On 08/19/2011 09:47 AM, Henning Hraban Ramm wrote:
No, they don't. They don't want a free world at all - did you read their
rules?
The winner has to give all rights to this city hall, and the contest
and its sponsors must appear an all publications of the piece forever!
Er, no. They are
On Aug 22, 2011, at 11:34 AM, Joseph Wakeling wrote:
Why does anyone using LilyPond care about these blokes at all?
Because even if they were requesting full copyright transfer, it's not a
good thing that they exclude composers on the basis of the software used.
(Why does anyone care
Hi,
Just a thought:
I'm not very familiar with the use of Finale or Sibelius.
But I guess it is possible to import external graphics into a
Finale or Sibelius score ?
It would be fun to do the following:
- create your score with Lilypond.
- export/convert your Lilypond score to some
Am 22.08.2011 11:52, schrieb Martin Tarenskeen:
Hi,
Just a thought:
I'm not very familiar with the use of Finale or Sibelius.
But I guess it is possible to import external graphics into a Finale
or Sibelius score ?
It would be fun to do the following:
- create your score with Lilypond.
-
2011/8/22 Martin Tarenskeen m.tarensk...@zonnet.nl:
Hi,
Just a thought:
I'm not very familiar with the use of Finale or Sibelius.
But I guess it is possible to import external graphics into a Finale or
Sibelius score ?
It would be fun to do the following:
- create your score with
2011/8/22 Mike Solomon mike...@ufl.edu:
+1
Any response back from them? I have a python patch in the wings itching to
generate a six organ score.
Perhaps the creation of a lilypond-advocacy list is in order? I would not
mind at all spending 15 minutes a week writing letters to
Janek Warchoł janek.lilyp...@gmail.com writes:
2011/8/22 Mike Solomon mike...@ufl.edu:
+1
Any response back from them? I have a python patch in the wings
itching to generate a six organ score.
Perhaps the creation of a lilypond-advocacy list is in order? I
would not mind at all spending
Joseph Wakeling joseph.wakel...@webdrake.net writes:
On 08/19/2011 09:47 AM, Henning Hraban Ramm wrote:
(Why does anyone care about a concerts for six organs at all? I'm
just a humble folk musician, but I know there are great organs around
where you don't need six organists playing at once.
Am Monday, 22. August 2011, 12:13:55 schrieb David Kastrup:
Joseph Wakeling joseph.wakel...@webdrake.net writes:
On 08/19/2011 09:47 AM, Henning Hraban Ramm wrote:
(Why does anyone care about a concerts for six organs at all? I'm
just a humble folk musician, but I know there are great
Hi Lilyponderers,
I agree with Joseph - let's not blow this out of proportion and start
creating conspiracies. of course I also agree with everyone else that
this ist simply annoying and stupid, not to mention unprofessional, on
part of the contest organisers.
who, by the way, replied to my
In this case, there are 6 organs, spaced about 30 meters apart
throughout the whole church. This adds the whole space dimension to
the experience.
Well, there is at least one other place where you could perform pieces
from this contest without organizing additional organs: The Salzburg
Reinhold Kainhofer reinh...@kainhofer.com writes:
Am Monday, 22. August 2011, 12:13:55 schrieb David Kastrup:
Joseph Wakeling joseph.wakel...@webdrake.net writes:
On 08/19/2011 09:47 AM, Henning Hraban Ramm wrote:
(Why does anyone care about a concerts for six organs at all? I'm
just a
Robert Schmaus robert.schm...@web.de writes:
Hi Lilyponderers,
I agree with Joseph - let's not blow this out of proportion and start
creating conspiracies. of course I also agree with everyone else that
this ist simply annoying and stupid, not to mention unprofessional, on
part of the
Am 22.08.2011 13:07, schrieb Robert Schmaus:
Hi Lilyponderers,
I agree with Joseph - let's not blow this out of proportion and start
creating conspiracies. of course I also agree with everyone else that
this ist simply annoying and stupid, not to mention unprofessional, on
part of the contest
Jan-Peter Voigt jp.vo...@gmx.de writes:
Does anyone know, what happens, if someone uses a sib-generated xml in
finale?
Jean Sibelius turns counterclockwise in his grave, as opposed to his
direction when typesetting a score with Sibelius.
--
David Kastrup
Am 22.08.2011 14:02, schrieb David Kastrup:
Jan-Peter Voigtjp.vo...@gmx.de writes:
Does anyone know, what happens, if someone uses a sib-generated xml in
finale?
Jean Sibelius turns counterclockwise in his grave, as opposed to his
direction when typesetting a score with Sibelius.
:-)
and
2011/8/22 Jan-Peter Voigt jp.vo...@gmx.de:
Am 22.08.2011 13:07, schrieb Robert Schmaus:
Hi Lilyponderers,
I agree with Joseph - let's not blow this out of proportion and start
creating conspiracies. of course I also agree with everyone else that
this ist simply annoying and stupid, not to
2011/8/22 Janek Warchoł janek.lilyp...@gmail.com:
What would be the point of using LilyPond then, if all the beautiful
formatting will be lost?
Keyboard entry? Click-and-edit PDF generation?
Christ van Willegen
--
09 F9 11 02 9D 74 E3 5B D8 41 56 C5 63 56 88 C0
What would be the point of using LilyPond then, if all the beautiful
formatting will be lost?
to stay in touch with those, who can't read .ly and wand to use it in an
existing workflow (or whatever you might call it).
If this xml export is finale readable, you might enter this contest and
Urs Liska lilyp...@ursliska.de writes:
The point is to be more open in a bidirectional exchange. This option
would allow to write scores in LilyPond even when you for some reason
or the other are obliged to produce Finale/Sibelius files. There are
several situations I could think of:
*
On 08/22/2011 03:30 PM, David Kastrup wrote:
Assume that the composer has created a four part fugue with macros for
the parts and counterparts, snug together with augmentation,
transposition and so on. You can change the theme, and get a different
fugue out.
But an editor does not want to
Am 2011-08-22 um 11:34 schrieb Joseph Wakeling:
On 08/19/2011 09:47 AM, Henning Hraban Ramm wrote:
No, they don't. They don't want a free world at all - did you read
their
rules?
The winner has to give all rights to this city hall, and the
contest
and its sponsors must appear an all
On Aug 22, 2011, at 3:45 PM, Joseph Wakeling wrote:
On 08/22/2011 03:30 PM, David Kastrup wrote:
Assume that the composer has created a four part fugue with macros for
the parts and counterparts, snug together with augmentation,
transposition and so on. You can change the theme, and get a
Am 22.08.2011 15:47, schrieb Mike Solomon:
You can always get Lilypond's music stream (you can see it via the
\displayMusic function), which is everything expanded out (save quoted voices)
unless you do some real tricky Scheme work with delays, the latter of which
you'd need to be really
On Aug 22, 2011, at 4:11 PM, Urs Liska wrote:
Am 22.08.2011 15:47, schrieb Mike Solomon:
You can always get Lilypond's music stream (you can see it via the
\displayMusic function), which is everything expanded out (save quoted
voices) unless you do some real tricky Scheme work with
Am 22.08.2011 16:40, schrieb Mike Solomon:
Yup.
I started doing this a while back - most of it is doable, and Jan has implemented some
helper functions as well. It is kinda thorny, though, and only works for a certain
category of tame music.
Is this a restriction/problem on the LilyPond
Hi all,
Can anyone explain why the following snippet
\version 2.15.8
\paper { ragged-right = ##f }
\relative c'' {
\dynamicUp c4 c'\mp c,
\override DynamicText #'X-offset = #-12
\override DynamicLineSpanner #'Y-offset = #0
\override DynamicLineSpanner #'staff-padding = #2
c'\mp
}
On Aug 22, 2011, at 4:48 PM, Urs Liska wrote:
Am 22.08.2011 16:40, schrieb Mike Solomon:
Yup.
I started doing this a while back - most of it is doable, and Jan has
implemented some helper functions as well. It is kinda thorny, though, and
only works for a certain category of tame
Hi Mike,
The musicXML standard.
It is somewhat compromised… =(
This is because it is not object oriented, so (unless someone can offer me
proof to the contrary) one cannot say things to the effect of cross-staff
stem X should reach down to note-head Y.
I also think that's impossible.
Am 22.08.2011 16:55, schrieb Mike Solomon:
On Aug 22, 2011, at 4:48 PM, Urs Liska wrote:
Am 22.08.2011 16:40, schrieb Mike Solomon:
Yup.
I started doing this a while back - most of it is doable, and Jan has implemented some
helper functions as well. It is kinda thorny, though, and only
Hi Urs,
Is it also measure oriented (vs. voice oriented)?
There are Timewise and Partwise schemas, and stylesheets to translate between
the two.
Cheers,
Kieren.
___
lilypond-user mailing list
lilypond-user@gnu.org
Am 22.08.2011 15:30, schrieb David Kastrup:
Urs Liskalilyp...@ursliska.de writes:
The point is to be more open in a bidirectional exchange. This option
would allow to write scores in LilyPond even when you for some reason
or the other are obliged to produce Finale/Sibelius files. There are
Am 22.08.2011 17:13, schrieb Kieren MacMillan:
Hi Urs,
Is it also measure oriented (vs. voice oriented)?
There are Timewise and Partwise schemas, and stylesheets to translate between
the two.
Cheers,
Kieren.
Ah, clever. I read these words but didn't really think of what it could
mean...
2011/8/22 Christ van Willegen cvwille...@gmail.com:
2011/8/22 Janek Warchoł janek.lilyp...@gmail.com:
What would be the point of using LilyPond then, if all the beautiful
formatting will be lost?
Keyboard entry?
For many people it's a disadvantage.
Certainly entering notes on a virtual staff
Janek Warchoł janek.lilyp...@gmail.com writes:
2011/8/22 Christ van Willegen cvwille...@gmail.com:
2011/8/22 Janek Warchoł janek.lilyp...@gmail.com:
What would be the point of using LilyPond then, if all the beautiful
formatting will be lost?
Keyboard entry?
For many people it's a
2011/8/22 David Kastrup d...@gnu.org:
I tend to tackle complex programming problems on paper first. According
to your rationale, this is unreasonable as the goal is to run them on a
computer. But paper better facilitates me thinking about the problem.
When I think of a melody, one reflex is
Scribit Kieren MacMillan dies 18/08/2011 hora 08:46:
I hereby reiterate my offers of bounty and/or XML and XSLT coding
assistance for any MusicXML project/effort
I have a fair amount of experience coding both in C++ and Scheme (and
I have played quite a lot with XML in the past), and if I were
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