Bach Goldberg
Aria bar 18 that I have seen propagated to several other versions
that have used this as source. Not good.
-steve
2011/4/8 Francisco Vila paconet@gmail.com
2011/4/8 steve st...@linuxsuite.org:
Howdy!
 Hope this
Out of topic??? Tis lilypond and the thread is mutopia, what that???
2011/4/8, st...@linuxsuite.org st...@linuxsuite.org:
Unfortunately, there is an obvious error in Bach Goldberg
Aria bar 18 that I have seen propagated to several other versions
that have used this as source. Not good.
Am 09.04.2011 04:50, schrieb Aleksandr Andreev:
Hello folks,
Basically, I'm trying to create a library of Lilypond scores with some of my
collaborators and I'd like to automate the process. I've installed Lilypond on
my server and I've allowed each user to drop Lilypond source files via a Perl
\tempo 4 = 72
\override Score.MetronomeMark #'stencil = ##f
Nick, I've been using:
tpoMidi = #(define-music-function (parser location bUnit rayt) (number?
number?)
#{
\once \set Score.tempoHideNote = ##t
\set Score.tempoWholesPerMinute =
Hello,
one thing I missed last time we were discussing the future of Mutopia, was
to thank Chris for his wonderful work in recent years.
I wanted to write a post to this group, but remembered that friends, which I
wanted to draw to Lilypond are also interested in my reflections. So I
posted them
2011/4/9 Hajo Dezelski dl1...@googlemail.com:
- The depositary should be locate on one site.
- Contributors should be responsible for their files
- Contributers should identify themselves by real names
- Contributers should be able with the help of software to produce from
their ly-file a
Back in the olden days, lilypond-book only set the music, and left the
titling to the publishing program. I produced a book of Drinking Songs
in LaTeX, with the titles in hge, an Old English font derived from the
Hershey font.
I now want to do an updated version of this book. I would like the
Is possible to write regular eight notes and set settings in midi output to
generate a swing rhythm like?
inline: SwingRhythm.gif
-Marc___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Am 2011-04-09 um 17:32 schrieb Laura Conrad:
1. How to tell lilypond how to use a particular font for titles.
\header{
title = \markup{\override #'(font-name . Old English) Your Title}
}
It
would be preferable to have a variable that I could set for all my
files, so that saying:
The other day I had the brilliant idea of writing some python code to generate
the lilypond input for exercises. After all, generating the lilypond code for
all triads, all scales, whatnot, is pretty simple.
So now I have this exercise study that generates close to 2000 scales like
\relative c
I checked the doc here:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Displaying-rhythms
and it says: partial command is intended to be used only at the beginning of a
piece. If you use it after the beginning, some odd warnings may occur.
Any pointer about how to achieve this?
Henning == Henning Hraban Ramm hra...@fiee.net writes:
Henning Am 2011-04-09 um 17:32 schrieb Laura Conrad:
1. How to tell lilypond how to use a particular font for titles.
Henning \header{
Henning title = \markup{\override #'(font-name . Old English) Your
Title}
Thanks.
(sorry for breaking the thread. is there an easy way to follow up to a message
in the digest?)
Is this project dead?
Sadly yes it is, in practice.
I hope everyone knows about the Werner Icking Music Archive?
http://icking-music-archive.org/index.php
Public domain, pdf files, and the
Laura == Laura Conrad lcon...@laymusic.org writes:
Laura This is on lilypond 2.13.58. On 2.12.3, it seems to work
Laura fine. I guess I should report this to bugs.
I take it back. 2.12.13 has different bugs. It works fine with
Georgia, but doesn't seem to see the fonts I installed,
One way would be to write a music function that produces converts
straight-eighths to swing values. Here's an outline of what's needed.
Perhaps someone has already solved this. You should be able to find some
code in LSR that can be modified to do what you want. Changing durations is
trivial,
Hi,
2011/4/9 Marc Mouries m...@mouries.net
I checked the doc here:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Displaying-rhythms
and it says: partial command is intended to be used only at the beginning
of a piece. If you use it after the beginning, some odd warnings may
Laura,
See below
- Original Message -
From: Laura Conrad lcon...@laymusic.org
I'm sure it does. But right now there's still a problem. When I
put the title markup into my file, and run lilypond on it, lilypond is
fine, but then when it tries to convert the .ps file to .pdf,
I have my first page of music notated with lilypond here:
http://www.flickr.com/photos/61572029@N04/5603253711/
CONCERNING area's marked in red A1 and A2:
Sometimes I require one note to have two stems indicating
that the note belongs to two voices. A2 worked out
as I intended but for A1,
Phil == Phil Holmes m...@philholmes.net writes:
Laura ghostscript says:
Laura `(gs -q -dSAFER -dDEVICEWIDTHPOINTS=595.28
Laura -dDEVICEHEIGHTPOINTS=841.89 -dCompatibilityLevel=1.4
Laura -dNOPAUSE -dBATCH -r1200 -sDEVICE=pdfwrite
Laura -sOutputFile=./five.pdf -c.setpdfwrite
I think theres place enough for icking, mutopia and imslp. The nice
with mutopia is that you get 100% the source for the music you search,
so you can rearrange pages turns and much more. Love it,
Francois
2011/4/9, Victor Eijkhout vic...@eijkhout.net:
(sorry for breaking the thread. is there an
Marc Mouries wrote:
checked the doc here:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Displaying-rhythms
and it says: partial command is intended to be used only
at the beginning of a piece. If you use it after the
beginning, some odd warnings may occur.
Any pointer about
Hi.
[...]
I hope everyone knows about the Werner Icking Music Archive?
http://icking-music-archive.org/index.php
Public domain, pdf files, and the maintainer encourages contributors to
include source (and sound or at least midi) files. Most of my music
On Sat, Apr 9, 2011 at 11:34 PM, Music Teacher alicuota...@gmail.com wrote:
I think theres place enough for icking, mutopia and imslp. The nice
with mutopia is that you get 100% the source for the music you search,
so you can rearrange pages turns and much more. Love it,
Of course. There are
On 10/04/11 01:29, Bernardo Barros wrote:
If its possible to download all the material (it is?) would be very
simple to set up a mercurial repository at google code or bitbucket,
if you do not like git.
I while ago I downloaded the complete Mutopia contents to my local hard
drive from the ftp
I have my first page of music notated with lilypond here:
http://www.flickr.com/photos/61572029@N04/5603253711/
CONCERNING area's marked in red A1 and A2:
Sometimes I require one note to have two stems indicating
that the note belongs to two voices. A2 worked out
as I intended but for A1,
On Apr 9, 2011, at 7:08 PM, ivan.k.kuznet...@gmail.com wrote:
I have my first page of music notated with lilypond here:
http://www.flickr.com/photos/61572029@N04/5603253711/
CONCERNING area's marked in red A1 and A2:
Sometimes I require one note to have two stems indicating
Hello Eluze,
This is quite exciting. You have produced a decent result. Your method
promises the ability to tweak away to get the exact result required
(but see below).
It looks like you have shown that the part of the manual that I quoted
is misleading, it seems that setting control-points will
I have a score (attached) that has the lyrics placed rather high, that is
not centered between the staves. I have looked into the manual a lot, and
still have yet to come up with a solution. Help please. Thanks in advance.
--
In Christ,
Michael D
\version 2.12.3
\include english.ly
\include
On 4/9/11 9:48 PM, Michael Dykes thedoctor81...@gmail.com wrote:
I have a score (attached) that has the lyrics placed rather high, that is not
centered between the staves. I have looked into the manual a lot, and still
have yet to come up with a solution. Help please. Thanks in advance.
We have a problem. The only full-time doc writer/editor isn't certain
how breakbefore works, and I'm not certain that he completely
understands the \book{} and \bookparts{} input file structure either.
This has resulted in a much-needed rewrite for Notation 3 Spacing
being delayed by literally
On 4/9/11 10:27 PM, Michael Dykes thedoctor81...@gmail.com wrote:
Sorry. I re-wrote and re-compiled the file, with a newer version (2.13.58) and
the lyrics are farther down, but still not centered b/t the staves. Thanks. It
is attached.
Please keep the replies on list, so they can be of
I have read this - well most of this section before, but when I try it I
still get the same results. Perhaps someone could help me out a little,
please?
On Sun, Apr 10, 2011 at 12:36 AM, Carl Sorensen c_soren...@byu.edu wrote:
On 4/9/11 10:27 PM, Michael Dykes thedoctor81...@gmail.com wrote:
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