Hi,
I am working a large piece with voice, dialogue, etc. (a 'musical').
I have been using Cubase to mock up the various music bits.
Surprisingly, I have found the latest scoring functions to be not
half bad at all. Unfortunately, it still has some serious
shortcomings in terms of adding
Michael
You should be able to adapt the following to do what you want.
Trevor
\score {
\new Staff {
\new Voice = melody {
\relative c'' {
a4 a a a
b4 b b b
a4 a a a
}
}
}
\new Lyrics \lyricsto melody {
Com -- mon sec -- tion.
- Original Message -
From: JCHarris Music m...@jchmusic.com
To: lilypond-user@gnu.org
Sent: Tuesday, April 12, 2011 9:08 AM
Subject: Lilypond with Cubase/DAW for Musical
Hi,
I am working a large piece with voice, dialogue, etc. (a 'musical'). I
have been using Cubase to mock up the
On 11 April 2011 18:13, Valentin Villenave valen...@villenave.net wrote:
On Sat, Apr 9, 2011 at 7:49 PM, Victor Eijkhout vic...@eijkhout.net wrote:
So now I have this exercise study that generates close to 2000 scales like
\relative c { a b c d e f g a g f e d c b a}. And finding the ideal
Dear Nils,
A Google search for ''ties Lilypond enharmonic shows that this topic has
come up a number of times in the past.
Even though ties between enharmonic notes are sometimes used by composers,
and that an example is given in Gardner Read's book, the answer seems to be
that, for Lilypond, a
- Original Message -
From: Mark Austin markaustinmor...@gmail.com
To: lilypond-user@gnu.org
Sent: Tuesday, April 12, 2011 10:47 AM
Subject: Re: Is pagination quadratic?
On 11 April 2011 18:13, Valentin Villenave valen...@villenave.net wrote:
On Sat, Apr 9, 2011 at 7:49 PM, Victor
Dear Keith,
Thank you, your reply is appreciated.
It seems like there a bit of a hole in the documentation with respect to the
Scheme interface, but no doubt a difficult one to fill. Apart from knowing
what an S-expression is, and what cons means, I don't know much Scheme. One
day, I'll have to
Thank you for making this! I have a bunch of Overture files and a
non-working Overture application and have been lamenting the fact some of my
older pieces were lost.
On Mon, Apr 11, 2011 at 1:31 PM, Alberto Vignani
alberto.vign...@fastwebnet.it wrote:
Hello all,
I have made available the
P.S. Sorry, the closing brace '}' was missing.
\version 2.12.3
% enharmonic ties
\score {
{ ces''2 ~ ces''2
ces''2( b'2)
{ ces''2( ces''2)
}
\\
{ s2.
\once \override Stem #'transparent = ##t
\once \override NoteHead #'font-size
bruys . noten...@gmail.com writes:
Dear Nils,
A Google search for ''ties Lilypond enharmonic shows that this topic
has come up a number of times in the past.
Even though ties between enharmonic notes are sometimes used by
composers, and that an example is given in Gardner Read's book, the
Am 2011-04-12 um 11:47 schrieb Mark Austin:
Is it possible to switch of pagination completely, and rely on manual
breaks? To put this in context, I'm compling a book of folk tunes.
These tend to be 2-4 (very rarely more) lines long. I'd like them in
alphabetical order, but with individual tunes
I know that a simple melody is easy, just use layout{} and \midi{} to
get both. It is not always that easy though.
I am typing some traditional folk music into lilypond. In the original
manuscript, grace notes is used to specify how some pralls are to be
played. After a few of these
JCHarris Music writes:
I have been looking at LilyPond, which produces marvelous looking
output
Nicest would be to integrate LilyPond with Cubase, somehow. You could
always do a feature-request with Cubase or ask on a Cubase forum. I'm
currently working on LilyPond integration with FL
How is integration possible at all with the GPL?
On Tue, 12 Apr 2011 20:01:06 +0200
Jan Nieuwenhuizen jann...@gnu.org wrote:
JCHarris Music writes:
I have been looking at LilyPond, which produces marvelous looking
output
Nicest would be to integrate LilyPond with Cubase, somehow. You
How is integration possible at all with the GPL?
On Tue, 12 Apr 2011 20:01:06 +0200
Jan Nieuwenhuizen jann...@gnu.org wrote:
JCHarris Music writes:
I have been looking at LilyPond, which produces marvelous looking
output
Nicest would be to integrate LilyPond with Cubase, somehow. You
Nils Hammerfest writes:
How is integration possible at all with the GPL?
By using mere aggregation. Possibly integration is not the best
chosen word.
Jan.
On Tue, 12 Apr 2011 20:01:06 +0200
Jan Nieuwenhuizen jann...@gnu.org wrote:
JCHarris Music writes:
I have been looking at
On 4/12/11 4:21 PM, Federico Bruni fedel...@gmail.com wrote:
Il giorno mar, 12/04/2011 alle 15.38 -0600, Carl Sorensen ha scritto:
How about redefining \deadNote so it contains
\once \override TabStaff.TabNoteHead #'font-name = #Feta
Thanks.
However, I'm not sure if I know how to
On Tue, Apr 12, 2011 at 12:38 PM, Helge Hafting helge.haft...@hist.nowrote:
What I need, is to get the midi output for
\appoggiatura{e16 fis} e16
but the layout for
e16\prall
Hi Helge,
You could use tags. The following produced the desired results for me even
though LilyPond (2.13.54)
Il giorno mar, 12/04/2011 alle 15.38 -0600, Carl Sorensen ha scritto:
How about redefining \deadNote so it contains
\once \override TabStaff.TabNoteHead #'font-name = #Feta
Thanks.
However, I'm not sure if I know how to redefine existing commands.
The following code is not working, because
2011/4/11 胡海鹏 - Hu Haipeng hhpmu...@163.com
Thanks. The example is quite large, so I'm sending the paper block, not so
complicated:
\paper {
left-margin = 40\mm
right-margin = 10\mm
two-sided = ##t
inner-margin = 40\mm
outer-margin = 10\mm
print-first-page-number = ##t
}
Il giorno dom, 10/04/2011 alle 11.53 +0200, Federico Bruni ha scritto:
I use a different font for TabStaff:
\override TabStaff.TabNoteHead #'font-name = #Nimbus Sans L Bold
But when a score contains \deadNote I'm forced to comment the line above
and switch back to Feta, otherwise lilypond
On 4/12/11 3:28 PM, Federico Bruni fedel...@gmail.com wrote:
Il giorno dom, 10/04/2011 alle 11.53 +0200, Federico Bruni ha scritto:
I use a different font for TabStaff:
\override TabStaff.TabNoteHead #'font-name = #Nimbus Sans L Bold
But when a score contains \deadNote I'm forced to
I have a simple problem which I've never before faced, and I'm hoping
there exists a simple solution about which someone can tell me.
I play and write music for classic guitar, so I use \clef treble_8
in my scores (classic guitar sounds an octave lower than the music
notation).
I want to
I'm having an issue with stacking markup text in the correct order. The
example input follows.
%%%
\version 2.12.3
\new DrumStaff \new DrumVoice \drummode {
\stemUp
sn4:16_L_R ~ sn4-_L_R
sn4:16_R_L ~ sn4-_R_L
}
Dear Alberto,
It's great. I am promoting lilypond to my Chinese friends. Normally
they have tons of files in ove format. They do not want to change to
lilypond or other GUI programs based on lilypond. Your program should
be helpful.
benluo
On Tue, Apr 12, 2011 at 1:31 AM, Alberto Vignani
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